Mathew Jonson x APB DynaSonics Artist Feature

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  • čas přidán 21. 08. 2024
  • APB DynaSonics comes at you again, this time with Mathew Jonson.
    Mathew shows you insights to his workflow and what you can learn at his Freedom Engine Academy. He also talks about his history with music production, what he's currently got going on and his relation to APB DynaSonics and their analog mixers.
    Check out Mathew Jonson's Freedom Engine here: www.freedomengineacademy.com
    Concept and Production by Steffen Hammer:
    / shammer.raw
    #apbdynasonics #mathewjonson #freedomengineacademy #analogdesk #analogmixer #19inch #rackmixer #equalizer
    #stateoftheart #warmaudio #eurorack #modularsynth

Komentáře • 24

  • @hernandoando
    @hernandoando Před rokem +1

    Love Matthew!!

  • @MathewJonsonWR
    @MathewJonsonWR Před rokem +1

    I feel lucky to have it.

  • @lcaise
    @lcaise Před rokem +1

    LEGEND

  • @ghal3on
    @ghal3on Před 7 měsíci

    great board !!!!

  • @automationtraveler
    @automationtraveler Před rokem +3

    Love this interview. Very similar to how I work.

  • @mas3974
    @mas3974 Před 11 měsíci

    Like his music

  • @igorcvitkovic9870
    @igorcvitkovic9870 Před rokem +7

    such a great content,but after this camera treatment i feel seasick

  • @devondetroit2529
    @devondetroit2529 Před rokem +2

    What’s that huge blue synth he’s playing?!

    • @flamegrylls8965
      @flamegrylls8965 Před rokem +2

      Rhodes Chroma with Enabler - I think the "Endabler" is some kind of custom controller for some rare Rhodes synth called a Chroma. I don't really know and I've had a bottle of wine already but from what I understand...I don't know. Many thanks.

    • @MathewJonsonWR
      @MathewJonsonWR Před rokem +1

      The blue one is a PPG Wave 2.2/2.3 :-)

  • @damianwebzyx6613
    @damianwebzyx6613 Před rokem

    Remembering me to my first midi Sessions in the 80.s with Korg DDM1 Kawai Q80 Sequencer and my Ensonic ESQ1 … nobody wanted to hear such stuff at this time .. ☺️

  • @klimentiy4439
    @klimentiy4439 Před 11 měsíci +1

    Пиздец он постарел, время никого не жалеет

  • @bassmelody2868
    @bassmelody2868 Před rokem

    lucky people have so much equipment they have!!!!!!!!!!

    • @maracuder
      @maracuder Před rokem +1

      This is also true for unlucky people - they have so much as they have.

    • @atarirob
      @atarirob Před 10 měsíci

      Yeah...but I don't think any of it is essential, judging by his music. Sounds like he could make the exact same stuff with just Ableton. No shade on Matthew, he seems like a cool guy.

  • @AlistairMaxwell77
    @AlistairMaxwell77 Před rokem +2

    the big console has been removed from the apb web page and seems to have been discontinued. shame.

    • @wackerburg
      @wackerburg Před rokem

      For quite some years, yes. Their H1020 console is way too small for my application.

  • @aaronhedgesmusic
    @aaronhedgesmusic Před rokem

    Man the primary video stuff is so over exposed. For a company known for excellence in their audio why is the video work so bad? This is embarrassing 🙈

    • @steffenhammer1290
      @steffenhammer1290 Před rokem +4

      Hey I made the video and I'll take your comment as a critique for next time. Here, unfortunately, nothing more has been salvageable. I filmed here with slog and noticed it only in post-processing. The only other option would be not to publish the video, but it is far too informative for that. In addition, APB does not build video cameras.

    • @aaronhedgesmusic
      @aaronhedgesmusic Před rokem +1

      @@steffenhammer1290 no worries, it’s just the exposure was bad and often there are so many cuts when the focus of the camera jumps back and forth. It just made it not as watchable compared to videos from other companies. Just my two cents. I hope you can do better next time :)

    • @kamilpeteraj762
      @kamilpeteraj762 Před rokem

      @@steffenhammer1290when in slog, it should take grading and WB adjustment really well. It feels like the problem is not the footage but rather the post or lack thereof. Just slapping a custom LUT on it would make it look 10 times better.
      On the other hand - we are super spoiled these days. I do remember the grainy vhs days… so yeah. Mathew is amazing as always.