Jazz Chord Shapes with Multiple Applications

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  • čas přidán 20. 08. 2024
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Komentáře • 30

  • @nbevan3
    @nbevan3 Před 2 lety

    This is just the right level for me at the moment, I understand what you say and it makes my head hurt just the right amount.
    Thank you.

  • @LooMinn
    @LooMinn Před 2 lety +2

    I absolutely identify with Harmonic Identity Disorder because it exponentially increases one's tonal/color musical palette.
    Great lesson Mr. Z.

  • @mikepollack8277
    @mikepollack8277 Před 2 lety +4

    Very informative indeed. A true jazz guitar guru!

  • @faisletoismeme
    @faisletoismeme Před 2 lety +1

    Thanks Richie, this is fantastic. The endless fretboard exploration.

  • @jimmymurphy7789
    @jimmymurphy7789 Před 2 lety

    The "Vincent Price" of Jazz Guitar Instruction is at it again ! Great video presentation - TY.

  • @fouroutoffour
    @fouroutoffour Před 2 lety +2

    Richie this is great. Along with your newly updated chord-scale mapping, this is really helping me connect everything! While adding new fingerings from the heptatonic system I found that anchoring it to a chord shape was crucial in helping my fretboard memory for line playing but also for comping. The more I practice it’s becoming clear that chord vocabulary and line playing intersect in ways I didn’t appreciate and they reinforce each other. This video adds to that. Thanks so much!

    • @RichieZellon
      @RichieZellon  Před 2 lety +2

      Thanks! Absolutely, understanding the underlying scale fingering that generates any given chord shape is what allows us 6 stringers to understand the fretboard more or less like the keyboard players . However, they have it so much easier though.... the chord on one hand and the scale on the other, and both from the same fingering!! :)

  • @laurentrinaldi2339
    @laurentrinaldi2339 Před 2 lety

    Bonjour Ritchie,
    C'est genial merci !
    🎸🎶👍

  • @motorbikeray
    @motorbikeray Před 2 lety +1

    Great info Richie. The more I learn about music theory the more fascinating I find it. Thanks!

    • @RichieZellon
      @RichieZellon  Před 2 lety +1

      Glad you enjoyed it. Thanks for your feedback!

  • @johnjacquard863
    @johnjacquard863 Před 2 lety

    your videos have evolved nicely! thanks

  • @christophersinisi1109
    @christophersinisi1109 Před 2 lety

    Awesome lesson!!!

  • @MrTarlecon
    @MrTarlecon Před 2 lety

    Just two days ago in a Joe Pass book I saw something like "play this same chord with C, G, Gb or E in bass and try to give it the right name... every time". Richie, I want to thank you for both brilliant content and wonderful language - one more type of music for a foreigner🙏

    • @RichieZellon
      @RichieZellon  Před 2 lety +1

      Thanks Sergey! It's important to understand the theory behind what we are playing if we want to learn how to apply chords in different ways...at least in jazz (like I just told the person who just said in his comments, "I hate this kind of stuff, How does this barabajaggle help anything?")

    • @MrTarlecon
      @MrTarlecon Před 2 lety

      @@RichieZellon "this barabajaggle" is one of the most exciting works for mind

  • @TS-so2xi
    @TS-so2xi Před 2 lety

    Thanks

  • @Danumurti18
    @Danumurti18 Před rokem

    I have a feeling about this already, but not sure, especially with m7b5 shape. For maj7 and min7 I already knew that I can play them in the same shape just different bass. I thought m7b5 shape can only superimposed to dominant chord (maj 3rd of the dom chord), the fact that it can also become minor and even major chord is very informative and exotic sound. Thanks.

  • @randyhetlage9202
    @randyhetlage9202 Před 2 lety

    I love it, this is what we used to call pluralities or plurals , and ya, great stuff for sure. Thanks Richie . ☆♡☆

  • @bruceboome
    @bruceboome Před rokem

    Structure one could also be A7(sus)b9 and (slightly less convincingly) Fmaj13(sus).

  • @DaikiGuitar
    @DaikiGuitar Před 2 lety

    Always great content, thanks Richie 🙏

  • @waynehicks1969
    @waynehicks1969 Před 2 lety

    I was enjoying this until you mentioned tectonic minor kumquat other minor plumbing unicorn degree. I hate that kind of crazy stuff. Isn't that all just sophistry. I mean how does that barabajaggle help anything?

    • @RichieZellon
      @RichieZellon  Před 2 lety +2

      Have no clue what you're talking about. It sounds like you don't understand or care to understand music theory which is crucial if you want to play jazz...

    • @motorbikeray
      @motorbikeray Před 2 lety +2

      "tectonic minor kumquat other minor plumbing unicorn degree" 🤣 Don't know where in the video you heard those non-existent chords mentioned. Sounds like you want to play jazz using only cowboy chords at the first position. 👍

    • @RichieZellon
      @RichieZellon  Před 2 lety +1

      @@motorbikeray Thanks for translating! 🤣🤣

    • @sclogse1
      @sclogse1 Před 2 lety +3

      No, it's the bottom line. Chet Baker learned to play by ear. I found your comment amusing, but others might find it hostile. It's architecture. Foundation. Somebody had to come up with the design of a guitar and string types, fret lengths, etc. I guarantee they weren't flying casual.