Sofa Sessions: Conversations with Martin Parr - Hans Eijkelboom

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  • čas přidán 28. 01. 2020
  • From the homogenisation of worldwide fashion, taking photographs without looking through the camera, to the future of the highstreet - Hans Eijkelboom discusses his photographic practice and reflections on society in the latest instalment of 'Sofa Sessions: Conversations with Martin Parr'.
    Hans exhibition, 'Street Fusion' was on at the Martin Parr Foundation in Bristol between 22.01.20 - 14.03.20.
    To buy Hans' book visit our shop: www.martinparrfoundation.org/...
    Produced by the Martin Parr Foundation.
    Filmed and edited by Alexander Parkyn-Smith
    / alexanderparkynsmith

Komentáře • 6

  • @Magneira
    @Magneira Před 4 lety +1

    This was great and I did not know he was in Brazil, sad that I lost the opportunity to see it.

    • @MartinParrFDN
      @MartinParrFDN  Před 4 lety +1

      Very glad you enjoyed it @Magnum. Hopefully you can find another opportunity soon to see his work.

    • @Magneira
      @Magneira Před 4 lety

      @@MartinParrFDN I hope so!

  • @Clicknick007
    @Clicknick007 Před 4 lety +3

    Thank you for this interview. Very interesting, and reminded me of the work of Vivian Maier, who used the top-down viewfinder Rollei, for her candid street photography. Most of the new digital cameras have straight viewfinders making the action of photo-taking more obvious. Also, I think we have lost something with fewer low-level shots. But this is excellent work.

    • @MartinParrFDN
      @MartinParrFDN  Před 4 lety

      @NickRichardson do you think it is just about how obvious a photographer is with the use of a downward viewfinder? If you see the image of Diane Arbus photographing in the park the large flash and camera is pretty obvious but the photos benefit from a top-down viewfinder giving a low and intimate angle to view the subject from. What else do we get from changing the angle from which a photo is taken?

    • @Clicknick007
      @Clicknick007 Před 3 lety

      @@MartinParrFDN I think it subtly changes the relationship between photographer and subject. Less invasive, but also the lower viewpoint puts less emphasis on the head [ in the case of a portrait] and gives the full image more equality.