Awesome !!! I hv been looking for a gd video of breathing support for a long time. I think I finally found the one. Thx so much. and I like the term "breath management " :)
Hola gonzalo,me gustaría saber que A 415 0 440 tiene tu oboe y cual es el largo de tu cañas,entiendo que las paletas de corno ingles sirven para oboe baroco.muchas gracias
Thanks for sharing this videos, they are very instructives and i watched them a couple of time to check my practice. i don´t know if i miss one part but i haven´t heard you talk about embouchure. Also, what´s the difference beetwen the one piece staple that you use and the one with two pieces(witch is the one i have)?
What is this stupid concept you are repeating that many think that “it’s the tongue that make the high pitch notes”. People would rather state that it’s shift of lips’ pressure that helps higher pitch (appart from the “wind” velocity.
The tongue plays no role whatsoever in whether you get octave 1 or 2 between E and A. If you disagree there’s probably not many people who would pay to hear you, and fewer that would do it a second time.
@@gxruiz1 Just what I was saying: the tongue plays no role, and moreover, I've never heard anyone claiming it does, to repeat and paraphrase again what I said: if anything, people (and rightfully so) would claim that the lips (along with air velocity) play role in producing higher notes, not "tongue". And what is this "paying to hear you" snobbery? Is "payment" a sensitive theme for you, or is it "hearing" such? Like lolol do you know me, my aspirations, desires? From a technical discussion you slip into personal, this hides a dormant (or awake) bitterness into you, deal with it, get rid of these shitty, stinking social order and its "popularity contest" shit mentality, like this you will project a better feeling when you play, or whatever your art is, whatever your passion is, this is how I feel it! Communicate, react to positive comments too, not only to ones that question you views. Money is an issue to you, but don't let it eat your heart, they are from two different realms. One connects, the other only means, if turned into master it divides, so, fuck this "how many pay" lol. To make things worse, people do pay for my art but who cares, that's irrelevant. People pay for Yanni (or whatever his name was, this new age turd), by the millions, or to this bullshit Fiddler digest guy, but it's complete crap). If you do your thing with genuine passion some weird, abstract feature of infinity acknowledges it and sends ripple through all beings, beyond walls, even if your shit is completely "niche" domain, not mass pop shit. I don't tell you one should stop being pragmatic or strategic about money, but as a "paragon" for fulfillment: NO! Anyways, oboe is extremely docile and grateful instrument, it is ridiculous to make it sound complex and inaccessible, go play cornetto for inaccessible lol.
Gracias por las lecciones, Gonzalo. La de oboe barroco y la de cómo lidiar con un patán majadero, insolente y lleno de resentimientos y complejos. Siento que los gringos arrogantes, maleducados, monolingües, siempre nos hagan quedar mal. Disculpas por las insolencias y falta de respeto de capullos como este pobre Diablo.
Awesome !!! I hv been looking for a gd video of breathing support for a long time. I think I finally found the one. Thx so much. and I like the term "breath management " :)
Hola gonzalo,me gustaría saber que A 415 0 440 tiene tu oboe y cual es el largo de tu cañas,entiendo que las paletas de corno ingles sirven para oboe baroco.muchas gracias
Thanks for sharing this videos, they are very instructives and i watched them a couple of time to check my practice. i don´t know if i miss one part but i haven´t heard you talk about embouchure. Also, what´s the difference beetwen the one piece staple that you use and the one with two pieces(witch is the one i have)?
What is this stupid concept you are repeating that many think that “it’s the tongue that make the high pitch notes”. People would rather state that it’s shift of lips’ pressure that helps higher pitch (appart from the “wind” velocity.
hallobaaaby sorry you don’t get it. I could probably help you if you could get past a Juilliard audition...
The tongue plays no role whatsoever in whether you get octave 1 or 2 between E and A. If you disagree there’s probably not many people who would pay to hear you, and fewer that would do it a second time.
@@gxruiz1 Just what I was saying: the tongue plays no role, and moreover, I've never heard anyone claiming it does, to repeat and paraphrase again what I said: if anything, people (and rightfully so) would claim that the lips (along with air velocity) play role in producing higher notes, not "tongue". And what is this "paying to hear you" snobbery? Is "payment" a sensitive theme for you, or is it "hearing" such? Like lolol do you know me, my aspirations, desires? From a technical discussion you slip into personal, this hides a dormant (or awake) bitterness into you, deal with it, get rid of these shitty, stinking social order and its "popularity contest" shit mentality, like this you will project a better feeling when you play, or whatever your art is, whatever your passion is, this is how I feel it! Communicate, react to positive comments too, not only to ones that question you views. Money is an issue to you, but don't let it eat your heart, they are from two different realms. One connects, the other only means, if turned into master it divides, so, fuck this "how many pay" lol. To make things worse, people do pay for my art but who cares, that's irrelevant. People pay for Yanni (or whatever his name was, this new age turd), by the millions, or to this bullshit Fiddler digest guy, but it's complete crap). If you do your thing with genuine passion some weird, abstract feature of infinity acknowledges it and sends ripple through all beings, beyond walls, even if your shit is completely "niche" domain, not mass pop shit. I don't tell you one should stop being pragmatic or strategic about money, but as a "paragon" for fulfillment: NO! Anyways, oboe is extremely docile and grateful instrument, it is ridiculous to make it sound complex and inaccessible, go play cornetto for inaccessible lol.
Gracias por las lecciones, Gonzalo. La de oboe barroco y la de cómo lidiar con un patán majadero, insolente y lleno de resentimientos y complejos. Siento que los gringos arrogantes, maleducados, monolingües, siempre nos hagan quedar mal. Disculpas por las insolencias y falta de respeto de capullos como este pobre Diablo.