Dimitrie Cantemir (1673 1723), The Composer Prince - Constantinople, dir. Kiya Tabassian
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- čas přidán 15. 06. 2024
- DIMITRIE CANTEMIR (1673 1723), le prince compositeur
Constantinople, Kiya Tabassian, direction
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00:00 - Zenguleh pishrow, Dowr-e Kabir, Dimitrie Cantemir
4:37 - Kanun solo, Didem Basar
6:58 - Ushak Ashirani pishrow, Zarb-e Fatih, Dimitrie Cantemir
10:11 - Setar solo, Kiya Tabassian
11:22 - Bestinigar pishrow, Barafshan, Dimitrie Cantemir
17:29 - Muhayyer pishrow, Mohammes, Dimitrie Cantemir
20:56 - Ney solo, Kianoush Khalilian
22:41 - Buzurg pishrow, Darbeyn-e Jadid, Dimitrie Cantemir
27:09 - Mahour pishrow, Darbeyn, Dimitrie Cantemir
31:20 - Bousalik pishrow, Dowr-e Ravan, Dimitrie Cantemir
36:04 - viola d’amore solo (folias), Tanya Laperrière
37:04 - Gavesht samai, Samai-e Lang, Dimitrie Cantemir
41:00 - Percussion duo, Hamin Honari & Patrick Graham
44:54 - Bousalik Ashirani samai, Samai-e Lang, Dimitrie Cantemir
L'ensemble Constantinople interprète la musique de Dimitrie Cantemir (1673-1723), prince, savant, compositeur et diplomate moldave. Si les compositions de ce personnage historique fascinant occupent une place à part entière au sein du répertoire de la musique ottomane, son influence est d’autant plus grande qu’il a aussi répertorié plus de 350 œuvres instrumentales dans son ouvrage Edvar-i Musiki. C’est en utilisant son propre système de notation qu’il a offert au monde l'une des plus importantes sommes de musique ottomane et du Moyen-Orient des 16e et 17e siècles.
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Ensemble Constantinople performs the music of Dimitrie Cantemir (1673-1723), a Moldavian prince, scholar, composer, and diplomat. A fascinating historical figure, Cantemir’s compositions are considered part of the Ottoman music repertoire. More influential though are the over 350 instrumental works that he preserved in his book, Edvar-i Musiki, using his own innovative notation system, which remains as one of the most important collections of 16th and 17th century Ottoman and Middle Eastern music.
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Avec/with
Kiya Tabassian , setar & direction
Didem Başar, kanun
Patrick Graham, percussions
Hamin Honari, percussions
Kianoush Khalilian, ney
Tanya Laperrière, violon baroque & viola d'amore
***
Constantinople en concert / Our next concerts: linktr.ee/constantinople - Hudba
Love this.....I am a musician....and my family name was Anglicized from Kantymir to Ketemer when my great-grandfather came to Canada from Bukovina in 1902. I do not know if my descent was genetic or only nominal.
Compoziții minunate ale eruditului domnitor român Dimitrie Cantemir! ❤💛💙
Mulțumesc muzicienilor de înaltă clasă pentru interpretarea plină de căldură și sensibilitate, balsam pentru suflet!🎵🎼🎶🎻🪕🪘🪈
Recunoștintă celor care au postat acest concert 🙏
No matter the origins, it's part of the common heritage of humanity. It has no nationality, no religion. It's just an eternal momentum to be shared by all those who open their heart to the beauty of true connection with Source.
We're all linked.
❤❤❤
yes yes yes from a montana 83 year old new born
I appreciate your comment by heart
That's why the Taliban and some fringe Christian groups in the USA want to see all music eradicated.
Sigur Dimitrie Cantemir face parte din cultura si istoria Românească ...deci?
Transcendent. Easily taken for granted but the skill, devotion, spirit that these humans have put into crafting this for us all is truly phenomenal. Thank you, I will aim to purchase your entire catalogue.
با شنیدن این نواهای آسمانی روانم به پرواز در آمد. بسیار دلنشین.
Heart smiling all day long!!
ALL DAY!! 💗
desde Chile, admirada de tan bella musica e interpretes, como dice un señor, esto es herencia, patrimonio del mundo , para el mundo, felicitaciones, me imagino en esa epoca, bailando al ritmo cadencioso de estas notas que fluyen con tanta naturalidad de cada instrumento, gracias
Brilliant interpretations 👏👏👏🧡🧡🧡! Awesome music 🥰.
Super! Bravo! Greetings from the Cantemir s country, Romania. We also have here a group callen Anton Pann that issued a double CD with Cantemir s music. Great!
❤
Cantemir's country Romania? I know of only one Cantemir and that's in Moldova.
@@umserserumHistorical Moldova includes both the present-day Republic of Moldova and the province of Moldova, part of the state of Romania.
@@Simona-Doina exactly, so why do you call that România? That region was always Moldova.
@@umserserum The Romanian state was formed by the union of three provinces inhabited by Romanians (same language - Romanian, same religious belief - Orthodox Christians): Moldova, Wallachia (or Romanian Country) and Transylvania. The name Romania was adopted because the inhabitants of these lands, in their language, called themselves Romanians.
Another beautiful, beautiful concert. Thank you so much. :)
Frumos pentru toată lumea,
inclusiv pentru turcii care ne-au ocupat câteva secole !
R. I. P. / Dimitrie Cantemir /1673-1723/ Amintire Veșnică !
músicos e musicistas impressionantes! sem palavras, apenas gratidão por conhecê-los e poder ouvir esse néctar de música. 🙏🎶🔥
qu'elle bonheur de vous écoutez !
Роскошный рассвет Константинополя, великолепие и мощь истории! Браво! :)
Greetings from Romania! Thank you for wonderful playing this divine music .Our prince Dimitrie Cantemir was a remarcable and gifted erudit .
Din păcate la noi nu se aud aceste melodii.
Bravo Kiya for your masterful arrangement! An intoxicating performance by master musicians!!
This music is so ancient and has many history behind being à création of many cultures that blended in the Levant région.
Dimitrie Cantemir is from modern Romania. Very far from the Levant!
@@BucharestBreak not so far and in the médiéval period till thé 18 century there was a huge oriental influence in Romania
Yes. There was a Greek - Byzantine influence from the families that were sent from the Phanar.
@@BucharestBreak not only that, but also à turkish one in Dobrudja région for example.
@@edenender tatars were there.
Amazing and mesmerizing work by a talented group of musicians. I really enjoyed listening.
ΚΑΛΗΜΈΡΑ
Εξαιρετική δουλειά 😍😍🎸🎺🎵🎻🥁
Love the varied instruments and the different stages of which you played them x❤
درودبرشما تمام سارها ایرانی واهنگ هم ایرانیست ما بی نهایت این اهنگ رادرایران شنیده ایم سپاسگزارم
بسیار زیبا و دلنشین. دلتون گرم، غمهاتون کم.
Merci. Induces trance state and transmits peace and spiritual connection.
I got introduced to Cantermir music by Jordi Savall. Since them I am a big fan. I really liked you performance.
Beautiful playing and powerful singing.
Keep doing you . 🎉
Always impressive and touching.
Maravilhoso!Amei !Parabéns e Gratidão infinita pela música belíssima !Fiquei arrepiada de tanta emoção e beleza.
magnífico!!! fico imaginando estas músicas sendo tocadas em volta da fogueiras pelos seus antepassados
And maybe even our Christ the Lord has heard them at the wedding in Kanna Galilean
EXCELENTE BANDA, EXCELENTE OBRA, EXCELENTE CREACIÓN. BELLEZA EN SU MÁXIMO EXPLENDOR
BRAVO! Merci. Concert magnifique, très belle musique!
Bravo! Bravo! Bravo! Maravilhosos!
Maravillosos sonidos, acordes desconocidos a mí oído latino ... Gracias, Gracias , gracias
Saludos desde BA Argentina !!!
Saludos 🙏❤️🙏
Spectacular, infinite thanks for creating and sharing your music!!!!!!Greetings from Colombia.
Mulțumesc ❤
The most natural sounding and captivating interpretation of Cantemir and Safavid era music available today! Hopefully these old rhythmic cycles and compositional techniques can influence modern Persian dastgah music. I think the Qajar era lost some of this beauty in its rhythmic compositions, they seem to usually just stick to slow tasnifs and athletic chaharmezrabs almost all in 6/8. And these frame drums seem more suitable to Persian music than the modern daf, which I think is Kurdish in origin, or a solo tonbak, which often gets drowned out in larger ensembles.
While it is absolutely true that Qajar era music traded rhythmic complexity for the melodic exactitude of the dastgah system, many of Cantemir's compositions (especially Zenguleh pishrow, Bestenigar pishrow, Buzurg pishrow and Mahour pishrow) are of a different "school", so to speak (probably of late 17th century origin, mostly in Southeastern Europe and large cities in Turkey) with very complicated, sometimes almost "atonal" (for the lack of a better word) melodic lines and way slower tempos. We don't have much evidence of this school existing in Persia; compare with Muhayyer pishrow, Bousalik pishrow and any of his samais; which is in a style much more common with the rest of the art music repertoires of the period.
@@efruhte1692 I assumed there were all ‘ajamlar’, pieces that Cantemir attributed to Persian immigrant musicians in the Ottoman court. But I guess that’s because Constantinople did that one project Journey to the Summit featuring such compositions and they sounded similar, at least to my novice ears. So these pieces are more uniquely Ottoman in origin?
These are Cantenir’s own compositions, which he sprinkled into his anthology. We can identify two styles of composition in his corpus; one more in common with both Ottoman and Persian composers of the early to mid 17th century (the second style I mentioned in my previous message). The other one, which is more influenced by Byzantine styles as well as innovations native to the Ottomans in the late 17th century, is his more “mature” style (the first style I mentioned in my previous message).
@@efruhte1692 Thank you for explaining this! That's really interesting that he was an innovative composer in his own right, I thought he only invented a way to transcribe extant compositions. One last question for you, was any aspect of the melodies in the music he composed unique, or was it still based on the existing Ottoman/Persian makams?
@@bhag628 Well, since makams are deconstructive melodic entities which are not necessarily bound to any scale/progression or anything else, and rather function as conceptual categories; people often twisted the rules of a certain existing makam to its conceptual extreme (a good example of this is the sheer craziness that is Zaharya’s Bestenigâr Kâr) and created something very unique. Some pieces here (for ex. Zenguleh pishrow) do that to some extent, while others don’t. As for inventing new makams, we have no data to suggest that he created any.
Kiya Tabass is one of the finest
Best wishes and sallam from Aga Khan Museum Toronto Canada
Gracias por esa música maravillosa, les abrazo desde Colombia
Stupendo!
Adoro
♥ Splendide musique et splendides musiciens. J'adore.
ΜΠΡΑΒΟ !
Thank you so much
Love the sound of old world instruments.
Amazing concert. Thank you for making this available and I wish you can bring this program to Toronto.
I second that
ESPECTACULAR!!!!!!!!!
Awesome 👌 🎉
Não canso de ouvir❤ os músicos respiram juntos ,tudo muito organico uma música indescritível!
Una gran reflexion. .musical...un gran saudo desde Iquique Chile..
Красиво и тепло:спасибо
Que bello,gracias.
Mi canción favorita de Cantemir es el Muhayyer Peshrev (o Muhayyer pishrow, como lo llaman aquí). Me gusta la versión de aquí y la de Jordi Savall. Es bonito tararearla cuando estoy en el trabajo. Es increíble como cada versión de esa canción tiene su sabor único.
MERCI❤🔥❤🔥❤🔥🙏🙏🙏
Very beautiful! ❤️🙏
Just wonderful
BRAVO 1000000000000000000000000000000000000000000000000000000000000000000000
This music is supercool!
Felicitări, pentru ceea ce realizați!
❤ que maravilla, muchas gracias 🙏 Divino!!!
Danke ❤❤❤
beautiful, I loved the sound
"Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable."
T.S. Eliot - 1943
Just amazing, incredible ❤
Just exquisite! Thank you!
Bravo, très joli, très touchant
Espectaculares !
Μπράβο αδέρφια!!!
ABSOLUTELY AWESOME ❤
Beyiniyle izliyorum. Sanatkarlara başarılar dilerim.
Sublime!!
So good! Amazing!
Profundo... ❤
Excellent ❤
Thank you for this performance of such wonderful music.
Belíssimas músicas!...se fechar os olhos, quase dá pra fazer uma regressão a vidas passadas (desculpe o exagero...rsrs)
Çok nitelikli eserler ve icralar.Emek verenlere minnettarım. İzmir'den selamlar.
neresi nitelikli? adam müzikleri düzenliyorum ayağına hırsızlık yapmış. Bu Klasik Türk musikisine aittir. Kantemirin müziklerini resmen fars müziğine uydurmuş ve saçma sapan bir şey çıkmış ortaya.
בעזרתו יתברך,
The Divine Music i know ❤💙💚6️⃣6️⃣🇺🇸🇮🇹💋🪴
Even if Cantemir composed a piece of music like this, I get the impression they are imprivising around the original theme.
Tebrikler. Fevkaladenin fevkinde...
🌴🌳💚🌴
Çiçek bahçesinde yiz Her ses güzel ❤
Bazı insanlar ve zalimler dünyayı kendilerinin sanıyorlar Dünya hepimizin çiçek böcek canlı cansız demeden Kurtuluş yok tek başına Ya hep beraber Ya hiç birimiz BİZ BERABERKEN dünya daha güzel olacak Savaşa sömürüye son.vermeliyiz Birbirimizi sevmek varken Savaşlar niye ? DİN ve DEVLET bizi birbirimizden ayırdı Hadi gelin.BUTUNLESELİM zor değil biraz çalışalım bu konuda OLACAKTIR 🍓🍒🍎🍉🍆🌶️🌽🍅🍋🍇
neresi güzel? adam müzikleri düzenliyorum ayağına hırsızlık yapmış. Bu Klasik Türk musikisine aittir. Kantemirin müziklerini resmen fars müziğine uydurmuş ve saçma sapan bir şey çıkmış ortaya
MULTUMIM!!❤
This is 100 percent Iranian traditional music, I am so happy for all the people around Iran that share this style of music. Very rich and beautiful.❤
Wrong, 100%! King Cantemir never go in persian empire!
Dimitrie Cantemir was a Moldavia prince, now part of România.
I was in Montreal just yesterday... Because my flight to Ottawa was detoured because of a fog :)
Zach lau cam on nha
🌺❤️🌺
🌹
Cantemir produced in the genre of Classical Turkish Music. This is mostly an Iranian interpretation.
Thanks for your comment. Music is all about interpretation 😊
And not to mention the influence of Persian music on Turkish music.
adam resmen müziğimizi düzenleme ayağına çalmış ve uyduruk bir şey çıkmış ortaya.
בעזרתו יתברך,
Hello to the Prince from House Of David & Shlomo, Kings Of Israel.❤💙💚6️⃣6️⃣🇺🇸🇮🇹💋🪴
❤
Cela ne change pas la réalité que vous faites de la musique Ottoman et pas grecque antique. Comme ma commentaire, pas du tout méchant, ne change rien à la qualité de la musique que vous faites et que j'écoute avec beaucoup de plaisir. Je vous en félicite. Et merci pour la commentaire de notre ami Jean-Pierre, meme si c'est un peu digne de miss monde qui ne veut que du bien du monde. 😜
Sehr sehr gut خیلی عالی
#Cetrebuie
Un profesor universitar mi-a spus odată că și Cantemir compunea manele. A uitat să precizeze sau să își dea seama el însuși că ce compunea Cantemir nu are nicio legătură cu ce auzim astăzi peste tot. Poate că într-o tipologie largă încadrându-ne, ce a compus Cantemir este manea, dar, să ne trezim odată la realitate, une e Cantemir, alta e Tzanca Uraganul.
Nu are legătură una cu alta. Ce a produs Cantemir este considerat muzică clasică turcească. Se cântă cu instrumente specifice.
I have a CD of music by Dimitrie Cantemir, performed by the Jordi Savall Ensemble. The arrangements are quite different, but I recognize some of the melodies in this video. Is there a play list available?
تبریک به خاطر این کار خوشرنگ و خوشصدا. با این که ارکستر به لحاظ سازبندی کمتعداد و محدوده، اما وقتی به موسیقی با دقت گوش میکنی انگار خود عبدالقادر مراغی ور میبینی که روبری یک ارکستر بزرگ ایستاده و داره رهبری میکنه. لحن موسیقی قدیم ایران کاملا در این کار مشهوده. ممنون به خاطر این حال خوب
Turkish literature, poetry and music were greatly influenced by the Persians.
🙏🙏🙏🙏❗💜❗👉🦆♂️👑💫👈❗❗❗❗🙏🙏🙏🙏💛🐉💛❗❗❗❗🙏🙏🙏🙏💛👂🖤💙💛🤍♥️👈❗ 9:44 ❗❗💜❗♥️🧡💚🙏🙏🙏🙏❗🌀🖤💙💛🤍🌀💜♥️🧡💚🌀❗🙏🙏🙏🙏
🕊️♥️🕊️♾️🕊️☮️🕊️🐛🕊️🌀🕊️♥️🕊️♀️🕊️🖤🕊️💜🕊️🤍🕊️♂️🕊️♥️🕊️🌀🕊️🦠🕊️☮️🕊️♾️🕊️♥️🕊️🙏🙏🙏🙏🌹🍭🍬🧵🐬🦋🐝🧚🕊️♥️🕊️♾️🕊️☮️🕊️🌀🕊️♀️🕊️♥️🕊️♂️🕊️🌀🕊️☮️🕊️♾️🕊️♥️🕊️🪶🌄🌅🌹🧚
Early Romanian with Islamic influences music. No idea strings existed 1600 ?? Wow. That’s intresting
E. Drace. De unde Cantemir musician?? In istorie Nu sa pomenit asa ceva. Hmm. Lucruri ascunse nestiute…. Oricum suna bine.
Dimitrie Cantemir a fost lăsat "zălog " la Constantinopol de către tatăl său ptr că așa se obișnuia in acea perioada că o garanție de fidelitate a domnului fata de Înaltă Poarta. Cantemir a fost capuchehaiei ..așa se numea . A studiat cultura otomană fiind un erudit care cunoștea cam 11 limbi străine împreună cu cea turcă . Sunt multe de spus despre el că om de cultură. In Turcia este elogiat și studiat la istorie și muzică . De reținut ! El este cel care le creează un sistem muzical de notare pentru că nu aveau ..și bineînțeles că le și compune muzica in stilul epocii de atunci . El este cel care fiind un fin observator dar și un om foarte cult pentru acea perioada ținând legatura cu mințile luminate ale Europei..le scrie in limba latină Creșterea și descreșterea imperiului otoman , lucrare în care le arata si părțile bune dar și cele slabe ale sistemului lor. Cantemir are o biografie fascinanta ..sunt multe de spus ..că o idee finala el ajunge secretarul și sfătuitorul țarului Petru cel Mare și se stabilește în Rusia ..Lucrurile astea nu au fost " secrete " niciodată doar că la istorie s - a vorbit doar strict de domnia lui iar la romana despre Descrierea Moldovei și scrierile lui literare ..Cu toate că atunci când a ajuns domn pe tronul Moldovei și s - a ridicat împotriva turcilor și a pierdut împotriva acestora ..turcii nu uita in cate domenii mai puțin știute de noi Cantemir le - a adus o contribuție remarcabilă ..motiv ptr care parte cu " războiul " este mai puțin importantă
Da, în România nu se prea știe de contribuția lui Cantemir la dezvoltarea muzicii turce. Și nici nu se interpretează piesele lui.@@steladumitru79
@avalanche9026 Am vazut muzeul lui la Istanbul, in Fener. A fost sponsorizat de UE, cand nu l-au mai sponsorizat turcii au facut restaurant acolo, insa inca poti vedea partea de muzeu.
Cantemir nu a fost "fanariot" pentru ca nu era grec, domniile fanaritote au inceput dupa el, pentru ca el a tradat, la fel ca si Brancoveanu, un tratat incheiat cu turcii impotriva rusilor. Dupa victoria otomana impotriva rusilor la Prut, Cantemir s-a refugiat in Rusia. A avut o domnie foarte scurta si neinsemnata.In general a fost un om de cultura, nu un om de stat.
Istoria care se studiaza in Romania este ca si cum as lua 5 creioane colorate si as reproduce in 5 minute Monalisa. Este mult simplificata si fara acuratete. Se bate mult moneda pe latura glorioasa si pe carisma conducatorilor.
Der zwischenstand vom barock zum türken.u