Maria Callas - Anna Bolena finale rehearsal, Dallas 1957
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- čas přidán 7. 09. 2024
- I've taken the strongest, most dramatic takes from the rehearsal material and formed them into one smooth full version of the incredible mad scene. I hope you enjoy :)
From an EMI CD copy.
Nicola Rescigno conducts
Every note recorded is precious. We shall not hear her like again....... God given - La Divina
It's moments like 3:45 for me. Who else can heighten the drama like that and just ride the wave without interpolating a ridiculous high C? She made the G more dramatic and real and deep. Also the way she builds up to it and then slowly comes down. No one else could even dream of pacing like that
Thank you, i really enjoyed trying to get the edits to be as seamless as possible :)
CallasFan very good job 👍
She is the greatest soprano in the world !
The greatest SINGER in the world
Callas has already proven that no one can ever replace her! She is unique and without pier! A truly magnificent artist.
Thank You "Callas Fan". Wonderful part from the rehearsal, wich I know from ealier. That time, 1957-1958 was Callas voice exeptional controlled. Callas created her own universe and will never be replaced. Thank You from the heart.
Yep 1957-58 man. It was all there! The Bolena, the Medea, the Imogene, the Amina,
IMO it was the incredible and unique middle register that gave Maria the gift to act with the voice like no other in recorded history.
В тому то і справа, що володіла в бездоганності способом дихання, що зашиває всі регістри, але коли образ потребував могла робити зміни, а потім повертатися до первозданності.
Exceptional even during a rehearsal. What wonderful use of chest voice.
Callas was a phenomenon - her sensitivity, intelligence, imagination, everything really. Tiny details of expression to full dramatic power- she could do everything. I read somewhere that Meneghini -who restricted access to Callas as way of exerting power- lay behind the lack of filmed records . If so I hope he's roasting down below.
Interesting
It does keep ppl wanting more of her
Ela tem controle absoluto de sua prodigiosa voz. Esses são os anos de ouro dessa cantora e intérprete de qualidades excepcionais.
Os melismas soberba mente executados, a construção psicológica e teatral dos personagens, a voz segura, perfeita dos graves até os agudos, os pianissimos angelicais e logo em seguida o drama contido, um jogo de luz e sombra que revolucionou a interpretação operística de então!
Η Κάλλας εδινε ουσία στούς ρόλους, καθε μουσική της φράση προκαλεί και διαφορετικο συναίσθημα, θεϊκή φωνη θεϊκή απόδοση, καλή δουλειά , ευχαριστώ Callasfun ακουω με συγκίνηση
The complete recital should have been recorded !!! Please God make it appear!!!!
great job CallasFan
Great work, thanks a lot for sharing. Maria as always was amazing
What a precious record!
Incomparabile! Senza ugale! Ci manca la Maria.
Super Human Callas!!!
If only Rescigno had been the one to conduct her as Bolena at Scala. Thanks for creating this.
Rescigno is like her brother musically. But to be deprived of Gavazzeni would be tragic.
Waow ! the chest register at 13'38" is so deep and dark !
Great job!
Sacred Monster.
Maria Callas será para sempre um marco na história da arte operística ❤❤❤❤❤❤❤❤❤🇵🇹
Et c'est une répétition !!!!
She's more or less marking the cabaletta.
Rescigno was brilliant - what he did with Callas on the Mad Scenes and Macbeth recital discs is amazing. But what I meant to say was that he would have conducted Bolenda 1000 times better than Gavazzeni.
Gavazzeni era n "FUORICLASSE" Rescigno un direttore...in che modo è migliore
Brava Maria
da 5:00 al dolce guidami castel natiio
It sounds heavenly because Callas can easily (one can almost say rightfully) bitch Reschigno. I mean he ain't no Serafin nor Toscanini.