Seeing that the fourth pedal functions basically like an upright soft pedal, I'd love to see modern grand pianos implement what some uprights have instead for the middle pedal: a "practice pedal" that puts a piece of felt between the hammer and the strings. This basically replicates the moderator pedal in early 19th century pianos, which can be used to hauntingly beautiful effect in Schubert for example, since he was writing for pianos with a moderator pedal. In fact, I'd love to see a modern concert grand with five pedals (which wasn't unheard of in early 19th century Viennese pianos), just so that pianists have different levels of softness and color to explore.
Great idea! My Mason & Hamlin grand is so loud that I play it with the cover down AND wearing noise reduction headphones, and in consideration to others I also practice on a hybrid Kawai using headphones and no external sound.
Steinway is like a Ferrari but Fazioli is like a Pagani. I had the pleasure of playing a Fazioli a few years ago. All I can say is it felt like stroking silk.
The Ferrari is what everybody knows and rightfully so but the Pagani is truly a piece of art in every imaginable way, in a way that Ferrari cannot compare
I would compare Steinway to Mercedes instead, where they are considered the global standard luxury brands. Having played on Fazioli pianos, the combination of their key touch/action and sound is truly magical.
This kind of mechanism to raise the hammers closer to the strings to extend the dynamic range of the instrument, was first patented in 1867 by the piano maker and inventor Ed. Westermayer. I am thrilled that none other than Fazioli would take up this idea and bring it back to the concert stage. The result is amazing.
I watched this video out of curiosity to find what this fourth pedal is about. I had to put up with the over-eulogizing by this pianist Lucas Wong, to finally find out that this 4th pedal does the same action as the soft pedal of an upright piano. This is smart, but not revolutionary. So the una-corda pedal affects the sound but not the touch, while the 4th affects both the sound and the touch. The slight difference between the upright "soft" and this 4th pedal is that the former only moves the resting position of the hammers forwards, while the 4th moves the resting position of the keys, slightly activating all of them. A further need of good adjustment, so that all the hammers rest on their keys. I myself posses a beautiful Mason & Hamlin grand from the golden era of pianos, and my lifelong involvement with pianos and their music makes me realize that, although an excellent instrument, the difference of the Fazioli from the other great concert pianos is not very significant compared to the difference between... pianists!
But an organ has many more pedals. Sorry I could not resist. Anyways this is an incredible instrument. I don't. Have enough feet if I want to sustain one note use the damper and play softly and even softer. 73
I had a 1924 Horace waters grand piano whose third pedal was not the typical una corda pedal. It did this exact same thing, lowered the keys for a featherlight touch while raising the hammers for a quieter more delicate sound. I was lucky to have that feature as it’s so rare and unique. But to have all four would be incredible.
@@v.dargain1678 It won't change the tone, it only makes things easier to play quietly, so it could be pretty disappointing someone who thinks this actually changes the tone xD
Che magnifica azienda! L'arte italiana di produrre oggetti magici. C'è un doppio filo rosso che lega un pianoforte Fazioli a una Ferrari o a uno Stradivari: il genio e la passione. Viva l'Italia!
4th pedal is 'placebo'. Please, do A\B blind test comparison. I did it by switching the times of both in the video (4:00 min and 6:30 min) and could not tell the difference.
I disdain Fazioli for making a big flap about this pedal. The grand player pianos (Duo-Art and Ampico, not sure about the Welte system) had a soft or (more accurately) a half blow feature. Instead of using a huge bellow to push the whole action of the piano over (wasting vacuum, requiring a huge pneumatic and making the hammers of the piano wear prematurely) the soft holes in the piano roll would trigger a hammer raise rail pneumatic. The hammers would move closer, the keys would go down making the player action have an easier time playing softer without sacrificing repetition speed. Upright pianos have the same pedal and I have to say, I wish there was a company that makes grands that would eliminate the unacorda altogether, it muddles the ton of the piano and makes the treble much quieter making it easier for the bass strings to overtake any sound from the treble. Indeed I wish more grand piano manufacturers would make their pianos with a half blow pedal, screw Feurich's stupid harmonic pedal, it doesn't serve any practical purpose and only classical musicians can make use of it's rather silly sound.
True. But this "perfection" is only worth while if all the other elements are perfect, that is, a perfect technique to interpret his works. And with a perfect technique, the effect of this 4th pedal can also be achieved by the competent pianist.
I want to find one that has the loud pedal. The player piano that i practiced on had a loud pedal lever. You couldn't reach the pedals because you were pumping with your feet. Some piano teachers will frown on this comment. 73
This is close. What is THE virtue of a ferrari? Showmanship. What is the outstanding virtue of owning a Fazioli? Pride, much pride in front of your guests, ha ha.
Don't think badly of your ear. I also didn't notice a SIGNIFICANT difference. About the Fazioli, its difference with other concert pianos is very low compared to the difference between PIANISTS.
Seeing that the fourth pedal functions basically like an upright soft pedal, I'd love to see modern grand pianos implement what some uprights have instead for the middle pedal: a "practice pedal" that puts a piece of felt between the hammer and the strings. This basically replicates the moderator pedal in early 19th century pianos, which can be used to hauntingly beautiful effect in Schubert for example, since he was writing for pianos with a moderator pedal. In fact, I'd love to see a modern concert grand with five pedals (which wasn't unheard of in early 19th century Viennese pianos), just so that pianists have different levels of softness and color to explore.
Great idea! My Mason & Hamlin grand is so loud that I play it with the cover down AND wearing noise reduction headphones, and in consideration to others I also practice on a hybrid Kawai using headphones and no external sound.
Steinway is like a Ferrari but Fazioli is like a Pagani.
I had the pleasure of playing a Fazioli a few years ago. All I can say is it felt like stroking silk.
The Ferrari is what everybody knows and rightfully so but the Pagani is truly a piece of art in every imaginable way, in a way that Ferrari cannot compare
I would compare Steinway to Mercedes instead, where they are considered the global standard luxury brands.
Having played on Fazioli pianos, the combination of their key touch/action and sound is truly magical.
@@gcfko everyone has a different taste..............
I've played so many awful Steinways. They seem to fall apart with just a little age.
No, Steinway is only a Cadillac. Bosendorfer is a Porsche, C. Bechstein is a M. Benz. And Fazioli is a Ferrari.
This kind of mechanism to raise the hammers closer to the strings to extend the dynamic range of the instrument, was first patented in 1867 by the piano maker and inventor Ed. Westermayer. I am thrilled that none other than Fazioli would take up this idea and bring it back to the concert stage. The result is amazing.
I watched this video out of curiosity to find what this fourth pedal is about. I had to put up with the over-eulogizing by this pianist Lucas Wong, to finally find out that this 4th pedal does the same action as the soft pedal of an upright piano. This is smart, but not revolutionary. So the una-corda pedal affects the sound but not the touch, while the 4th affects both the sound and the touch. The slight difference between the upright "soft" and this 4th pedal is that the former only moves the resting position of the hammers forwards, while the 4th moves the resting position of the keys, slightly activating all of them. A further need of good adjustment, so that all the hammers rest on their keys. I myself posses a beautiful Mason & Hamlin grand from the golden era of pianos, and my lifelong involvement with pianos and their music makes me realize that, although an excellent instrument, the difference of the Fazioli from the other great concert pianos is not very significant compared to the difference between... pianists!
Correction,,,,pianist and technician working in sympathy.
Gillette version, with 5 pedals for a even closer shave.
😂😂😂😂😂😭😭😭😭I saw this comment at 3 am and can’t stop laughing in bed. 😂
AHAHAHAHAHHAAHAHA
But an organ has many more pedals. Sorry I could not resist. Anyways this is an incredible instrument. I don't. Have enough feet if I want to sustain one note use the damper and play softly and even softer. 73
It actually works like the Upright Piano Soft Pedal but turned Horizontally.
I had a 1924 Horace waters grand piano whose third pedal was not the typical una corda pedal. It did this exact same thing, lowered the keys for a featherlight touch while raising the hammers for a quieter more delicate sound. I was lucky to have that feature as it’s so rare and unique. But to have all four would be incredible.
Absolute magic, so much more expression than ANY other piano! It’s much more emotional!
Is just like the combination of upright piano and a grand piano❤️
So, the 4th pedal is the soft pedal of upright piano.
precisely, thank you for bringing that up
Hahahahahahahahahaha lol 😂 thanks for this. I’m watching this at 3 am in bed and can’t sleep and this comment got me giggling lol.
@@Parallelfifthsblog xD
@@PiotrBarcz Same . I wish I could play a tune on a Fazoli and try out the 4th pedal . Seems interesting
@@v.dargain1678 It won't change the tone, it only makes things easier to play quietly, so it could be pretty disappointing someone who thinks this actually changes the tone xD
Che magnifica azienda! L'arte italiana di produrre oggetti magici. C'è un doppio filo rosso che lega un pianoforte Fazioli a una Ferrari o a uno Stradivari: il genio e la passione. Viva l'Italia!
Wow, what a beautiful sound coming from a Fazioli! 💛🧡💜
Very good adventurous option of tone and colour. Tasmania, australia.
If there’s no pianist/professor understanding the hostage culture everywhere; at least we have an ITALIAN piano brand that understands it…
What if you try the soft pedal and the 4th pedal together? Can you make a video to showcase the sound of this combination?
4th pedal is 'placebo'. Please, do A\B blind test comparison. I did it by switching the times of both in the video (4:00 min and 6:30 min) and could not tell the difference.
Fabulous ! I wanna try it out !!! 😭
the 4th pedal similar action as 3rd pedal in upright piano
Except this one lowers the keys too
what a beautiful invention !
Can anyone identify the piece at 2:32? I know I’ve heard it before but I can’t name it. Would love to learn it.
Beautiful piano's .......... and they play like a feather !
I disdain Fazioli for making a big flap about this pedal. The grand player pianos (Duo-Art and Ampico, not sure about the Welte system) had a soft or (more accurately) a half blow feature. Instead of using a huge bellow to push the whole action of the piano over (wasting vacuum, requiring a huge pneumatic and making the hammers of the piano wear prematurely) the soft holes in the piano roll would trigger a hammer raise rail pneumatic. The hammers would move closer, the keys would go down making the player action have an easier time playing softer without sacrificing repetition speed. Upright pianos have the same pedal and I have to say, I wish there was a company that makes grands that would eliminate the unacorda altogether, it muddles the ton of the piano and makes the treble much quieter making it easier for the bass strings to overtake any sound from the treble. Indeed I wish more grand piano manufacturers would make their pianos with a half blow pedal, screw Feurich's stupid harmonic pedal, it doesn't serve any practical purpose and only classical musicians can make use of it's rather silly sound.
What if we had a Bösendorfer played properly? I am afraid, it would sound better.
3:44
4:49
5:40
speechless
Takes him a while to actually talk about the 4th pedal. Jump to 5:43 if you want to save the time.
Wish one day my dream become true to own Fazioli
questo piano è un sogno lucido...
Yup, as I suspected. It sounds like a piano.
An interesting video. I wonder what Mozart or Beethoven would say about it ... - two pedals are enough for me. 😊
Mozart or Beethoven, and especially Bach and Chopin would sell their soul to the devil to own a modern concert piano, of many brands.
I‘d have them glue the 4th pedal to the floor. That’s a good sounding piano…
I gotta find a FAZIOLI to play around here .... before I die .
I’m in the NYC area .... Where can I find one , please ? 🙏🏽
🤗
Hello! You can find our pianos at FAUST HARRISON PIANOS in White Plains (www.FaustHarrisonPianos.com)
chuckle chuckle . I Know I'll never be able to afford one so playing someone else's would definitely be cool . I'm in Albuquerque , NM .
у меня на кубани такая же педаль
I don't even know the reason for the left foot pedal, much less the middle one.
There's a FOURTH ⁉️‼️
Perfect for Debussy
And Smetana as well .
True. But this "perfection" is only worth while if all the other elements are perfect, that is, a perfect technique to interpret his works. And with a perfect technique, the effect of this 4th pedal can also be achieved by the competent pianist.
Everyone knows the three pedals are, clutch, brake and accelerator. Forth pedal is the parking brake. 😉
Yeah and he is a pro racing driver who does the heal and tow
First I need to get so many money to have it :(
It may not be worth it except for a concert hall. 99.9% of the enjoyment of playing can be achieved with other much less expensive pianos.
I want to find one that has the loud pedal. The player piano that i practiced on had a loud pedal lever. You couldn't reach the pedals because you were pumping with your feet. Some piano teachers will frown on this comment. 73
aparently the fazioli is a ferrari piano
This is close. What is THE virtue of a ferrari? Showmanship. What is the outstanding virtue of owning a Fazioli? Pride, much pride in front of your guests, ha ha.
Sorry I didn't hear any difference. My musical ear is really FUQD.
Don't think badly of your ear. I also didn't notice a SIGNIFICANT difference. About the Fazioli, its difference with other concert pianos is very low compared to the difference between PIANISTS.