3 Ways To Sound Better Over This Mixolydian Backing Track
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- čas přidán 1. 07. 2024
- Backing Track used: • Cool Mixolydian Jam Tr...
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00:00 Intro
02:30 No scales needed
03:30 Triads
5:45 Hendrix Chordal Style
8:00 Major Pentatonic Blues
11:00 Minor Blues Approach
14:20 Summary
17:30 Mentoring and Learning
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Why aren't more players following this guy?!? Thank you for the excellent lesson!!!
Very cool, love the layered approach
Thank you for a very inspiring lesson. Though I've played these different changes by ear, I've never actually pieced together how they theoretically came together. Especially purposely moving to the A minor blues. This SO reminded me of Toy Caldwell from The Marshall Tucker Band, who was one of the greatest and sadly rarely mentioned anywhere on CZcams channels or Greatest Players lists. Very well structured and informative!
If it sounds good it works. Doesn't matter what "category" the note, riff or lick falls in to.
Fuckin Amazin!
Got to do a clean tone lead video.
No one does that,....
Good stuff Man
Love the approach. One of the key takeaways from this video is the fact that you are demonstrating the process for creating a musical “style” of your own. Studying scales and following the rules of theory alone is not the answer to achieving this IMO.
We appreciate your informative lesson and tips 👍! Maybe it might be helpful if you played the C minor pentatonic scale up and the fret and then the C Major pentatonic scale and the Mixolydian scale. You can almost play all three scale in one position of C major chord with a few note changes 😇! Once you know how to mix the notes on the chord changes you'll be a master 😇👍🎸
been a pro musician for 30 years and cut more sessions than the hairs on my head. He played 4 licks and i said Oh Yeah! now thats a player...feel baby
Technically this would be in the key of F because mixolydian starts at the 5th degree which is C. It cannot be in the key of C because C has no sharps or flats. The chord progression is C Major- B flat Major- F Major - back to C Major, making this a V-IV-I-V (5-4-1-5) progression all these chords would be Major chords in the key of F. It just keeps resolving to the 5th being C. You're only playing an F Major scale, but C is where it starts and ends, making it the home base of the song. He's just using some C Major and minor pentatonics to flavor it up. Some cajun spice. Also, he calls F the 4th chord, which it is to C but the key is actually F making it the root of 1 chord. C is actually the 5th F. So always remember if one note is a 5th of the other (E is 5th of A) that note is it's 4th (A is 4th of E) This might sound confusing but it becomes very useful in the long run especially if you familiarize yourself with their locations to each other in scale patterns and chords. They will unlock a lot of doors if you are not familiar with any of this.
It makes absolutely no sense to look at this progression from the key of F, sorry. It is musically wrong, even if you may have all the theory knowledge.
Instead, the key center is C, and the harmonic structure is a classic mixolydian progression. Let’s not over complicate things, its “three chords and the truth” 😎