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Painting Like The Old Masters #1 (Part 1 of 3)
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- čas přidán 11. 03. 2018
- Exceptional painting techniques for whichever genres inspire you. Yvonne Reddick shares the masters’ methods to build up layers of transparent glazes and opaque colours for a landscape painting in oils. Part 1 shows how to begin with the monochromatic underpainting known as a ‘grisaille.’
Removal drawing - best tip I've heard! Thank you, that will definitely be my sketching method from now on.
This is great! Thank you so much Yvonne, you have a lovely spirit and great tips 😊
Fabulous! The glow is beautiful. Thanks for sharing
Whow I’ve found you. I have a bunch of paintings sitting in limbo needing to know this step. and haven’t been able to progress. I’ve only held a brush in my hands for six months and I have so many commissions. Yes, I’ve found you.
these are some Surreal paintings
I like your comment "there are no mistakes in oil painting"... I always said oil painting is very forgiving😄
Amazing demonstration of painting process. Thank you for sharing.
Great insights. Even little things like the ‘straight line using brush handle on easel.’
I’m using that right away.
This series taught me a lot about the underpainting technique that I never quite got before. So what if it' does not exactly conform to anyone's technical definition of "Old Masters".It inspired me!
Also for those of you wondering where part 3 is, below is what Yvonne Reddick herself explained on her FACEBOOK page what happened and written instructions re #3.
"Thanks so much everyone for writing and for your kind words! I am so sorry for the mix up! A local TV station had been wanting me to do a teaching series. I agreed and put a lot of work into it and we taped all 3 parts. Unfortunately after Part 1 was aired, the station downsized dramatically and apparently have virtually no staff left. They did eventually put Part 2 to air but not Part 3 as of yet. I have been inquiring, phoning and emailing and still no response. It is frustrating and embarrassing because people are following along and not able to access the final episode. Since I cannot access Part 3, I have made notes that hopefully will make sense and be useful for all of you. I will try to fit the notes into these comments for you and attach a photograph of the finished painting as it was at the end of Part 3. I really hope this helps out a bit!"
Thank you very much that's helps me so much . You have an amazing of describing the background . Much easier than most others
Fantastic painting and great
Lovely painting,thanks
Excellent and beautiful 🐇
I think it's pretty good. Something to add to your education, for those learning.
What I'm ALWAYS impressed with is painting from memory, or a head thing. I can't do that. I have to have something to look at.
Really nice. Thank you!
Could you please name the old masters you are referring to! I do not think many of them used a knife on the imprimatura - what they would do is wipe in the highlights with a cloth and brush in the darks with thinker paint of the imprimatur - only very few would put in white paint in this stage - they would usually use a wet brush with solvent to sharpen the details - what you are doing is muddying the next stage that would be the grisaille.
Beautiful Work
I want to capture the feel and beauty of the old masters.....wait...let me grab some latex gloves.....paint is messy...lol
Lovely demo, thank you!! I can't find your 3rd video.
Thank you for sharing. !
Amazing painting..so inspiring, but so intimidating..maybe if I keep going...? Or maybe not.
Very clever....thank you
Straight away, titanium white was a 19th century innovation. The Old Masters used different kinds of lead white, which is ten times more transparent.
like WHICH old master ? because each of them had their own way. and his manner could change from one painting to another ...
very best and fine art work i like,
I have absolutely no "knowledge" about art and I really enjoyed this teaching thank you.
No "Old Masters" ever painted like this.
Typical know it all dego 🤣
@@sodapopbrosky - I'm not Italian. But I DO know what I'm talking about.
And...if you MUST use ugly,hateful, ethnic slurs, at LEAST learn how to spell them correctly !
@@renzo6490 ....just a catchy title for more vews....☝️😃
Amazing paintings,and details.I dont understand why so much negativ coments.This is real art!
The paintings do have a look and feel of old masters not the same as , but most definitely a really nice look and feel which l cant wait to paint .
waiting to see ,episode 3
*Очень интересно, спасибо за видео, лайк!*
it is final- Yvonne Reddick : my teacher .
Nice Work
At 7:46 Hey that's Bob Ross's quote "There's no mistakes in oi painting." 😊
William Alexander 😂
Learning more here and other places online than the prestigious art school I attended ...a Bachelor$ Degree in Painting = debt and not much actually learnt...
Nice !
Picture is ugly
Nice work! But, why do you call it "painting like the old masters" ?
I thought the old masters method was to let each layer dry thoroughly between stages, since the layers were not supposed to mix together. This is more a wet on wet method.
No, that’s not how it was done.
David James sorry, it you’re incorrect. Both Rembrandt and DiVinci both used this method at various times. The underpainting IS dried before applying multiple layers of glazes, fat over lean, either dry or wet.
Parabéns, assim como sua arte é agradável aos olhos, sua voz é agradável aos ouvidos. Show
I watched # 1 and 2...but cannot find number 3. I love what you have done and really love your way of teaching and the joy that it brings to you and also to me! But where is #3?
Same here
She got pissed because too many negative comments 🤭
@@lieblee3063 SHE DESERVED ALL THAT NEGATIVE COMMENTS ☝️☝️😱😱☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️
have you publish part 3, couldn't find it
Transparent yellow iron oxide, which will give the background a glow, then burnt umber and titanium white mixed together for the “gray scale”?
czcams.com/video/UbqlBFHUy88/video.html
Damn. Prettiest art instructor on CZcams. My liquid seems to act like an auger plate cultivating bacteria or some mycology. Any suggestions?
Part1 we got you....part 2 and 3 you have to go on a treasure hunt.
Old masters??? you gotta be kidding me!
I have never commented in the negative before. I am concerned your teaching of "classical techniques" is confusing as it is the opposite of everything I have studied.
You a very right. This has nothing to do with anything the old masters would have done. Anyone with some real knowledge sees that this woman got no clue.
So, learn something new.
@@matureaudience1126 Learn something new? As the person before me stated already that it has nothing to do with anything the old masters would have done.
Someone educated would see this without any ease at all.
@@hirohikonishikawa4851 Suggest you should search out Bob Ross videos
@@brackcycle9056 Bob Ross was like an Old Master? 😳
Maestro
cannot find Part 3 of this series
Do you think it might be possible to pull off the look and effect with watercolor painting?
Nope
nope
Great, but what happened to the last episode 3 of 3
Not only a beautiful woman but a talent/ I will see if I can learn someting
LOL never posted part three thanks SHAW TV
Trevor Waugh painting roses in watercolour
Most goats I've met have natural hair. :-)
but gooing best demo thankkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkks
Thanks…
Good evening.. Where Is the part 3...🤔🙃🙏💐
Very nice.
What’s the difference between painting grisaille and alla prima?
In fine art, the term grisaille most commonly refers to a monochrome painting technique by which a painting or drawing is executed exclusively in shades of grey. Wet-on-wet, or alla prima (Italian, meaning at first attempt), direct painting or au premier coup, is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint, You finish the painting in one sitting.
czcams.com/video/UbqlBFHUy88/video.html
Where is part 2 and 3
Before you get started folks.....there is no part 3.
Lindo
Really love oil paints, but they take so long to dry, especially in my old house, so I use acrylics. Something about the smell of oil paint .. I like it.
use liquin it makes the oils dry faster.
At the end of the video 2 painting looks nice but I didn't find video number 3 and the painting looks like monochromatic one or by using minimal colours in it.... One thing I wonder when I see some of the videos of very few artists artists on you tube that the blending technique is totally absent in their paintings. And I find it here too.. Why is it so I don't understand at all
This is BS. Has nothing to do with "painting like the Old Masters" at all.
Thank you SO much everyone for your comments and I am extremely sorry for the mix up! The local TV station who had asked me to do this series has still not aired the third part and has not given us access to it. We did tape Part 3, the week after completing Part 2. I have been requesting, phoning, emailing but still no response. It is embarrassing and frustrating. I am feeling really badly for people who are following along and not able to access the final episode. So I have written out notes that will hopefully take you through step by step and be useful for all of you. Especially now as we are needing to isolate, you may want to have some therapeutic time at your easel! Since they are too lengthy to include here I have added the notes to my website along with a photograph of the finished painting as it was at the end of Part 3. Here is a link… I really hope this helps out. You are all amazing! ❤️
yvonnereddick.com/Asset.asp?AssetID=83050&AKey=G9XFJ7WF
What color ,combine painting. Cambas ,,,2/2 big brushing,,,
What happened to the final sitting
ok. i love you...
I'm thinking of something else with that music. :P
The "Old Masters" would not have painted in this fashion. The old masters would have used a Wood Panel, or a canvas primed with Calcium Carbonate, Linseed Oil, and Animal Skin Glue mixtures. The surface itself may have been toned with Red Ochre, but it would have been fully dry before painting began.
First a drawing was made to work out the drawing. A copy would be made for a transfer to be done, where only the lines implying important details would be copied. Holes would be poked through this copy along the lines, and the drawing would be fixed to the painting surface, and using charcoal powder, the artwork would be transferred by pressing charcoal powder through the holes, onto the canvas.
While a monochromatic underpainting is indeed done in some paintings, it is done with a certain precision as to imply the shapes that would be glazed over it. Inbetween these painting sessions, the painting would be left alone to dry to the touch before applying additional layers.
Often when the artist was taking a break, or working on other assignments, students of his workshop would attend to simpler parts of the painting, while the master would focus on the focal point of the painting.
Is there a book you would recommend to learn more about how the old masters did it?
Mister" R" , U R a TRUE master 🙏🙏🙏
Come bine in all fovorite color,,,to ,, drawing painting ,,land. Tree,,water,, rock,,, thanks you. ,too question s?,,,
How do I find part #3 ????
Hi Karaffeltut, I am very sorry about the mix up! We had taped Part 3 the week after completing Part 2, but the local TV station who asked me to do this teaching series has still not aired the third part and won't give us access to it. It is embarrassing and frustrating. I am feeling really badly for people who are following along and not able to access the final episode. Please see my comment above with info about part #3 and a link... and please let me know if you aren't able to find the information and I will resend it!!
@@yvonnereddick5038 Thank you for answering. No hard feelings :)
@karaffeltut Thank you! :) Hope you’re finding time to paint during these surreal times.
I don't understand artist who use latex gloves. How do you feel the brush? How can you be an artist and not want paint on you?
Paint is difficult to remove without harsh cleaning materials such as white spirit, washing up liquid etc. Also some paints are very poisonous. For example I have some old cadmium paints which have no known safe level of exposure on the skin or by ingestion.
The more often you get organic solvents on your skin the greater the chance that you'll develop an allergy to the entire class of solvents. Some people go their whole lives without developing allergies, others start showing allergic symptoms much sooner. Everyone is different so your mileage may vary.
Some of the pigments can cause blood and lymphatic cancers such as leukemia and lymphoma.
This ain’t acrylic paint lol the old masters also went crazy from heavy metal toxins and vapor poisoning... no paint on me and I wear a glove so I don’t get lead in my blood brain barrier.
To not wear nitrile gloves is both ignorant and idiocy.
Not even close. Have you ever seen an old master's painting?
Working light to dark? That is opposite of what I learned about oil painting
I'm glad I'm not the only one who finds her attractive lol
I AM IN LOVE WITH YOU!! GENERALLY NOT FOR THE PAINTINGS. FOR YOU. COME TO GREECE TO MEET ME
The difference between paintings and people is that paintings last a long time. People don't.
I'm pretty sure the old masters didn't use Liquin.
Auriflamme yeah they would if they had access to it. This is the reason their paintings took forever to complete. Liquin now is like riding a car over walking.
they used "ye olde Liquin"
Don't use this! Don't use liquin for toning use mineral spirits!! Or else your painting will crack!
And if you're a beginner don't use grayscale!!
Первый раз вижу такое! Картина уменьшилась в два раза.........................
If I "read" into your examples long enough, I can see the hint of what you are elaborating upon as "old Master's techniques" but I think it would have been wiser to just show an impressive old Master's painting, that has the advantage of being impressively executed technique that you want us to be inspired by...
Liquin will yellow over time, and using 1/1 it will certainly do so in the long run. (FYI) It is often recommended to never exceed 20% mixture. I find it ironic you are explaining the "Master's techniques" with some disregard of modern knowledge of materials. I know your initial layer will be totally covered by the successive layers, but titanium white also has its own disadvantages over time, it becomes somewhat transparent as time rolls on. To circumvent this disadvantage, lead white is often mixed into the titanium white by the master's to prevent this. This has two advantages, one is it allows the paint to dry faster, and also impregnate the pigment over time.
Another fact about the Master's use of grisaille is how they paint extremely thinly with it, and employed it as a economic tactic, not really as you have shown it- they had a need to conserve the pigments in the latter stages of color, the elements that were so hard to get and were extremely expensive. They also sanded off many of the brushstrokes after dry, to allow for smoother surface to do actual glazes over top. You obviously are not bringing this into your loose interpretation of the technique. I had to keep watching this bastardized version of the Master's technique, like watching a train wreck! Brilliant!
I am the master you are looking for.
Hi ,ma'am beautiful,,I icon posrait artist. ,,I like knowledge. Too painting. Study. Tertorial tech Nick,,,master. To
That's not true what the old masters used ,their techniques were as follows:
Sketch
Block in dark
Then light
From beck to front
?????!!!!!!!
In Deutsch wäre auch nicht schlecht???
Englisch lernen!
ummmm
slow periodddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddeas
Not like the old masters
No not really
Whats with the porno music?
What kind of artist are you? Wearing gloves and trying to stay clean. Lady you are in the wrong business. Old masters don’t paint like that and you looked confused!!!
Hahaha....well, not sure Monet was an Old Master, but there is a video of him in a white linen suit painting his beloved Lily pond.....and smoking a cigarette, to boot.
Фигня!
czcams.com/video/UbqlBFHUy88/video.html
правильно, ах ах!
not true
thats not how you pronounce grisaille.
Well girl, you still have to practice a lot.Bob Ross takes 25 minutes for such a picture.
Your intro is to long.
I think you're right. Unfortunately I didn't have any input as far as the editing...our local Shaw TV station did all of that. The fellow who did the filming did a really good job overall and I'm glad he was able to edit out a bit of my nervousness. :)
YUK, absolutely no.
Foolish !!!!!