Accessories for external video recorders (Featuring: ATOMOS Ninja Blade)

Timestamps:
01:19 SATA reader option(s)
09:40 HDMI cables and mounting option(s)
18:30 External 12V power option(s)
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(DE) General Amazon link: amzn.to/2nIPhv4
(UK) General Amazon link: amzn.to/2wBkxmm
(US) General Amazon link: amzn.to/2mFJ6GJ
(CA) General Amazon link: amzn.to/3aoRUtT
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Link-Summary:
(Choose the right links according your location.
It is stated in brackets at the beginning.)
#### SATA READERS: ####
(With PSU = Coming with power supply unit.
To power hard drives and optical drives for example.)
(DE) APLIC - No PSU (prime): amzn.to/2wwHa8z
(DE) APLIC - With PSU (prime): amzn.to/2wj6EqD
(UK) APLIC - No PSU (prime): amzn.to/2ioi2OR
(US) DiGiYes - With PSU (prime): amzn.to/2vaXDzO
(US) WEME - With PSU (prime): amzn.to/2uwdqHu
(US) inatek - With PSU (prime): amzn.to/2vu8qaD
#### 0.5m micro HDMI cables and 90° adapter: ####
(Don´t forget to check the 90° adapter direction you need!
AND check which port type you have on your camera!
Btw.: deleyCON cables replaced with Lindy CROMO series links!)
(DE) Lindy CROMO 0.5m (prime): amzn.to/2ufR9Cn
(DE) deleyCON 90° adapter (prime): amzn.to/2vC8Z1I
(UK) Lindy CROMO 0.5m (prime): amzn.to/2wBPUNI
(UK) OEM 90° adapters left / right (prime): amzn.to/2iolEAs
(US) Lindy CROMO 0.5m (non-prime): amzn.to/2uwnVKN
(US) OEM 90° adapters left / right (prime): amzn.to/2v9kP2Y
#### DK-415 (or similar) Sony-L dummy batteries: ####
(Alternative searches: "Sony NPF DC coupler".
Or: "NPF dummy battery".)
(DE) DK-415 (prime): amzn.to/2fiYSZM
(UK) DK-415 (prime): amzn.to/2wl9GgD
(US) General search (Amazon): amzn.to/2vuICv0
(US) General search (Ebay.com): goo.gl/Bo5WHc
#### BATTERY PLATES: ####
(You can also search for SmallRIG 1765 and 752.)
(DE) 12V NP-F plate (prime): amzn.to/2uvR5tB
(DE) 12V NP-F plate (non-prime): amzn.to/2uwrRuT
(DE) Standard NP-F plate (prime): amzn.to/2vDUP0T
(DE) Standard NP-F plate (prime): amzn.to/2uvWKj3
(UK) 12V NP-F plate (non-prime): goo.gl/V96E25
(UK) 12V NP-F plate (prime): amzn.to/2wvFFvo
(UK) 12V NP-F plate (prime): amzn.to/2wkByBv
(UK) Standard NP-F plate (prime): amzn.to/2xqbnpY
(US) 12V NP-F plate (prime): amzn.to/2wwRld9
(US) 12V NP-F plate (non-prime): amzn.to/2wwwDKf
(US) Standard NP-F plate (prime): amzn.to/2wwE58j
(US) Standard NP-F plate (non-prime): amzn.to/2vbruYH
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I hope you enjoyed it. If you can / want to, please donate a few bucks (over the PayPal link below). I would appreciate it.
(AND: Every cent will be spend on new review stuff.).
Please use this link:
www.paypal.com...
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EQUIPMENT USED:
Main camera: GH5 (CINE-D) + 12-60mm F3.5-5.6
Second camera: GH2 (DrewNET T9 LongGOP hack).
Sound: Sennheiser ME2 lav mic directly connected to the GH5.
Light 1: 50W DOF LED-575 (modified) with umbrella (overhead)
Light 2: Soft LED light with around 25 Watts from the side.
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Impressum - Legal Disclosure
/ austriangeek

[@GoranStepic]

Hey my fellow Austrian Geek, glad to see you are back!

[@f5motion]

what is the model of light?

[@JeffSpeers]

What were you saying about prores being bad on PC, and to use dnx?

[@AustrianGeek]

Well - The problem is, that there is still the gamma shift bug present with some renderers / encoders. A few got fixes - But its still the case with some (while you´re cutting or in the original footage before using the encoder the exposure is ok - But it shifts as soon as you encode the footage). So that´s the point why I mentioned that its better to use DNxHD instead of ProRes if you´re working on the PC (as the Atomos Ninja Blade offers both codecs). On MAC its better to use ProRes on the other hand. It´s just faster there (and it´s a standard codec there). ^^

[@AustrianGeek]

Yep. Though: I need to test the newest CC if the gamma shift bug is still there - Until now even with CineForm as intermediate / pre-rendering codec (with MOV wrapper) there was still the gamma shift bug present. I hope they fixed that. It´s quite annoying, to have different gamma levels (just because you use different pre-rendering and output settings). Especially since Premiere is very unstable with some effect combos - Therefor its nearly a "must have" to pre-render some parts (and I like CineForm as it´s taking a lot of space - Yes - BUT its also super fast to render ^^). About ProRes export in general: Well - Again one point gone why people need to use FCPX / Final cut. Altough I understand why many still use it and dont want to switch (Adobe is just A MESS according stability and bugs) ...