You are is usually conjugated into the contraction "You're," but I spose if you're talking about the possessiveness of his speech, what you're saying makes sense.
Drum's are Great, they help you to express your self in your own way. That's what i find fun when being be-hide the Drum's. You see everyone has a story to tell, it would be nice to find a bit about, writing note's down, because playing by ear, mean's not really playing, by the rule's, i know it's wrong, but Drum's are alway's fun to learn, something new all the time. Thank's :-) .
i like the groove check with the metronome, but I honestly think it is easier to have 16th triplets on the met, and just think of his style as variations of 3 over 2 (triplet/duple). thats actually how to appropriate the groove to the downbeat of the music. not as you suggest with the met on the up beats. but im so glad you are on this TOPIC!! great practice ideas BRAH :)
GREAT video man! I was always able to play the daddy vibe by feel but could never explain it. The displaced metronome is perfect for this and will help me clean mine up
I use a lot of cowbell clave patterns on the hihat especially the rhumba, lot of fun.I recall the hip thing was swung against straight, like messing with MIDI swing offset? Very cool lesson, thanks.
The left hand should come before the slinky right hand and not after, which is how you played it. So the left plays something more like "and 2 and, and 4 and" and not the triplet partial like you are playing. Or R LR B LR R LR B LR (right left right both etc) Its sort of like right hand plays a shuffle while left hand plays off beat 8th notes and back beats, but its really more than that with Chris Dave.
+The 80/20 Drummer I don't have much interest in trying to play like others or putting out videos showing people how to do it. I just thought it was a fairly obvious thing if you watch him, especially if you are trying to play it like he does. Maybe I sounded too harsh. I should commend you on the use of the metronome, not many people do that (feel it on beats beside the downbeat) but it helps a lot.
My apologies y'all. I deleted the snark from my previous comment so as not to detract from the quality of the page here. If you are trying to show how to play like Chris does, I just felt like it is important to at least get the sticking right. Great playing in the video and nice sounds from the kit.
+The 80/20 Drummer And also to say that Dilla gave us permission to feel the triplet in other parts besides the first and last beats" kind of negates drummers like Elvin Jones who consistently used the middle partial of the triplet in their playing. Dilla is the shit tho, and both he and Chris Dave changed the way I feel rhythm. I just think it goes beyond first, middle or last partial. Irrational fractions or something.
+sorelbaid ok I don't think you were trying to be mean, and your comment is actually correct about sticking. The sticking I present in the lesson is more Chris' thing filtered through me, but I could have been more clear about that. Sometimes it's hard to differentiate hate from legit critique. I will say anything you say about somebody as famous and controversial as Chris runs the risk of not being 100% correct. I stand by the spirit of the videos - here's how to embody what Chris is doing in your own playing - but I could have added more caveats.
I am a little confused why when the metronome counts, you verbally count the numbers off the beat of the metronome. I expect the numbers to land exactly on the metronome beeps. can you explain what is going on here and why the vocal count is not in sync with the metronome beeps? or am I hearing it wrong?
The "beat" is between the notes; yeses, it's a little weird, but counting off between the metronome is how one who is unfamiliar with the idiom can grasp it.
Hello, I've been watching, listening, disagreeing at times, mostly learning with your videos for about a month now teaching how to play like others. These videos are for the most part engaging and widely --spread style wise. I would suggest and challenge you to one months worth of "how to play like Nate the 80/20 drummer ". What better way for you to get better and us as well.
It really sounds like what he is playing is swung sixteenth notes putting the metronome on the last beat of the swung sixteenth, then playing the let of normal triplets to get that feel. From what im understanding he is saying he is only doing triplets with the metranome on the let and then him playing on the pul. Anyone?
Hey Nate, so I'm really into Chris Dave's playing, and I mostly know his playing from the Robert Glasper Trio, but I wanted to know if there's any other records in his discography that you can't point me in the direction of. Much thanks!
Hi Nate, first of all thank you very much, great post. Are these strokes (I mean all kicks & snares & hats) sitting on perfect triplets or should we rush or lag? And, what do you mean by swung, what is the difference of swing? thanks again Sir.
What is a "massacoti?" I feel dumb by asking. its around 5 min in the vid. How do u spell it and what exactly does it mean? what symbols are used to notate it? Thanks!!
I am little confused on something. You describe the subdivision as being 4 swung 16ths but then you are counting in triplets. This is getting me confused especially since I am trying to hear the metronome on that up beat right before the one. Can you correct me on this? Nate? Anyone? Thanks. I really enjoy the lessons!
Another drummer who's style absolutely can not be imitated. To have that type of energy you must be feeling it in the moment not trying to reinterprete his same energy. Y'all need to spend less time trying to learn how to play like other drummers and learn your own style and develop your uniqueness, otherwise THERES ALWAYS ANOTHER DRUMMER. (artists are irreplaceable tho)
Drummers goal should be to focus on making us dance with only that basic quarter note beat at 06:12 . The rest is icing on the cake, and will not work well without a good cake.
So where you put the metronome effects how you interpret the beat... hmm... Anyway, do you ever do metronome studies where the metronome gives you a click every down beat, or every two measures, or every 4 measures?
What you're playing doesn't sound quite correct to my ears, though it's pretty close. In the original medley video, the first pattern doesn't sound swung, it sounds syncopated. The second pattern isn't necessarily just swung either. It sounds more like a cross between duple and triple making the pattern sound uneven and out of time but loops in time, sort of like a sample on a record that is slightly off. It sounds more like he drags slightly and then catches up with the beat, or vice versa. It doesn't sound like simple notation. Chris' style has a lot more to do with feel in my opinion. But maybe that's just what I'm hearing.
Maybe I'm hearing the subdivisions differently in my mind. Hearing you play along sounds different from when you play solo. I guess I don't hear or feel it "swinging" in the original, at least in the first pattern. The second pattern seems like it's somewhere in between swung and not swung. I'm not entirely sure. The sound of your playing, objectively speaking, seems more stiff or rigid than Chris' playing. I think I'll just have to keep listening and playing until I can figure out what I'm hearing.
+Miles Burke I agree it's somewhere in between straight and swung, and it's open to interpretation. I fully admit I'm trying to get people "closer" with this lesson, but there are definitely shades of grey the notation doesn't 100% capture.
+Miles Burke you're right man..the first groove is a more sloppy straight beat and then the second groove is more like you said..it's something in between swing and straight feel.. I think that's something that you can feel and it cannot be defined...
+The 80/20 Drummer I was going to mention this too. To me it sounds clearly straight and not swung. Nice about how to use a metronome with swung 16th notes but I just listened like a bunch a times in a row and I cannot hear slightly swung or anything. but who the hell am I anyway?
+Sky McKinley No. Vinnie could. It's a matter of what you practice. I use matched and traditional both, depending on the context, but I don't spend a lot of time trying to get fat rimshots with trad. (Clean rimshots, yes, for Greg Hutch stuff, but not really going for volume)
Don't get me wrong but, You can play like many drummers, well it's not easy but it's easier then founding Your own style like all those great drummers did, and that's what make us different as drummers
Nope I think you missed it, there's only one Chris Dave and only one you. At the end of the day rudiments only matter to a certain extent, your own personal style and how you express your SOUL is what matters.
The most accurate Chris Dave lesson on CZcams, can't wait for Part 2!
I'm still trying to break into this type of drumming. It's got so much texture... I want it!
Bruh that "hip hop" drumming your talking about pre chris dave is called .... James Brown's drummers
Thank you!!!!!
You are is usually conjugated into the contraction "You're," but I spose if you're talking about the possessiveness of his speech, what you're saying makes sense.
How to play like Chris Dave:
1. You can't.
2. That is all.
Word
lmfao
True
Drum's are Great, they help you to express your self in your own way. That's what i find fun when being be-hide the Drum's. You see everyone has a story to tell, it would be nice to find a bit about, writing note's down, because playing by ear, mean's not really playing, by the rule's, i know it's wrong, but Drum's are alway's fun to learn, something new all the time. Thank's :-) .
Great stuff, thanks man. Chris Dave is also one of my all time favorite drummers. Regards, Gilberto.
Consider teaching the actual proof beat he plays with the drumheadz! In any case, this is definitely a great series you've started.
i like the groove check with the metronome, but I honestly think it is easier to have 16th triplets on the met, and just think of his style as variations of 3 over 2 (triplet/duple). thats actually how to appropriate the groove to the downbeat of the music. not as you suggest with the met on the up beats. but im so glad you are on this TOPIC!! great practice ideas BRAH :)
I had never heard of Chris Dave, but dude is dope! Thank you!
GREAT video man! I was always able to play the daddy vibe by feel but could never explain it. The displaced metronome is perfect for this and will help me clean mine up
Thanks for doing this detailed breakdown of Chris's playing. Look forward to the next!
I use a lot of cowbell clave patterns on the hihat especially the rhumba, lot of fun.I recall the hip thing was swung against straight, like messing with MIDI swing offset? Very cool lesson, thanks.
It's hard not to rush that 16th ....even by a couple of tics.
But I love what you do and how you explain it.
I've been waiting for this video to come out since I started playing the drums!
6:19, yo that piano was creating some awesome resonance!
Awesome tutorial as usual Nate. Could you do, "How to play like Keith Carlock" as a future video? His fluidity and limb independence is unreal.
Saw him twice with Steely Dan, i swear he can play a 16 beat over a shuffle at the same time with the same quarter notes. wtf.
The left hand should come before the slinky right hand and not after, which is how you played it. So the left plays something more like "and 2 and, and 4 and" and not the triplet partial like you are playing. Or R LR B LR R LR B LR (right left right both etc) Its sort of like right hand plays a shuffle while left hand plays off beat 8th notes and back beats, but its really more than that with Chris Dave.
Cool. Eagerly await your video on the subject:)
+The 80/20 Drummer I don't have much interest in trying to play like others or putting out videos showing people how to do it. I just thought it was a fairly obvious thing if you watch him, especially if you are trying to play it like he does. Maybe I sounded too harsh. I should commend you on the use of the metronome, not many people do that (feel it on beats beside the downbeat) but it helps a lot.
My apologies y'all. I deleted the snark from my previous comment so as not to detract from the quality of the page here. If you are trying to show how to play like Chris does, I just felt like it is important to at least get the sticking right. Great playing in the video and nice sounds from the kit.
+The 80/20 Drummer And also to say that Dilla gave us permission to feel the triplet in other parts besides the first and last beats" kind of negates drummers like Elvin Jones who consistently used the middle partial of the triplet in their playing. Dilla is the shit tho, and both he and Chris Dave changed the way I feel rhythm. I just think it goes beyond first, middle or last partial. Irrational fractions or something.
+sorelbaid ok I don't think you were trying to be mean, and your comment is actually correct about sticking. The sticking I present in the lesson is more Chris' thing filtered through me, but I could have been more clear about that. Sometimes it's hard to differentiate hate from legit critique. I will say anything you say about somebody as famous and controversial as Chris runs the risk of not being 100% correct. I stand by the spirit of the videos - here's how to embody what Chris is doing in your own playing - but I could have added more caveats.
Your content is pure gold.
great lesson buddy! the long form lets you really get into some detail and walk through how to get into this stuff. many thanks!
only drum lesson ive seen in 11 years of playing that is actually useful and engaging. subbbbbbbbscribbbedd
Hey bro! You are great! Thank you.
Great video. Good work.
I am a little confused why when the metronome counts, you verbally count the numbers off the beat of the metronome. I expect the numbers to land exactly on the metronome beeps.
can you explain what is going on here and why the vocal count is not in sync with the metronome beeps? or am I hearing it wrong?
Daniel Manahan he's doing that on purpose to capture the exact feel that's being played.
The "beat" is between the notes; yeses, it's a little weird, but counting off between the metronome is how one who is unfamiliar with the idiom can grasp it.
Great!!! Thanks
Hello, I've been watching, listening, disagreeing at times, mostly learning with your videos for about a month now teaching how to play like others. These videos are for the most part engaging and widely --spread style wise. I would suggest and challenge you to one months worth of "how to play like Nate the 80/20 drummer ". What better way for you to get better and us as well.
Can't wait for part 2 of this!
It really sounds like what he is playing is swung sixteenth notes putting the metronome on the last beat of the swung sixteenth, then playing the let of normal triplets to get that feel. From what im understanding he is saying he is only doing triplets with the metranome on the let and then him playing on the pul. Anyone?
Hey Nate, so I'm really into Chris Dave's playing, and I mostly know his playing from the Robert Glasper Trio, but I wanted to know if there's any other records in his discography that you can't point me in the direction of. Much thanks!
Some cool concepts here, thanks!
Chris Dave is an absolute monster!
Thanks for these videos, you are brilliant! Haven't seen any youtube videos on this level before!!
Hi Nate, first of all thank you very much, great post. Are these strokes (I mean all kicks & snares & hats) sitting on perfect triplets or should we rush or lag? And, what do you mean by swung, what is the difference of swing? thanks again Sir.
What is a "massacoti?" I feel dumb by asking. its around 5 min in the vid. How do u spell it and what exactly does it mean? what symbols are used to notate it? Thanks!!
great lesson man, thank you
That first set you played before you played like Chris Dave sounded like the drums from Nas Represent track
I am little confused on something. You describe the subdivision as being 4 swung 16ths but then you are counting in triplets. This is getting me confused especially since I am trying to hear the metronome on that up beat right before the one. Can you correct me on this? Nate? Anyone? Thanks. I really enjoy the lessons!
Look up quintuplets if you haven't already
Incredibly helpful
There are imitators .... and originators - Chris Dave is the later.
wow...i was living under a rock up in canada and somehow missed chris dave....thanks! great lesson.....btw...what camera/editing software do you use?
love your drumming videos man. Can't say the same about your eye contact skills though.
Yeah!
Thanks for help me!
@ 9:36, there seems to be two hi hat notes missing - on the 'and' and 'a' of beat one. You are starting the HH part on beat 2. Is that correct?
PLEASE DO A VIDEO ON HIS ACTUAL PROOF PERFORMANCE I BEG OF YOU PLEASE
+Aaron James On the list. Check my buddy Dean mcCormick's transcription in the mean time;)
+The 80/20 Drummer YES thank you! I love Chris's drumming
What kind of hi hats are those top and bottom? Love the sound of them and would like to buy them.......
+Grover Stewart Top cymbal seems to be a 16" Zildjian A Custom EFX
Hey man awesome lesson !!! the last groove two grooves you are playing and you are counting triplet triplet you are counting 16 note triplets ? hey ?
My vote is for Zach Danziger next
Another drummer who's style absolutely can not be imitated. To have that type of energy you must be feeling it in the moment not trying to reinterprete his same energy. Y'all need to spend less time trying to learn how to play like other drummers and learn your own style and develop your uniqueness, otherwise THERES ALWAYS ANOTHER DRUMMER. (artists are irreplaceable tho)
Hey Nate, was there a transcription for that first hip hop beat you played? because there isn't anymore and I could swear there was
you can't play like Chris everybody has there on style,but you sir are really good...
Drummers goal should be to focus on making us dance with only that basic quarter note beat at 06:12 .
The rest is icing on the cake, and will not work well without a good cake.
hahaha your awkwardness is hilarious man! great vid, channel, and drumming
thnx, very helpful!!
So where you put the metronome effects how you interpret the beat... hmm... Anyway, do you ever do metronome studies where the metronome gives you a click every down beat, or every two measures, or every 4 measures?
+pickinstone Definitely every 2 or every 4. Macro time. That's a great way to practice. +1
What's the hi hat setup?
great stuff dude!
Thanks!
Super good stuff. Subbed!
I appreciate you
i bet this guy smokes hella bud
What you're playing doesn't sound quite correct to my ears, though it's pretty close. In the original medley video, the first pattern doesn't sound swung, it sounds syncopated. The second pattern isn't necessarily just swung either. It sounds more like a cross between duple and triple making the pattern sound uneven and out of time but loops in time, sort of like a sample on a record that is slightly off. It sounds more like he drags slightly and then catches up with the beat, or vice versa. It doesn't sound like simple notation. Chris' style has a lot more to do with feel in my opinion. But maybe that's just what I'm hearing.
+Miles Burke but am I lining up with Chris when I play over the tune or not? That's pretty binary, right?
Maybe I'm hearing the subdivisions differently in my mind. Hearing you play along sounds different from when you play solo. I guess I don't hear or feel it "swinging" in the original, at least in the first pattern. The second pattern seems like it's somewhere in between swung and not swung. I'm not entirely sure. The sound of your playing, objectively speaking, seems more stiff or rigid than Chris' playing.
I think I'll just have to keep listening and playing until I can figure out what I'm hearing.
+Miles Burke I agree it's somewhere in between straight and swung, and it's open to interpretation. I fully admit I'm trying to get people "closer" with this lesson, but there are definitely shades of grey the notation doesn't 100% capture.
+Miles Burke you're right man..the first groove is a more sloppy straight beat and then the second groove is more like you said..it's something in between swing and straight feel.. I think that's something that you can feel and it cannot be defined...
+The 80/20 Drummer I was going to mention this too. To me it sounds clearly straight and not swung. Nice about how to use a metronome with swung 16th notes but I just listened like a bunch a times in a row and I cannot hear slightly swung or anything. but who the hell am I anyway?
Your set sounds heavenly 😍
Hi Nate, do you happen to have a transcription of this? thanks again.
Link in the description my dude! :)
+The 80/20 Drummer can you please tell me your high hat setup
great drumming man! thanx!
Could you have played all of that with a traditional grip?
+Sky McKinley No. Vinnie could. It's a matter of what you practice. I use matched and traditional both, depending on the context, but I don't spend a lot of time trying to get fat rimshots with trad. (Clean rimshots, yes, for Greg Hutch stuff, but not really going for volume)
Don't get me wrong but, You can play like many drummers, well it's not easy but it's easier then founding Your own style like all those great drummers did, and that's what make us different as drummers
I agree. You should never check out and transcribe other drummers for inspiration. I recommend not listening to music either ;)
awwwww snapppp nice!!!
sick
maybe just maybe i want to play like myself?
then maybe you can check any of my hundreds of other videos. That's like me being mad at HBO for programming a movie I don't want to watch.
Hmm easy:)
Why would you want to.Anybody can fuck it up for the bass player. 🙄
dude everybody gets so aggressive on you... hahaha. They just jealous you're making money on youtube and they not, hahaha.
Go to work thief!
Dig your channel, but Chris Dave over Damion Reid? NOPE.
TOTally depends on the setting. I like Damion with the trio. I assume even Damion prefers Chris with the Experiment 🤣
@@8020drummer Where do you place Elvin Jones?
so confused
+Daniel Noonan another satisfied customer;) JK will try to be more clear in the futuro;)
+The 80/20 Drummer I can't remember where I became confused
DUDE!!!! Why are you SWINGING THE HH??? IT'S NOT A SWING BEAT!!!!
What about shedding and having your own style? smfh
ur dumb
+Richard Lopez if I wanted to hear from an ass, I'd fart. Also, I guess your parents are pretty stupid because you're here.
+Antajuan Garcia u missed ALL the points
Nope I think you missed it, there's only one Chris Dave and only one you. At the end of the day rudiments only matter to a certain extent, your own personal style and how you express your SOUL is what matters.
the title of the video/lesson is "ho to play like Chris Dave"....get it?
Just play out of time with the rest of the band.