You Don't Need to Use All 5 Pentatonic Patterns
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- čas přidán 25. 07. 2024
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In this free guitar lesson, I explain to you that it’s not necessary to use all five pentatonic scale patterns. Most players have particular patterns and portions of patterns they favor and use most of the time. I’m going to show you why players do this and why you should do it too.
#pentatonicscale #pentatonicpatterns #pentatonicguitar - Hudba
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Is there any specific place each pattern should be on the fretboard and if not what is your recommended approach or method for setting them up???
Really would appreciate knowing the rule and or theory behind this Thanks
@@jonnehayesjr.9299 The following course can help you out. guitarmusictheory.teachable.com/p/pentatonic-scale-patterns-fretboard-theory-chapter-2/
Thanks
i like your teaching...very simple to understand. i studied some of your notes on Fretboard theory--i am moving along slowly...
Exactly what I needed, no bs and straight to the point. Thanks
Another excellent lesson -- insightful! Thanks.
Totally agree. What we need are good lead phrases or riffs to play.
That's why I put together this pentatonic playlist. czcams.com/play/PLFD1758248F2C7509.html
Thank You
Good tips, good examples. Thank's Desi!
Helpful Desi. Adds well to the Guitar Music Theory programme. I am really enjoying it but wow there is some content there!!
Very good lesson simple instructions
Great, this was helpfull
Just what I needed to hear👍
Exactly what I needed to learn! Thanks Desi!
Very good lesson. Thanks Desi. I am working from your books these days and picking up some great ideas.
this is amazing! thank you!
Good points. For me, learning the 5 shapes forwards and backwards first was very important and on some songs I still use a lot of each pattern and it sounds good. I'll throw random licks in to keep things interesting. After that, learning how to link to each one was key. It can be as simple as a slide at a certain location that is easy to remember and that gets you up to the next pattern. Also, learning all of the notes on the fretboard is important. In case anyone didn't catch what he was saying about the major key- if a major chord progression is being played e.g., in A Major, you can simply move down the neck (so your pinky is now on that root A (6th string- thicker one "open it's E) instead of your index finger) and begin shape one of the minor Pentatonic scale- it will work. It actually contains the same notes, hence "relative" minor.
I am going to try now to work out how to play the amazing solo at the end of the Carpenters' 'Goodbye to Love', using parts of the 5 shapes. Ambitious, I know - but I just have to try!
I've always thought this was the case. Nice to hear an expert confirm it.
Great, concise lesson and explanation. Really like how you tied it all together, including the tips for practicing and the focus on how this approach develops our musicality.
Glad you enjoyed it!
thanks
Awesome
Thanks Desi, very helpful. It's like the "kiss" principle, keep it simple stupid.😀
Bottom line is that you need to know all five patterns so that you know which to emphasize. That's my take away.
Thanks for such consistently clear and easy to understand explanations.
Yes. Learn all five patterns to explore your options and get to know what you like best.
Hello, Desi. In Fretboard theory, vol II, you ask about Lead Patterns and Riff Boxes. Is the solution for the best use of pentatonic scales?
Not sure I understand your question. Can you elaborate?
@@desisernaguitar The lead patterns in Fretboard Theory vol II are for you the best use of the pentatonic scales? I like very much your books, and I think you have a great didactical gift. Excuse my elemental English.
@@Ahmed-kv4up It is up to you to determine the best use of the pentatonic scale patterns. I'm just helping you explore your options. Learn some of the pentatonic scale song parts I reference and you'll get a good idea of how others use the patterns.
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