Fender Telecaster from 1973 presented by Vintage Guitar Oldenburg and Tobias Hoffmann.
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- čas přidán 12. 09. 2024
- Vintage Guitar Oldenburg and Tobias Hoffmann present a Fender Telecaster from 1973. More infos about the guitar at: www.vintage-gui...
The guitar shown was played through a Fender Deluxe Reverb from 1978 and recorded with a Shure SM57 (left) and a Sennheiser 409 (right) . The backing tracks were recorded into a Fame Twin Looper on the same instrument right before the recording of each video. A Red Panda Tensor was used for additional loops and sounds. Overdrive Sounds come from a Vemuram Jan Ray or a Greer Amps - Ghetto Stomp and the Greer Amps Lightspeed was used as a booster.
Tobias Hoffmann is a award winning guitar player from cologne, germany. He combines the sounds of Jazz, Blues, Rock, Surf and some experimental stuff. Check him out:
www.tobias-hoff...
/ tobias.hoffm. .
/ tobsensen
For Guitar Lesson Requests contact Tobias via email:
tobiashoffmannmusik@gmail.com
This is one of the most fascinating chord progressions I've heard Tobias use to put an axe through its paces! His demos are literally in another universe from the zillions of others on YT. He explores the full sonic range of each instrument, all while improvising and creating on a celestial level. Thus what we're treated to is not merely a presentation of the features of a specific guitar but a mini-concert of the highest level. This guy is brilliant, unique and incredibly inspiring. ... Oh, and I'd take a maple fretboard Tele over a rosewood any day.
Spot on. Totally agree.
GREAT!!!
Tobias simply at his best. The musician and the guitar in grace.
1973 was the worst year of my life. Nice to see and hear something beautiful that came out of it.
Honestly the greatest guitar improvisation I have ever heard and I could listen to it 100 more times, amazing! I would give my soul for sheet music/ tabs of this one ;D
Tobias is an incredible musician. I didn't think it could be possible, but he's taking the job that the great Greg Koch does for another vintage guitars selling company to a whole other level.
Every time! Thanks again
Genius
Sounds great! Amazing playing as always. Love the chord substitutions and the voicings. I’m still trying to steal those chords.
I have a 74’ custom- one of my favorite telecasters
Ah yes! Tobias and a tele! Made my day for sure!
Very Cool
Absolute mastery.
CHORDS
1: D F# D. (IV, it's in A)
2: G# F C (Dm7b5, he sometimes plays G# triad in the solo)
3. F#. D#. B. (V/V)
4. F. D. A. (Bm7b5 or Dm6/B, basically -IV or moll dur)
5. A. C#. A. (I)
6. A. C#. G. (I/IV)
Among many many other things, he plays D, G#, B and F triads in the first two bars. What a great player, everything about it is beautiful
Please, correct me if I'm wrong with the analysis. Greetings!
great analysis. For the 3rd chord, I hear and seen G E B ( G6). Also for the 5th chord, I'm hearing that over an open E string, so E C# A
ha now I can't unhear what you put for the 3rd chord Both work
Hi Alberto! The chords are right, good job. I read you comment month ago and always thought about answering it. Here i am. This is my idea about the chords. I am really into the diminished scale. So, it's in A major, that is right. You can hear very well how the progression resolves when it goes to the A major chord in bar 3. Every chord before that: D, Ab6, B, F6 is from the diminished scale in A. (A-B-C-D-Eb-F-F#-G#). As you can see, all four chords are a minor third apart from each other (D, F6, Ab6, B) and resolve into the tonic. (Adim resolves into A major!) So, i think like: two bars Diminished, two bars tonic. That why i am playing the D, Ab, B and F triads in bar 1-2, as you noticed, to get this diminished colour. BUT also all the "bluesy" stuff i am playing could be from the diminished scale which is actually very bluesy! Ok, the notes F and G# are a bit too far out, but try leaving these two notes out and you get a lot of classic blues phrases with A-B-C-D-Eb--F#. I am pretty obsessed with the idea, that a lot of the blues melodies could also have their origin in the diminished scale rather then just the pentatonic with added b5. Consider that diminished was huge in music at the end of the 19th century, beginning of the 20th century! :-) All the best and thanks for listening and for your comment.
@@Tobsensen thanks for answering ❤️. Tomorrow I'll come back to it, trying to see it as you do. I dig Brad Mehldaus' When it rains and I think you might like it too. Muchos abrazos !
Ok, so I came back to the progression with your information. Very interesting point of view,both sonically and from a historic perspective.
It is pretty clear to me that modern music teaching leaves out a lot of information when it becomes a practical thing.
What's really important, A diminished to A major are a exciting, both in classical and modern music. I feel you.
Thanks for taking the time and energy to reply. Have a great year 🎉
Thank you Sir , it's was beautyfull !
This man plays like i always dream of the guitar he's playing 😂
Thriller!
Wunderschön gespielt und sehr geschmackvoll 😭 Wenn ich mal wieder in Oldenburg bin, muss ich mal vorbeischauen!!
PS: Wisst ihr vielleicht noch, welche Saiten ihr auf dem guten Stück aufgezogen habt? 🙂
Lieber Gruss
Andreas
Ernie Ball 010-046
6:24!!!! Just perfect!!!