Creative Cribs - Paul Thomson (Little Big Planet)
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- čas přidán 1. 12. 2019
- Christian joins @PaulThomsonMusic in his newly completed home studio, The Bullbarn.
Watch the development of Paul's studio build here: • How to build a recordi...
#SpitfireAudio #InspireAGenerationOfComposers #CreativeCribs #PaulThomson #LittleBigPlanet - Hudba
Man wish this was in 4k.... You cant film epic cribs like this in 1080p, its just criminal.
OMG, can we do a 4K revisit of Paul's Crib? No doubt the tech would have been iterated upon since then 😅.
My first time seeing this, but this is endgame stuff.
Not to take away from Homay, Christian et al, but having watched a lot of Paul's demos, his quality compositions, even if he writes them off as a 'demo' for a new library, leaves me humbled
Will forever be jealous of this studio. Its just a perfect space! And glad to see creative cribs back!!!
I had the same experience with a Red Focusrite Mic Pre... I got so used to the sound that once I sent it into the shop for a small repair and decided to use another preamp for a vocal session with a great singer and wow... what a shock! I sent the singer home and rescheduled. My Lord what a huge difference. I still have it and use it all the time.
Great studio, thanks for sharing Paul.
When he said that this was the creative cribs we were all waiting for a few days ago I KNOW I wasn’t the only one who thought we were gonna be getting a Hans Zimmer creative cribs vid.
I've watched this video so many times!!! Never gets old :)
Congrats Paul, amazing space. So jealous!
There's a whole love for sound in your stuff, samples or studios.
Wow, what a wonderful place to work! 👍
Mind blown! Thanks for such a insightful and personable creative crib waskthrough. I hope you have a "ton" of creative fun. Looking forward to the links to your studio build.
What an amzing studio setup!! This would be a dream come true for me :D
It's been a pleasure to watch Paul build his dream studio! Let's do it again (this time in the states about 20 meters from where I'm sitting right now)? Really looking forward to hear what's born in there.
I like how everyone who said it would be Hans said I knew it was going to be Paul. That open floor plan really is a great idea, so many people end up staring at the wall. See you tomorrow! Thanks CH
Lovely to see that there are fellow sound nerds out there!
I love these videos soooooo much! Helped me put together my at home budget studio that actually makes me an income!
Wow, Zach! Gives me the courage to give it a try and hope for the future, too! Thanks!
Great stuff!
Paul is quickly becoming my favourite on-screen personality at spitfire. Seems like a swell guy all round. Love his tutorial videos as well.
Amazing space
I’ve absolutely loved this series creative Cribbs. Brilliantly done
I’d absolutely love to see Brian Bennett’s Honeyhill Studios (shadows drummer and composer).
Just an idea, but would be so much appreciated.
Thank you for your amazing channels and generous output, you deserve all the success that you get! (Despite my almost infinite envy of your own studios!😀)
Thanks again
Wow! What a studio! Amazing Paul, looking forward to catching up with the rest of your series on building your studio from scratch.
Thank you for sharing this with us :)
I cant believe that was 58 mins. Felt like 15! Lovely visit and great insight into Pauls studio, thanks for that!
W O W ! ! !
Starts at 12:55
It would be awesome if you guys did a Creative Cribs with Austin Wintory or Bear McCreary!
Have you found the Physis board easy to work with?
The Roland piano has conked out on me .I have a Native Instruments in front of me which refuses to be recognized by Logic after a day of frustration. The keybed seems decent
who built the table for monitor and keyboard?
Santa's grotto for musos🎅🏻 What was the multi-effects board at 38:29, Paul?
I saw the build on Paul's channel and with as much concrete as the used to build his studio I think I would be safe from the giant stomping on it. Might even slow him down since it'll be like stepping on a Lego for him.
The Mac almost falling out of the table at 11:16 is giving my too much anxiety
Yes, but at about 9:00 he says "it never falls over." ;-)
@@JacqueHarper alright then :D
hmm, where is the equipment list promised, Christian
Gorgeous! ... Re: UTA-Undertone Audio, Eric Valentine the creator of UTA has a YT vlog called 'MAKING RECORDS with ERIC VALENTINE'... a must watch! he usually posts on a Sunday.
Would be great if you could upload another version without the audio going out of sync.
JX3P incredibly under-rated.
Great walkthrough and studio! Hey, I was curious about the specs on the IMac Pro (I’m looking to get one).
Daft Punk Was the Alesis 3630 Compressor Pumper !!
Great video. Small note, I believe the "Daft Punk crushed drum sound" is actually Alesis 3630s, not 1176s. At least on the earlier stuff.
hmm interesting
6.40 .....suddenly remember you have a pic of Chun-Li mid tornado kick on the door of your loo.
I wonder how much does the electricity bill cost in such a studio?
Well, there went my evening plans
Surprised that you need limiting at all. If you're delivering at -23 LUFS -2 TP, you have to have a super wide LRA to need limiting, especially following some juicy analog love.
Liking the new cribs ... the kinda lofi camera work is ideal, walk around, get the interview while having a subtle nosey around. Like you would, as a very slightly nosy friend.
I really want to know where he got those wrist rests.
On the subject of thinking about gear from an investment perspective.. I guess I think the way that lands for some folks is like you shouldn't get gear simply because you have a crush on it.. or sometimes it's like.. well I think of behringer gear, as a for instance.. the bar is so low for getting certain types of sounds that I feel like.. well it's just something you have to kinda weigh.. and I think that's the thing.. like the investment perspective is something you need to weigh in your thought.. but it's totally cool to weigh it differently in different contexts.
Paul, christmas is coming and I think you deserve the proper gear for that empty space and thinking, wouldn't the Unfairchild 670 fit snuggly?
This one here goes to 11.
There's a lot of really strange aliasing going on in the video, even in 1080p. It looks like some kind of upscaling? Not sure what happened, this is a bit distracting from the great studio tour
It is a recording of a live stream. That's why the quality is a bit iffy at times.
It seems to be an issue with deinterlacing. I guess the video stream was flagged as being interlaced even though it was in fact progressive or psf and then de-interlacing was applied.
Am I the only one having trouble listening to Paul due to the anxiety about his computer going over the edge of his desk!!!!!!!
what kind of mouse is that??
Someones gotta explain all these synth words like TS 6000 or whatever.
And 5.1 or stereo or whatever these are.
55:22 'buying something knowing its going to be worthless out of the box, just strikes me as being'...... kind of like VIs that you cant do license transfers sptifire?????
11:41 Alan has 10 now :)
I'm in the wrong business...
actually not good advertising when someone who presents a lot of the Spitfire libraries (of course all digitally processed sounds) says that he puts the stuff he makes on the computer thru his analogue gear "to make it sound more like music" (at 44.13). Not everyone has the needed room, money or time to process every single sound thru dozens of analogue stuff to change the sound ever so slightly (of course you can change it dramatically, but if there's a need to do that, these libraries would be worthless, and nobody would buy them)
Not really, I'd much rather have high quality "raw" samples to use in any way I want and tailor to whatever suits best, than have their perception of what sounds best embedded into the audio that you have no way of changing.
I think you are taking this out of context. He was talking about using a Neve Mic Preamp to process vocals... I dont understand where processing samples through a ton analog gear is mentioned.
They just like gear. Hardware that has "a sound", alters the signal. Many many years ago, all hardware altered the signal significantly, and then it was all about picking the sound one liked the best. Then some compnaies started making products that did not have a sound of their own, because there was minimal alteration to the signal. with time, more and more companies were able to construct products, that did not have a sound of their own.
At that time some people got a bit boored with the un-altered sound, so they started looking for products that altered the sound. For some strange reason, instead of analyzing what they thought certain sounds needed to suit there case, and use clean eqs compressors, and other tools to achieve this, they started looking for hardware that did something they liked with the audio, without understanding exactly what. But when the alteration didn't fit all sounds, they still did not bother to understand what type of alteration they liked on specific sounds, and started collecting different hardware.
All those processors could have easily been replaced with midi controllers with a similar, that called up a specific effect/effect-rack and performed a single or a couple of tasks when playing with the controls (given that they had a clean signal to start with), and they would be just as fun to use.
Learn what kind of alternation you like to a signal, and you can find multiple tools to achieve it, without having to have any hardware. And you can apply the same things to signals whatever the source is (one's own recording, something recorded elsewhere, or recorded with a new sound interface). And then one can make custom midi controllers for a fraction of the type of outboard gear studios like this have, and still get the same joy from having things with tactile feedback. (with custom midi controllers, it is also possible to make new front plates, if one feel like chaging things up a little, just for something new to look at, or if one finds a new type of alteration that one prefers).
When you have a bunch of sampled instruments playing together, it often helps to run the mix through something that glues it together. There are actually quite a lot of good mastering plugins for that. But moving a real knob with your actual fingers is a better way to intuitively find the sweet spot on the dial.
Dumbest thing I've read in a long time. xD