I have a Traynor YBA 4 that looks just like your Traynor, but I believe they made they Mark II in that cab too...... and I just picked up a 1960s Kay model 754.
I just purchased an all original 1953 Gibson ES-175...how do you think the Kay would sound...looking for a vintage style tone...probably a little less interested in extremely heavy gain...more so looking for just a little crunch to bring out the original P90 on it, but also looking for something with some good jazzy tones.
@@corndogginit I love the Kay, And I still think that it's a good value at 200 bucks. My favorite thing about the amp, is cranking the tremolo depth and the volume. When you hit the guitar hard set that way the guitar signal overloads the tremolo circuit and as the sustained dies off the tremolo kind of catches back up and the throb returns. I use the K on almost every full record I make these days, but it definitely is not powerful, robust, or flexible enough to be a main amp.
if you have a 2 prong power cord that is not polarized, then it must be plugged into the wall correctly, especially if you are going to sing into a mic. So, even if it isn't grounded, at least you need to make sure the polarity is correct.
I have a Traynor YBA 4 that looks just like your Traynor, but I believe they made they Mark II in that cab too...... and I just picked up a 1960s Kay model 754.
Just came across this...found a Kay Vanguard 704 recently that I'm thinking about picking up. Here in Raleigh :) Great video!
I just purchased an all original 1953 Gibson ES-175...how do you think the Kay would sound...looking for a vintage style tone...probably a little less interested in extremely heavy gain...more so looking for just a little crunch to bring out the original P90 on it, but also looking for something with some good jazzy tones.
@@corndogginit I love the Kay, And I still think that it's a good value at 200 bucks.
My favorite thing about the amp, is cranking the tremolo depth and the volume. When you hit the guitar hard set that way the guitar signal overloads the tremolo circuit and as the sustained dies off the tremolo kind of catches back up and the throb returns.
I use the K on almost every full record I make these days, but it definitely is not powerful, robust, or flexible enough to be a main amp.
I have a kay 704 and it's an awesome amp...got it from some old guy who didn't want it anymore so he threw it in on a trade we did...great amp
make sure it is grounded!
if you have a 2 prong power cord that is not polarized, then it must be plugged into the wall correctly, especially if you are going to sing into a mic. So, even if it isn't grounded, at least you need to make sure the polarity is correct.