Constantinople (Kiya Tabassian, dir) plays Dimitrie Cantemir (1673-1723), Bouselik & Gavesht pishrow

00:00 Bouselik pishrow
4:44 Viola d'amore solo (folias)
6:14 Gavesht pishrow
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L'ensemble Constantinople interprète la musique de Dimitrie Cantemir (1673-1723), prince, savant, compositeur et diplomate moldave. Si les compositions de ce personnage historique fascinant occupent une place à part entière au sein du répertoire de la musique ottomane, son influence est d’autant plus grande qu’il a aussi répertorié plus de 350 œuvres instrumentales dans son ouvrage Edvar-i Musiki. C’est en utilisant son propre système de notation qu’il a offert au monde l'une des plus importantes sommes de musique ottomane et du Moyen-Orient des 16e et 17e siècles.
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Ensemble Constantinople performs the music of Dimitrie Cantemir (1673-1723), a Moldavian prince, scholar, composer, and diplomat. A fascinating historical figure, Cantemir’s compositions are considered part of the Ottoman music repertoire. More influential though are the over 350 instrumental works that he preserved in his book, Edvar-i Musiki, using his own innovative notation system, which remains as one of the most important collections of 16th and 17th century Ottoman and Middle Eastern music.
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Concert complet disponible ici / Full concert available here : vimeo.com/ondemand/cantemir
Avec/with
Kiya Tabassian , setar & direction
Didem Başar, kanun
Patrick Graham, percussions
Hamin Honari, percussions
Kianoush Khalilian, ney
Tanya Laperrière, violon baroque & viola d'amore
En partenariat avec Early Music Vancouver/ In partnership with Early Music Vancouver.
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Constantinople en concert / Our next concerts: linktr.ee/constantinople

[@zeitoun-ala]

The Violaist, she is more than impressive, this playing takes me to another realm🙏🙏🙏🙏🙏🙏

[@ersan7327]

just amazing..❤

[@liettearmstrong5193]

Merci pour ce magnifique voyage 🥰

[@najmeddine9085]

merci beaucoup pour votre création qui nous separe du préssion quotidienne

[@sanramondublin]

As always this is what expected from Kiya.
I di not expect to hear west Asian/Iranic music from Moldova, north west corner of black sea.
Greetings and lots of love from northern California.

[@efruhte1692]

The makam system stretches from the Ottoman-occupied Balkans to some parts of Central Asia, so no surprise there. Calling the music Iranic is a bit of a misnomer, as this is a particular school of makam music more in line with the music around and in Constantinople, but the Persianate nature of all aspects of Ottoman culture is undeniable.

[@eileenenglishkaarsemaker1414]

Wonderful - as always!

[@taurotar]

I love the break into Folias and how it fits seamlessly.

[@catalinmunteanu78]

Magic! ❤

[@yd8526]

Bravo! Je suis tellement fière de toi Kiya, mon ami d'enfance!

[@allanhunnicutt8887]

Bravo!

[@TheCiaranR]

Poetry in music. Poetry works to articulate the spaces behind and between words. This music is deeper than speech.

[@kamrangurbanov4364]

excellent!

[@enantiodromia]

I am marveling at all the different sounds the setar can be made to produce. Also, I like the overall performance a lot. Thank you for sharing.

[@souriesfahani6783]

👍💐

[@sumazdar]

Dziękuję

[@arezuete7802]

سلام فرق العاده بود ايا استكهلم هم ميايد

[@guzelaziz]

Any show in Toronto ?

[@Constantinoplemusic]

Maybe in December, stay tuned!