Dmitri Hvorostovsky & Roberto Scandiuzzi. Duet. I Puritani by V. Bellini

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  • čas přidán 21. 08. 2024
  • Recording from a live performance. 1994.
    SHORT DESCRIPTION
    Organising a wedding can be stressful at the best of times. So how difficult would it be if the bride and groom were to come from the opposite sides of the English Civil War, a bitter dispute that raged for almost a decade?
    Although history provided the context for Vincenzo Bellini’s I puritani, its central dilemma is one that is played out all over the world today. Elvira and Arturo are to be married. She is the daughter of a Roundhead fort commander; her fiancé, a Cavalier and a Royalist sympathiser. When a new prisoner is revealed to be the widow of the deposed king, Charles I, Arturo hatches a plan to free her by disguising her as Elvira. They are stopped and then let go by Riccardo; he wants Elvira for himself and getting Arturo out of the way would serve his purposes perfectly. Meanwhile Elvira, now uncertain of Arturo’s intentions, descends into madness.
    Risking his own capture, and in all probability a warrant for his execution, Arturo returns to the fort and accompanies Elvira in a song, reassuring her of his steadfastness. But her state of mind is still brittle. When she hears the beat of a drum, she cries out, raising the alarm and alerting Riccardo and her uncle, Giorgio, to her lover’s presence. Now the gallows do await Arturo, but there is still one thing that might stop his sentence being carried out.
    For its time, the story of I puritani is full of nuance untypical of the era it was written in. In their duet, “Suoni la tromba”, Riccardo and Giorgio agonise over plotting Arturo’s fate as they try to reconcile their duty with what would happen to Elvira if her lover were indeed to die. It all feels very real; the true, messy business of military conflict.
    Premiered at the Théâtre-Italien in Paris on 24 January 1835, I puritani was both Bellini’s first and last opera produced in his lifetime in the French capital.

Komentáře • 9

  • @AlfredBernasek-vm2jt
    @AlfredBernasek-vm2jt Před 10 měsíci

    FANTASTISCH

  • @tuireka
    @tuireka Před 2 lety +6

    Dmitri Hvorostovsky is still and will always be so greatly missed by his audience too.

  • @maypavlidou6789
    @maypavlidou6789 Před 2 lety +11

    Thank you Euterpe Ammiratore, more treasures coming up, what a joy! Dmitri's young voice, so enchanting!

  • @rodicamoldovan3053
    @rodicamoldovan3053 Před 2 lety +3

    Mulțumim pentru această înregistrare din anii tinereții, când bariton Dimitri Hvorostovski, este deja consacrat.
    Dumnezeu să-l odihnească în pace.
    🎼🎶👑🙏😪🌷♥👏✨

  • @malieningeborg1899
    @malieningeborg1899 Před 2 lety +7

    Grossartig, danke dass ich das hören konnte. Geliebter DIMA, unvergessen ❤️❤️❤️.

  • @user-qp5cp3mx5o
    @user-qp5cp3mx5o Před 2 lety +4

    Огромное спасибо за фрагмент оперы Беллини " Пуритане"
    с Дмитрием Хворостовским. Благодарю ! Вы мне показываете совсем не виденные ранее мною видео.

  • @maypavlidou6789
    @maypavlidou6789 Před 2 lety +5

    That was in May 1994 at the Wiener Staatsoper with Edita Gruberova and Placido Domingo conducting. He gave a very interesting interview about it. What an interesting time and performance. However, I don't like the wig!

    • @euterpeammiratore2895
      @euterpeammiratore2895  Před 2 lety +4

      The wig is an external attribute, requested by stage director. The essence for the enjoyment is the voice!

    • @maypavlidou6789
      @maypavlidou6789 Před 2 lety +2

      @@euterpeammiratore2895 Of course, a most magnificent and expressive voice! Thank you again for all these rare videos and recordings.