Schubert - Piano sonata D.840 "Reliquie" - Richter Paris 1961
Vložit
- čas přidán 29. 06. 2024
- Franz Schubert
Piano sonata n°15 D.840 "Reliquie"
I. Moderato 0:00
II. Andante 19:05
III. Menuetto. Allegretto 28:43
IV. Rondo. Allegro 35:03
Sviatoslav Richter
Studio recording, Paris, 19-20.X.1961 - Hudba
Chef d'oeuvre absolu pour un pianiste de l'absolu...Richter. ❤
The first theme of mvt.1 sounds like an Impressionism piece.
Richter's Schuberts always bring me to another beautiful world.
Descubrí el piano de F, Schubert durante el confinamiento de la pandemia. Escuchaba todo lo que veía y podía, había tiempo para todo . Podía pasear a mi perrita “lolita” mientras escuchaba con mis nuevos auriculares el piano de Schubert , calles vacías y colas en la panadería. Todo lo hacía con auriculares mirando a mi tierna lolita . Nunca escuché esta pieza , estoy seguro y estoy deseando salir mañana a pasear desgraciadamente ya no está “lolita”pero si está hermosa pieza
Gracias Schubert, gracias Ritcher
Every time I listen to Richter's playing, I feel the freedom of soul :)
One of his greatest sonatas.
Astounding. Profound. Remarkable.
Exquisite. One forgets over the years. Thank you a million times for bringing back this great musician for us to hear again.
& Franz Shubert Sonatas ,too.. "underrated "
Говорят,что идеалов нет,а как тогда назвать Такое исполнение? Самый настоящий Идеал!
Божественный звук....
So sublime..!
La musique et la poésie se font comme l'amour se fait ; un échange de sang, une étreinte totale sans aucune précaution, sans aucune protection. Le grand saut à chaque fois !!
I found this today, read the comments & learned somethings - thank you. In the last 8 months or so, I discovered Richter playing D.894 & D.960. I haven't learned how not to listen to these two. Grateful my curiosity lead me to them.
РИХТЕР КРАСАВЕЦ
IV. Rondo. Allegro is brilliant.
Präzise und zugleich lyrische Interpretation dieser romantiseschen Klaviersonate im gut phrasierten Tempo mit klarem und zugleich anmütigem Schlag sowie sorgfältig kontrollierter Dynamik. Einfach wunderschön!
4th movement is a work of genius. It foresees Schumann's Homoreske and has things which Schumann later used.
Only the first two movements of this were completed. So what ever genius the sketchy (not even almost completed) last two movements show is unfulfilled. Most pianists just treat this like Schubert's Symphony 8 - a two movement work.
Schubert smiles in heaven
(rethorically of course, but still).
I might feel this piece differently from the way Richter feels it (I do the first four bars rather backwards and the following more forward whereas Richter does the opposite), but he seems to be the only one of the great pianists who bothered to read between the notes of this work.
It was a favorite of his and a revelation of the greatness of a previously neglected work
S.Richter made F.Shubert's Piano Sonatas simple "revival" !
I first heard this sonata (the two finished movements only) played by Wilhelm Kempff as part of his magnificent set of the entire cycle of Schubert's piano sonatas (released in 1978 as a 9-LP box). Kempff's rendition is more lied-ish, more singing and brings out the "endless melody" quality of these grand movements, I think he is also using the legato pedal a bit more than Richter does, and is less strict about keeping the same tempo/pulse all the time. To Kempff this sonata was a major discovery, even after he had been playing the composer's music for decades, and it does have a symphonic scale, as if it were the piano short score of a high romantic symphony. What was not known at the time of any oft hese recordings is that the "Great C major" symphony was largely composed in 1825 (not in 1827-28), so it is in a sense the follow-up to this first attempt in the same key.
I would say I prefer Kempff's playing on this one, but Richter is one of the greats and it is also very interesting to get to hear the sketches of the two unfinished movements.
А был ли его Концерт в Париже 1961г.?...Или только эта студийная запись осталась? Сонаты Ф.Шуберта у С.Рихтера--блестящее Театральное действо.... так он и мыслит Музыку...
In later performances the 3rd and 4th movements are omitted. This is the first time I’ve heard them. I think musicologists found that movements 3 and 4 were probably not by Schubert.
Music-ologists : people who can't play well enough, compose, arrange or conduct, but want to be involved. So they pretend that running musical data through the materialist logic chopper yields insights of value. Keeps them out of pool halls and bars, I suppose.
@@debwagner7505 not agree. Musicologist are important. They found new ways to interpret music. Also they are musicologist that are musicians too. Without musicologists some music would be forgotten for ever. They found manuscripts and organize by opus number and they do a lot of other things
@@alanleoneldavid1787 I would agree with you, if Musicologists did find and organize compositions ONLY. But they have been managing to destroy many significant music pieces, giving them “new modern” interpretations, forgetting the originals. They make new clothes out of old, fabulous garments, so to speak. The biggest and ugliest transformations were done with Schubert, Mozart and Chopin. The young and not so young musicians, following influential musicologists, are turning timeless creations upside down, thinking they can upgrade them. Most of what musicologists write is done for one reason- advance themselves.
Very few of them are really concerned with the composer or the audience.
They were started by Schubert and likely completed by Brian Newbould, who completed the 8th Symphony.
Komme gerade aus einem gleichsam frischen youtube Vergleich (Francesco Piemontesi, Wigmore 2021 - Sviatoslav Richter Paris 1961). Der gerade wegen seines Schubert-Spiels renommierte junge Schweizer wirkt gegenüber dem unvergessenen russischen Altmeister doch nur wie ein Nachwuchspianist. Während dieser, trotz sichtbarer ruhiger Konzentration, das Sück halt mehr oder weniger doch nur herunter spielt, höre ich bei Richter vom ersten bis zum letzten Takt ein sein typisches tiefes Ausdrucksflair, das dem ergreifenden Charakter dieser "Reliquie" durchgehend gerecht wird.
"reiiquie" =Schubert =Richter
That's Absolutely Raritet--Forewer
anyone know which studio?
Last rondo incomplete ending at 42:05
schubert ! why?
This sonata was abandoned by Schubert himself
The sonata was abandoned when writing the menuetto. But the trio was written. Only a few bars of the rondo are Schubert.
누가 뭐래도 난 리히터가 최고~^^
а что можно говорить о святом человеке и космическом музыканте?слова пустой звук.
In later performances the
which version is it for the third and fourth? Krenek?
I investigated it's Krenek. Why does he stop playing?
No, it isn't Krenek. He does not go beyond what Schubert himself has written, hence the abrupt ending.
чистая музыка,без индивидуализма,все пианисты меркнут рядом с этим гением!
No creo que Richter comprendiera a Schubert...Me parece una versión mecánica, sin alma. Por lo menos sin el alma de Schubert...
listen to 21 and 18 sonatas of Schubert. And yes,Richter was German Style Pianist
Какое же это .... не найду приличного слова!... прерывать исполнителя! Этот канал для рекламы? Так его и назовите
doesn't sound like Schubert
Beethoven op. 1112? 😕🙄
Seems too weak for richter.
Daniel Li Just gentle.
Schubert was one of the best Romantic composers of the 19th century, never the same through out his short life. This sonata, like sparkling wine, light and bubbly, but invoking deep feelings. And that is how Richter plays it.