Beethoven Piano Sonata No.1 in F minor Op 2 No. 1 1st Movement - Allegro - Jill Crossland live.
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- čas přidán 30. 01. 2010
- Jill Crossland plays the first movement (Allegro) of Beethoven's Piano Sonata No 1 in F minor Op 2 No 1, live from Freshwater, Isle of Wight.
My spotify profile: open.spotify.com/artist/2X01o...
Filmed by Heaven Sent productions for the UK Entertainment Channel. - Hudba
People are underestimating the role of sound engineering. The close mics have created a dry sound without much thunder. Some like this sound and others don't. But the point is Jill is a fantastic player and the engineering is an external factor.
every one has their own interpretation, and Jill has her own unique interpretation. its good. I prefer the more pedal version rather than a detatched version to be honest.
Samuel Thomas u alive dude?
Impressive voice isolation during counterpoint bits...
Well done.
I am blown away. When I was young I got a couple of Beethoven CD's, later in my life I tried to play some pieces such as this one. I failed hard and have since been looking for porper interpretations. What you have done here is astounding. The tempo is right, all the base notes contribute, you manage to slow the piece down and accelerate it like it's written in the score. I am super happy to have found what you do!
Thank you so much! I'm really happy to read your comments and I really appreciate them!
I know an excellent performance when I hear one! Thumbs up. The piano is well prepared and it sounds beautiful. You made it sing.
터치가 오밀조밀해요. 듣는 재미가 있어요
...the keys! Beautiful and artistic too. It's obvious you love to play.
Very Nice.
Very clear and very well played!
I´m studying this piece and your interpretation is really beautifull, Bravo!
Great job!
Bravo! Very nice interpretation.
You all have to admit its still a very good performance!!
That pinky!!! haha 1:02
@mario54671 Oh, I was really commenting about the legato issue. Weren't pianos in his day more detached? Like, the decay of the note was quicker, sharper, and more... staccato compared to the modern piano?
It sounds good, really :)
Merci !
I love this piece, Jill! The only problem is that my hand is very small and I can't reach those octaves very well. I would love to play this someday in the near future. :)
Sara Arkell hey!
And now?
Exposition development recapitulation?
that sweater looks very fuzzy.
Great performance! Why does she play B natural RH beat 3 bar 8? Or am I hearing things.
Probably a mistake
ive heard some recordings with that and idk why
This performance is very good, I don't understand why it has 22 thumbs up and 11 down, it is not fair IMO.
rodrigocientista IMO?
Fernando Paxeco In my opinion
Love it!
That was superb! It almost doesn't look like you're touching the keyboa
@asdfuogh The sound is definitely different, more like a harpsichord but with more dynamic range, but I don't remember the sound being more detached when I played on one months ago. I do know that the pedal (back then, a lever you press by raising your knee) didn't sustain as much as it does now.
Вы мне очень нравитесь. С улыбкой, Татьяна.
Do you play the other movements?
Can you play the others movments?
looks like Jodie Foster
Ahhh so good
I hate pianists who think that because they can play Beethoven at incredible speeds, they are good!
P equals NP squared fuck u
or it's u who fails to play Beethoven at incredible speed, and now u resent people
Well it's called allegro so you'd be a lil bad if you did it largo lmao
@MrSamc94 Well, it's detached simply because she's playing way too non legato. If she were to play legato, it'd sound better. Beethoven didn't write a single pedal marking in this piece, so I would think whether you like it or not, it's not supposed to have any pedal. I tend to break this rule only slightly in the final movement...but everywhere else, I don't use the pedal. If Beethoven didn't want it, it's not needed.
@asdfuogh Him writing on the older 5 octave fortepiano doesn't make a difference regarding pedal...
👏🏻👏🏻
@mario54671 But Beethoven wrote for a different type of piano... Beethoven would probably say it's unnecessary to adhere so rigidly to his music, and would prefer emotions over technique. Of course, neither you nor I know Beethoven, so we can say whatever the hell we want.
Good luck
Jodie foster
.
A mistake at 0:07
But all in all really nice played!
Yes, what a pain that there was a mistake so early!!
@@JillCrosslandPiano but thats not that bad. Only a bit sad because the rest was so perfectly and nice ^^
@@JillCrosslandPiano I also have a question:
I am practicing this piece currently. I have Problems at 2:21. The combination with both hands is a Bit hard right now. I have trouble to play the ornamentation in time.
Any tips for practicing this part?
Bravissima!
At the end of the first theme part was a wrong note in bar 7.
And she doesnt really care about the dynmaics, espacially the piano in the bar with the Scale downwards
I really don‘t like when people play fast and not good. It seems to me like a bad trade.
Better play slow and accurate.
*i cannot play better, but i can play the right notes an dynamic
The playing is still really good
一开始第七小节就错了，弹轻音的时候也没有按下去，只是在琴键上摸了一下很飘
ooohhh ooohhh yes yes very good
聽起來很僵硬.....跟我練習的很像啊 XD...左手有像我老師評論的消防車聲音 ....
You also repeated the entire recapitulation section as well, some scores have a repeat on the second section
This sounds too weak to be Beethoven. The parts that are fortissimo are just way too restrained to the point where they sound hardly different than the parts marked pianissimo or piano. It sounds too much like Mozart.
Also...while I agree with the restrained use of the pedal...that still means you should play this legato. A lot of parts sound very non legato, and when they sound legato, it's because you're using the pedal (which by the way, no pedal markings exist in the music).
You are remember that this the first Beethoven's piano sonata, like Haydn's style. It's different from the late Beethoven's works.
Lucas Albuquerque Matias Santos hsgt