Indian Reaction and Review - Coke Studio Pakistan | Season 15 | Aayi Aayi
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- čas přidán 16. 04. 2024
- Credits:
Curated & Produced by Xulfi
Song Narrative: Xulfi
Composed by: Xulfi, Noman Ali Rajper, Babar Mangi, Abdullah Siddiqui,
Written by: Noman Ali Rajper, Babar Mangi
Music Arranged & Produced by: Xulfi, Abdullah Siddiqui
Mixed by: Xulfi
Sr. Mastering Engineer: Randy Merrill (Sterling Sound)
Song Consultant: Saif Samejo, Zeeshan Ali
ARTIST
Vocals - Noman Ali Rajper, Babar Mangi, Marvi, Saiban
Instruments
Synth - Payam Mashrequi
Charango + Banjo Dulcimer + Cuatro - Muzammil Hussain
Banjo - Amir Azhar
Synth Bass - Waleed Attique
Synth - Ali Raza
Percussions - Veeru
Electric Guitar - Asteria
Drums - Yusuf Ramay
Percussions - Aziz Kazi
Mallet Station - Shehzad Hunzai
Chung + Khartaal - Lutaf Ali
VIDEO CREATIVE TEAM
Director: Awais Gohar
Cinematographer: Awais Gohar
2nd Unit DOP: Nabil Hassan
Production Designer/Art Director: Hashim Ali
Art Director: Sara Vohra
Assistant Directors: Fariha Afzal & Areeba Naveed
Set Design: Hashim Ali Design Studios
Art Team: Zain Yar Jung & Raheel
Set Team: Single Door - Zulfi & Zeeshan
Costume Designer & Stylist: Fatima Butt
Wardrobe Team: Salman Roofi & Nadeem
Head of Makeup & Hair Design: Saima Rashid Bargfrede
Makeup Team: Rachel, Sharjeel, Yaseen, Akbar, Rozina, Vaneesa, Saima
Talent: Guddu Pakistani & Citrus
Special thanks to Muhammad Tallal
Produced By GIRAFFE PAKISTAN
Executive Producer: Muhammad Ibrahim
Creative & Project Head: Wajeeha Badar
Creative Manager: Sherry Khattak
Producer: M. Zohaib Hasan
Associate Producers: Mir Mehmood Ahmed Halepota & Syed Munhib Shah
Production Head: Bilal Murtaza
Creative Production Strategist: Syeda Maryam Jalil
Creative Production Manager: Shafia Falak
Line Producer: Syed Qamber Ali Rizvi
Creative Associate: Agha Abdullah
Creative Associate: Umar Noor
Content Manager: M. Yaruq Faisal
Culture Consultant: Guddu Pakistani
Visual Consultant: Murtaza Niaz
Visual Design Consultant: Hashim Ali
SOUND SQUAD
Audio Head - Sherry Khattak
Audio Electrical Engineer: Muhammad Saifullah
Recording Engineer: Adeel Tahir
Senior Audio Engineer: Zyad Ahmed Tariq
Senior Recording Engineer: Payam Mashrequi
Audio Engineer: Bilal Haider
Audio Engineer: Malik Arslan
Audio Engineer: Muhammad Rameez
Audio Engineer: Ammar Aamir Chishti
Senior Monitoring Engineer: Haider Ali
Senior Monitoring Engineer: Roger John
Monitoring Engineer: Yashwa Ayub
Monitoring Engineer: Zulfiqar Ali
Audio System Engineer: Khalid Mahmood Gul
Assistant Audio System Engineer: Uzair Majeed
Assistant Electrical Engineer: Muhammad Sheharyar
Assistant Electrical Engineer: Farooq Baig
Sound Squad Operations Manager: Muhammad Bin Ashraf - Hudba
Amazing analysis as usual. God bless.
Liked the professional reaction
Please watch the Coke behind the scenes episode the magical journey for this song.
Great analysis
This song is about Umar Marvi folktale from Sindh, Pakistan about a village girl Marvi, who resists the overtures of a powerful King the then-ruler of Amarkot, Umar Soomro, who wanted to marry her because of her beauty. Upon her refusal, she was imprisoned in the historic Amarkot Fort for several years. Then she was victorious and returned to her village, and the village is welcoming her. And the new artists or underdogs are relating themselves with her.
❤❤❤
This is Story of sindh (Pakistan) & Based On a Girl. A Girl Name marvi who Rejected King UMER's perposal of Marriage or being a partner of king. Then King forcefully kidnapped her wanted to see her desicion change for him After a Long Time he didn't see any attention or attraction for him From Marvi then He realize She can die But she Will not be part of his Life Hence King release her to her village when she came to her tribe Her people's still waiting For her come back when they saw marvi After that her people's sing these lines For her (Aayi Aayi) and that was the happiest moment for them
Bro this is old traditional story of a girl coming back ...the hook line welcome and peacock symbolises girl welcome....
Plz react to
Kahan Jaon by Bayaan Band 🇵🇰
The melody and vocals are really good so is the folklore. The only thing that I find a bit uncomfortable is the kick drum, which is a bit overused. Also, this might just be my personal preference, but latin/regae beats kind of interfere with the natural flow of the languages, especially those spoken in the Sindh/Thar region. I'm no linguist, but from my keen observation, I found that there is almost a swing, a delayed syllabic stress, sort of an Iamb(not purely). Most regae/latin beats mimic the trochee syllable stress pattern, of languages like portuguese, Español.
I don't know if my interpretation makes any such, but would like to know your thoughts on the same.
When I listened to the song again after your comment, I do feel that the kick is a bit obtrusive, especially in the final chorus.As far as a general statement on how the reggaeton beat interferes with the stress pattern of the languages, I think that has more to do with the way the composer is riding the beat, or how he/she is phrasing the melody which in turn would dictate the stress of the lyric.
Sorry if I sound patronizing, but these are some astute observations and I am happy that people are listening to music in such detail. Also checked out your playlists, great taste in music!!!
@@ThouArtAGeek Thank you so much. Looking forward to more videos. I know it does not fetch as good a response, but you should try to make breakdown videos on some more indie stuff, like in your older videos.
Bro, your observation of all the technical aspects is very good but the viewer engagement is lacking you need to bring some excitement
Hope to see your reaction on coke studio bangla season 3
This is the best technically review i have seen about this song. good analysis with details.
Sir your analysis is really amazing.. I want to watch more analysis on upcoming coke Studio Pakistan songs by you.. And kindly watch behind the scenes, aka journey of the song you would love it
Thank you so much bro!! Will try to do as many as possible!!
@@ThouArtAGeek eagerly waiting!
Please review Vida Karo by Arr, Arijit Singh from the movie chamkila.
Very interesting song indeed and a great, great review. Packs in so many small details about the song which I can't catch even after repeated listenings lol.....such songs deserve such reviews, and it's the other way round also.
Change in the title this time??
Thanks buddy!! Yes, since it is a Pakistani song, makes some sense to let them know that it is an outside perspective!!
Nice reaction bro🎉
Thank you so much
It's totally Sindhi culture and language
Has you said. I liked and drop a comment
Really like your reaction and analysis. Please react to BTS of this song to understand the concept 😊.
It's quite similar to Coldplay Hymn for the weekend ( main melody)😅😅 other than that, cultural representation with sindhi folk artists is really nice.
Jali kahay ko Teri bhaoo