Ingeborg Hallstein sings Dinorah shadow song (Ombre légère) by Giacomo Meyerbeer
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- čas přidán 26. 06. 2019
- Spectacular coloratura singing of the famous "Shadow song" (Ombre légère) by Giacomo Meyerbeer, in which Dinorah sings to and dances with her shadow. From the French comic opera "Dinorah" (Le pardon de Ploërmel), sung in French.
- Hudba
Today's date 162 years back, Dinorah was produced in Paris. Can't believe you had Hallstein's recording of Ombre légère! What a rare mesmerizing glittering beauty!
She also sang it in German and performed the French version in a special TV program.
how her voice rings is something
la plus belle version et une des plus longue merci megadim
Großartig, wie sie diese Arie singt!!! Besser kann man es nicht hören.
Outstanding!!! ❤
LA PLUS BELLE "OMBRE LEGERE" que j'ai entendu j'en suis fou et MMe HALLSTEIN wow en français et bien compréhensible par tous
Ich habe diverse Aufnahmen der Schattenarie unter anderem mit Joan Sutherland, Maria Callas und Edita Gruberova. Aber diese hier mit Ingeborg Hallstein ist nicht nur technisch brilliant, unglaublich gut im Ausdruck, mitreißend... sie ist schlichtweg die beste, die ich je gehört habe.
Vielen Dank für Ihren Kommentar. Hallstein hat so viele großartige Aufnahmen gemacht, und es ist schade, dass viele von ihnen nicht bekannt sind.
et tous les couplets WOW
Une technique spectaculaire, une prononciation impeccable, une ligne de chant sublime et incarnée: un morceau de paradis ! ★
Many thanks for all your comments! Glad you are enjoying these wonderful videos and recordings. Many have praised Hallstein's perfect German diction, and now you tell me that her French pronunciation is impeccable as well. That's impressive! She did not record many songs in French, however. She sang Offenbach, Delibes, and "Je suis Titania" in German. In fact, as far as I remember right now, this is the only song she sang completely in French, and I also have a recording of her singing this song in German. There is one song which she sang partly in German and partly in French: Parlez-moi d'amour.
She has a natural advantage she employs in singing in French. In classical French singing the "r" is rolled as opposed to from the back of the throat as in modern singing. Hallstein rolls her r's as a true Bavarian. Thus very well adapting her diction to French. I personally would have wished to listen to many more samples of her singing in French.
I recalled a few more recordings of Hallstein singing in French: the Mozart Lied "Oiseaux, si tous les ans" from the Salzburger Festspiele 1968 and a few opera arias from radio broadcast.
What kind of technique she's using? It's sounds very different compared to other sopranos.
Ingeborg Hallstein was, first and foremost, an operetta singer. This technique helped her pronounciation become super crisp, but her projection has suffered (since operettas are usually orchestrated pretty lightly). Combined with her light-as-air voice and never-ending high extension, she has a very uniquely light tone that lends itself very well to lyric coloratura show offs. She did not venture too deeply into more dramatic or lyric repertoire, though.
@@Yotam1703 What do you mean by "more lyric repertoire"?