The Accompaniment Should Be Quiet But Audible 🔉

In this lesson clip on Sor’s B minor study, Scott Tennant presents his ideas for playing the accompaniment. It should be quiet, but still be audible to the audience.
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[@MrWolfheart111]

Thank You

[@williamfarmer3841]

Fernando Sor played without nails.

[@RobertoMartinez-kv5tp]

👍✔

[@moose2959]

what song is this?

[@joaoconceicao7862]

Fernando Sor. Op35. N22. Bm etude

[@bobhoof1362]

Some folk lore related to this song. Sor wanted to perform for his idol Beethoven. Beethoven wasn’t interested and would not give him an audience. So one evening Sor crept up to where Beethoven was living and performed this piece outside his window. The famous composer heard it and was inspired to write Moonlight Sonata. Seriously, I don’t know if there is any truth to this, in fact I’m not sure if they alive at the same time, but it does make a good story doesn’t it?

[@guitarlessonsnow3431]

Too much nail/attack on the melody for that style, in my opinion. Sor actually played without nails, but regardless I think a less harsh tone sounds better. Scott’s a great player of course, but that’s just my taste.