Video

Não sabia destes detalhes sobre Ida Presti gostei muito e foi muito informativo, darei mais valor a essa importante musicista.

I wish I had better ears. This all sounds just music to my ears

Do we eventually get to hear her play after all the talk?

Excellent video.

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@13:20 "... no Early Music police." Isn't that Elam's job?

You,re the best ana remember this comment my name is ryan areias de jesus in 10 or 30 years you will hear this persons name

Do you know Raphael Rabello?

The fact that so many young prodigies are popping up everywhere truly shows the power of the internet, and how poor our tradition teaching methods are.

You simply ignore all the rests. Shame on you!

I hope you got as much joy out of teaching this beautiful piece as much as I enjoyed and benefitted from you teaching. I wish I could have a Master player like you as a personal teacher.

Impressionnant 🎶

Femininity personified!

really nice tone, and look at that right hand angle! Is his right hand a bit more angled than average? I'm thinking for an amusing comparison of Segovia's right hand being in an almost opposite position! I've seen people curving the right hand but Bianco's seems to be curved more. Maybe it's an optical illusion and I'm just noticing the absence of tension in his right forearm. His arm is really resting on that guitar. Thank you very much for the lesson!

The idea of a living piece that can develop and change according to the interpretation of the individual’s musical message and emotion revealed is hurting my brain!!!

Thought this was going to be a Asturias lesson. Not a beginner tutorial?

That was awesome! Thank you

less talk... lets listen to them please

A chance at learning from the master herself! Thanks tonebase and Ms Ana

Great point 👍🏽

Sorry, pretty bad camera work. It isn't about the cameraman/woman...although they seem to think it is. I quit watching.

Sorry i had to leave when i saw her fret 4 e notes. Life isnt fair.

The great guitarist Django Reinhardt once finished a recording session and when the engineer played it back for him he was perplexed what he was hearing was not what he thought he had played. it was coming from somewhere else

What song are you playing? sounds good

Very intersting thank you !! ❤

Muchas gracias por los consejos,para poder aprender

Beacoup mercy

Solid advice. Thank you.

Where is the piece???

Leo Brouwer likes to master the composition and the maths in music, to show off his mental abilities in rythms and dissonant spunds (which he said he oreferred since he started playing guitar).

What song are you playing?? Sounds great!

I concur. The best way is to do it correctly lol

I was watching the Luis Imberiba on YT as to how to play the fret before I learned picking styles. I have a Martin D10e with raised strings.

Nice

"It's all about preference and taste" - no, it's not. There are objective markers concerning the technical capabilities (especially being able to play precisely and in tempo, independent if you do it or not), and many professional guitarists are not very good at it. They cannot give the impression that it sounds "easy" and "naturally". Of course, if you have a bunch of musicians being able to do this, then it's personal preference which one you like most. In other instruments, the technical abilities of players are in average much, much higher (e.g. piano), my interpretation of this phenomen is that piano is simply a more easy to learn instrument and/or the education on it is better.

This piece is not for me.

I saw Segovia play at the Dorothy Chandler Pavilion in 1972. He waited for the audience to quiet down, and when he still heard the rustle of the paper programs, he looked up and stared until the rustling stopped. Then, confident the room was completely quiet, he began to play completely unamplified. I will never forget this night. The guitar filled the huge room as people allowed him to be heard with complete and utter respect for the great maestro.

Absolutely wonderful video. It was about time to see this kind close look at the best guitarist in the world. Yamashita is above and beyond , as a guitarist I was always questioning why was he not understood and propelled to higher tiers in the classical guitar world. Oh, perhaps because he is Asian and not Spanish (I am spaniard). With all due respect the Romeros are no match to this guy, even though they criticize Yamashita to death ( in a bad way).

Stephany you have no clue how to teach tremolo, play it but do not instruct please. BTY your tremolo is not really even and you have problems with volumes as well. All due respect.

"one of the most imaginative compositions ever"? Puh-leaze. 🙄 Keep up the propaganda, Tonebase. Perhaps remaining stuck in the mindset of the 1950s will eventually Make Classical Guitar Great Again. 😂 #MaCGGA

I've been after a video like this about Nocturnal for many years. Thanks very very much. I'll be watching the full version. Praise to Laura Snowdon as well as Mr Goss. 👍👍

Learning what works without rigid "teaching" from a supposed expert who told her to hold her hands differently for no real reason probably gave her the speed and accuracy denied to kids who are taught more myopically

It happens to me too: if I keep my wrist in its natural position (which means a little bent), and I leave my fingers relaxed, in fact the first part of the nail that touches the string is the right one. But I learned to play with the left side because all the teachers say to do it that way. Now, however, thanks to this video, I feel freer to explore new possibilities, perhaps more suited to my hand. So thank you! For me it is a great discovery.

Tablature only works if you've heard the song.

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Thanks!

So a dipped wrist but fingers not perpendicular to make the right part of the nail the primary contact

So many lost decades! How I wish this treasure trove of beautiful multimedia resources had been available when I took beginning classical guitar lessons as a misguided teenager! The total absence of proper foundations and guidance by morose teachers, the complete disconnection with the tradition, the artists, the history, and the repertoire by these pseodopedagogues contributed to my abandonment of the instrument. I will never know what progress I could have made with some enlightened and caring mentoring. Thanks for these!