Rameau - Platee - La Folie - Hymen
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- čas přidán 24. 04. 2007
- Although the libretto is not by Moliere, his spirit seems to be present on the stage giving all inspiration.
After watching this video I agreed with Berlioz and Debussy, who said: "Rameau is the greatest french composer ever". - Hudba
Any opera that is a parody of the very concept of an opera, and features a green swamp monster as a major character, is an amazing breakthrough, and that's precisely what this opera by Rameau was!!!
I could watch this 1000 times, and It'd still not be enough. Mireille Delunsch is a goddess.
NO WORDS. DIVINE.
I saw this for the first time the other day on television and I fell in love with it, the costumes are very beautiful and imaginative. Not to mention I was laughing all the way through it, poor Platée.
this is simply astonishing... amazing harmony, can't get over it!!!!
this is just so beautiful
incredibly wonderful!!!!!! no end for the beauty!
Rameau etait un genie!!! Bravo!!
i just love her...!!!
thanx
Tres beau
J'adore! Il est génial Monsieur Rameau!
Platée, opera comique by Jean-Philippe Rameau.
At this scene the soloist soprano in the superb role of La Folie is Mireille Delunsch and the others are Laurent Naouri as a Satyr, Franck Leguerinel as Momus, Vincent Le Texier as Jupiter and Paul Agnew in the title role.
The orchestra is Les Musiciens du Louvre conducted by Marc Minkowski.
I love your lute videos and I am intended do buy a six course renaissance lute after George Gerle this year.
mireille interprète merveilleusement cette folie comme elle fut la meilleure Traviata en Marilyn de Banlieue á Aix .
Thanks for the infos. About six courses after Gerle, I play one (on Capirola for example), in A, 55cm of diapason. Very nice and clear instrument.
;-)
Cette version Marc Minkowski est formidable, et Mireille Delunsch (ici) et Paul Agnew (Platée) - et toute la distribution - sont formidables : un pur régal !
And from some of his pieces it's apparent that Bach was a huge Rameau fan ...
GLOIRE A RAMEAU !
No, it is the end of the second act. There is still much more of the opera after that scene.
For sure, french baroque composers had a great influence on Bach, specially on his keyboard works, but it can also be heard on his vocal works as well.
At he beginning of his career, still in Lünenberg, as young as 15, Bach had already known and studied pieces of composers like Jean-Baptiste Lully, François Couperin and other, being Couperin and the italian Antonio Vivaldi his lifetime greatest favourites.
Marcos, não consigo encontrar a ópera Platée La Folie COMPLETA no You Tube. Sera possível?
Parece que tinha uma produção completa de Platée no CZcams, mas não era esta e não sei se ainda tem. Posso colocar esta produção no Google Drive e compartilhar com você, só basta me enviar seu email.
Excellent ! name of the orchestra, singers and director ???
Thanks for posting such a jewel...
Val
I wasn't fan of the cast but comparing with other versions it's a great one
@Varese52
Rameau and Berlioz have' in common a sense of orchestral colours.
You said that you play a lute after Gerle in A. Is not the usual tuning for this intrument in G?
Bach did not write operas but you can have a glimpse of how it would be by listening to some of his secular cantatas, like the Kaffee kantate and others.
@mgpoliveira He considered opera beneath him.
wen the guy laughs at 1:29 - 1:30
that was funny ;p
To date we have not understood what this opera is about. Humiliating a creature because it is ugly or strange is disgusting behavior. The nymph Plateé and the whole society is a victim of their stupidity and superficiality.
I agree with you and maybe that's the purpose of this opera, a criticism of the society in this sense.
Cette version Marc Minkowski est formidable, et Mireille Delunsch (ici) et Paul Agnew (Platée) - et toute la distribution - sont formidables : un pur régal !