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28.18 it was just Wow. Breathtaking! maestro Alex u r the Best!
12:00 4 actions of the swing dance: progressive movement, rise and lowering, rotation and sway, clear choreography.
身體「做很多」⋯⋯ 好不好?凡事「過猶不及」!跳舞,主要是「下盤 ⋯⋯ 臀、胯、腿、膝、踝、腳」的動作與控制⋯⋯上盤/上身/握持,反而是下盤動作的「回應 Reaction」⋯⋯外行人「只見花俏上盤,不見下盤功夫」;內行人、明師、銳眼裁判,不是看熱鬧而已⋯⋯
12:00 More aware of the rise and lowering, comes with swing and sway and shaping, rather than just smooth flowing, rotation.
31:00, All the actions that create story is the hip and center part, the body dialogue is inside, not outside, not the upper part with the arms.
29:00, Tango, create sudden and surprise with separation of upper part and lower part, using the breathing center.
The 4 element, swing, rise and fall, turn, sway.....but the WDSF dancers did lots of turn and sway only.
27:00, The Tango, it should be grounded(connect weight to the floor), with different attitudes involved like Sudden, Smooth, Playing....to show the story and the individual personality.
20:00, more power from the legs to move the body make the swing dance.More power on the body makes the different dance, not the swing dance.
16:30 Start to rise on 1 and continue to move....
17:30, Sometimes, top dancers are cheating by using lots of upper part shaping, and it's difficult to read the clear timing of legs for the judges.
Who's Roger Lee?
33:00 Get weight to the standing foot, then move...
31:00, More inside power and tone the communicate with the partner to tell the story....
Roger Lee あかさた
23:00 The bad example of playing the top body for exaggerating the shaping.Don’t abuse the upper body,
22:30, the bad example of more upper part, abusing the top.
28.18 it was just Wow. Breathtaking! maestro Alex u r the Best!
12:00 4 actions of the swing dance: progressive movement, rise and lowering, rotation and sway, clear choreography.
身體「做很多」⋯⋯ 好不好?
凡事「過猶不及」!
跳舞,主要是「下盤 ⋯⋯ 臀、胯、腿、膝、踝、腳」的動作與控制⋯⋯
上盤/上身/握持,反而是下盤動作的「回應 Reaction」⋯⋯
外行人「只見花俏上盤,不見下盤功夫」;
內行人、明師、銳眼裁判,不是看熱鬧而已⋯⋯
12:00 More aware of the rise and lowering, comes with swing and sway and shaping, rather than just smooth flowing, rotation.
31:00, All the actions that create story is the hip and center part, the body dialogue is inside, not outside, not the upper part with the arms.
29:00, Tango, create sudden and surprise with separation of upper part and lower part, using the breathing center.
The 4 element, swing, rise and fall, turn, sway.....but the WDSF dancers did lots of turn and sway only.
27:00, The Tango, it should be grounded(connect weight to the floor), with different attitudes involved like Sudden, Smooth, Playing....to show the story and the individual personality.
20:00, more power from the legs to move the body make the swing dance.
More power on the body makes the different dance, not the swing dance.
16:30 Start to rise on 1 and continue to move....
17:30, Sometimes, top dancers are cheating by using lots of upper part shaping, and it's difficult to read the clear timing of legs for the judges.
Who's Roger Lee?
33:00 Get weight to the standing foot, then move...
31:00, More inside power and tone the communicate with the partner to tell the story....
Roger Lee あかさた
23:00 The bad example of playing the top body for exaggerating the shaping.
Don’t abuse the upper body,
22:30, the bad example of more upper part, abusing the top.