Alex
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Video

THE CAMP 2019 Ballroom Group Lesson by Roman Mayer
zhlédnutí 89KPřed 4 lety
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2019 Latin Group Lesson by Nikita Bazev
zhlédnutí 21KPřed 4 lety
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2019 Latin Group Lesson by Marco Cuocci
zhlédnutí 13KPřed 4 lety
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2019 Ballroom Group Lesson by Emanuel Valeri
zhlédnutí 43KPřed 4 lety
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2019 Latin Group Lecture by Gennadiy Oseshnyuk
zhlédnutí 37KPřed 4 lety
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2015 Latin Lecture on Understanding the Idea of Each Movement by Ilya Danilov
zhlédnutí 17KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Latin Lecture on Expressing Emotions by Svetlana Tverianovich
zhlédnutí 8KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Important technical Details by Alexandr Melnikov
zhlédnutí 38KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Understanding Body Action by Edita Danuite & Mirko Gozzoli
zhlédnutí 13KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on 3 Dimension Turning by Fabio Selmi
zhlédnutí 75KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Latin Lecture on Body Position in Paso Doble by Geir Bakke
zhlédnutí 12KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Choreography and Presentation by Horst Beer
zhlédnutí 4,7KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Expressing Uniqueness in Simple Choreography by Manfred & Anastasi
zhlédnutí 21KPřed 5 lety
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2016 Ballroom Lecture on Essences of Foxtrot by Asis Khadjeh Nouri
zhlédnutí 67KPřed 5 lety
THE CAMP WUPPERTAL 2016, produced by Helmut Roland
THE CAMP 2016 Latin Lecture on Appearance and Movement in Cha Cha Cha by Dirk Heidemann
zhlédnutí 26KPřed 5 lety
THE CAMP 2016 Latin Lecture on Appearance and Movement in Cha Cha Cha by Dirk Heidemann
THE CAMP 2016 Ballroom Lecture on Vebal Practice for Non Verbal Communication by Manfred & Anastasia
zhlédnutí 3,4KPřed 5 lety
THE CAMP 2016 Ballroom Lecture on Vebal Practice for Non Verbal Communication by Manfred & Anastasia
THE CAMP 2016 Latin Lecture on Foot Work by Horst Beer
zhlédnutí 26KPřed 5 lety
THE CAMP 2016 Latin Lecture on Foot Work by Horst Beer
THE CAMP 2016 Latin Lecture on Expressing Feelings in Paso Doble by Colin James
zhlédnutí 14KPřed 5 lety
THE CAMP 2016 Latin Lecture on Expressing Feelings in Paso Doble by Colin James
THE CAMP 2016 Ballroom Lecture on different Body Positions by Daniele Di Gennaro
zhlédnutí 32KPřed 5 lety
THE CAMP 2016 Ballroom Lecture on different Body Positions by Daniele Di Gennaro
THE CAMP 2016 Ballroom Lecture on Physical Activities in Partnering Skills by Alexandr Melnikov
zhlédnutí 44KPřed 5 lety
THE CAMP 2016 Ballroom Lecture on Physical Activities in Partnering Skills by Alexandr Melnikov
THE CAMP 2016 Ballroom Lecture on Body Frame in Swing by Michele Bonsignori
zhlédnutí 36KPřed 5 lety
THE CAMP 2016 Ballroom Lecture on Body Frame in Swing by Michele Bonsignori
THE CAMP 2016 Ballroom Lecture on Gravity and Movement by Lasse Oedegaard
zhlédnutí 13KPřed 5 lety
THE CAMP 2016 Ballroom Lecture on Gravity and Movement by Lasse Oedegaard
THE CAMP 2016 Latin Lecture on Balance by Svetlana Tverianovich
zhlédnutí 38KPřed 5 lety
THE CAMP 2016 Latin Lecture on Balance by Svetlana Tverianovich
THE CAMP 2016 Ballroom Lecture on Sway by Fabio Selmi
zhlédnutí 40KPřed 5 lety
THE CAMP 2016 Ballroom Lecture on Sway by Fabio Selmi
THE CAMP 2016 Latin Lecture on Feet and Legs by Siscu Pérez
zhlédnutí 16KPřed 5 lety
THE CAMP 2016 Latin Lecture on Feet and Legs by Siscu Pérez
THE CAMP 2016 Latin Lecture on Technical Knowledge and Artistic Expression by Peter Stokkebroe
zhlédnutí 23KPřed 5 lety
THE CAMP 2016 Latin Lecture on Technical Knowledge and Artistic Expression by Peter Stokkebroe
THE CAMP 2017 Ballroom Lecture on Speed by Robert Wota
zhlédnutí 29KPřed 6 lety
THE CAMP 2017 Ballroom Lecture on Speed by Robert Wota
THE CAMP 2017 Latin Lecture on Femail Dance by Svetlana Tverianovich
zhlédnutí 18KPřed 6 lety
THE CAMP 2017 Latin Lecture on Femail Dance by Svetlana Tverianovich
THE CAMP 2017 Latin Lecture on Ideas in Presentation by Alexey Silde
zhlédnutí 18KPřed 6 lety
THE CAMP 2017 Latin Lecture on Ideas in Presentation by Alexey Silde

Komentáře

  • @DanFarfan
    @DanFarfan Před 12 dny

    I miss the old days when a couple danced together, not just near each other ;-P Who would've thunk it would be twice as silly for BOTH people to be looking for their next partner at the same time. lol I can't help but think this "evolution" was mostly about more teachers and coaches selling more lessons and coaching.

  • @user-dw8rv3yt5m
    @user-dw8rv3yt5m Před měsícem

    如果米尔科大師能帶我跳一次,我死而無憾。 赵艾妮老師鬆而不懈,很棒喔!肌肉柔韌力度也非常好!遺憾的是沒有把太極融納到舞蹈里面,該做的身體動作沒有做,只是頭轉來轉去延伸,沒有把舞跳活,很不理想。這種違背自身機能跳舞,失去平衡內臟各功能自我調理,耗體力傷元氣,疲憊不堪;它只是流流汗與肌肉不萎縮而已,健康收益甚少。這也是選手們共同的缺陷。 如何把舞跳活?跳出飄逸惊人人體藝術? 唯有把太極融入到舞蹈里面,則氣沉丹田,足腳吸地力 ( 壓地板 ) ,節節貫穿到腿、傳到命門突出至胯,形于腹蠕動到腰椎、胸椎含胸束肋,夾脊椎,擴胸椎上拔至頸椎節節貫穿到玉枕(頭殼)往斜上方延伸 ( 太極上講虛靈頂勁 ) 氣貫頂;同時貫穿背後微顛震出波浪狀態之感受,共同出現身前身後波浪式的滾動,連綿不斷,節節貫穿,這就把舞跳活了。 如此連綿不斷,氣運跳舞:打通任督二脈,氣血暢通,調理脾腎、健胃,療理五勞七傷、祛心火,療百病 2024年07月05日中午小天使敬啟

  • @freeman281
    @freeman281 Před měsícem

    неприлично двигаться с расслабленным животом выпячивая назад задницу....или у партнера сколиоз?

  • @marioavila1235
    @marioavila1235 Před měsícem

    Brian Watson has always been my man that I try 2 emulate

  • @MrBrut1234
    @MrBrut1234 Před měsícem

    On 11:58 … did they dance to the music? It seems very far off rhythm. I’m not trying to be negative, I am genuinely trying to understand. It wasn’t with lyrics, or the rhythm of the waltz. Am I missing something? I understand interpreting a music piece in your own style, but then there is stepping off, beats for most of the song. it appears as if they have stepped off beat? What am I missing? I understand this is supposed to be the top level.

  • @marioavila1235
    @marioavila1235 Před měsícem

    If U want 2 be on your phone, Why sit directly in front of the camera ? PAY ATTENTION

  • @marioavila1235
    @marioavila1235 Před měsícem

    " Duck feet ".....lol

  • @marioavila1235
    @marioavila1235 Před měsícem

    I feel like a lot of these young dancers already know how 2 rock that technique

  • @marivickida5258
    @marivickida5258 Před 2 měsíci

    hi! thank you for teaching me in the past I learned a lot and I am very lucky and a very happy person because I got to teach a very famous ballroom dancer, I don't know if you still remember me, but I will never forget you because I learned a lot from your teaching, Thank you again , This is Karen from Tokyo Japan 🇯🇵 I hope you enjoy the sights seeing and food here in Japan🇯🇵

  • @user-vl2kw5md8x
    @user-vl2kw5md8x Před 2 měsíci

    예비보/ 네추럴 스핀턴/ 리버스 턴/ 샤세투라이트/ 아웃사이드체인지/ 샤세/ 네추럴 스핀 턴 / 레프트 휘스크/ 스탠딩 스핀 P•P/ 오픈네추럴/ 네추럴 팔로웨이/ 까지

  • @seanlin9374
    @seanlin9374 Před 3 měsíci

    Great lecture! Benefits so much from this. I’m so eager to share this with my female partner.

  • @minhbui1256
    @minhbui1256 Před 5 měsíci

    Bố này nói nhiều. Dở ẹc

  • @d.9025
    @d.9025 Před 5 měsíci

    Perfection❤ great couple

  • @justinjmader222
    @justinjmader222 Před 5 měsíci

    The way he explains the phases of the rumba/cha cha walks is really wrong. He starts by saying that high hip is wrong, then he says that its impossible to have stretched knees the whole time - yeah that is the reason the high hip exsists. In the WDSF books this is called extend, if you extend, high hip then it is possible. And you create very nice lines, bent knees are not pretty to look at, in dancing it is all about creating lines! Also he talks about turning the shoulders, which basically means twisting the waist. That is called Twist, you are not allowed to use a Twisting muscular action in Cha cha and Rumba, what is this teacher even talking about? The twisting !effect! in rumba and cha cha comes from the squeeze > settle+translation muscular action. The whole point of this is that you are dancing with your whole body, otherwise your center will look boring and unengaged. If you use Twist your technique is wrong, if you feel like you have to because the music is too fast then you are cheating and you are very wrong. Fun fact he also dances merengue wrong, there is general action called: Merengue action, this has to do again with the squeezing muscular action, which he doesn't use. Probably wrost lecture i ever saw. - This is a very wrong teacher imo.

  • @user-dp7jl9er2x
    @user-dp7jl9er2x Před 6 měsíci

    Vendedor de humo

  • @user-dp7jl9er2x
    @user-dp7jl9er2x Před 6 měsíci

    Ese Sr. Peres ni p…. Idea!!

  • @glander7060
    @glander7060 Před 6 měsíci

    Sensing, observing, breathing, awareness, concentration & relaxation... the elements that build higher quality in ballroom dancing. Great lecture! Thanks for sharing!💖

  • @bjoern.friedrich
    @bjoern.friedrich Před 6 měsíci

    Clear and great lectutre.

  • @bjoern.friedrich
    @bjoern.friedrich Před 6 měsíci

    Great and funny lecture.

  • @bjoern.friedrich
    @bjoern.friedrich Před 6 měsíci

    Great lecture. I'll remember: BC BC BB ABC

  • @harveygovender18
    @harveygovender18 Před 7 měsíci

    Excellent lecture. Thank you.

  • @mayan9458
    @mayan9458 Před 8 měsíci

    This guy is amazing.

  • @veroniquebaudelet9973
    @veroniquebaudelet9973 Před 8 měsíci

    Very clear lecture. Thank you so much !

  • @ThankYLord
    @ThankYLord Před rokem

    28.18 it was just Wow. Breathtaking! maestro Alex u r the Best!

  • @ladycaramela1
    @ladycaramela1 Před rokem

    I always loved to dance,I waited till I got to college and joined.The thing is ,I wish I had taken lessons to build my confidence .I would have loved to compete, when I went out it was 1 guy who liked to dance with me, 2we were good together, we were Fred As fair,and Ginger Rogers.😂 Those Junior Dancers were Great. Loved it.12:06 a.m. 😊

  • @user-jr4bj3ks7z
    @user-jr4bj3ks7z Před rokem

    ❤ l love you t .cing

  • @rogelee-TW
    @rogelee-TW Před rokem

    13:00 The space becomes bigger in turning with the centrifugal force.

  • @user-qd9zg1wz9i
    @user-qd9zg1wz9i Před rokem

    Такие уродливые позы, наверное есть только в бальных танцах.

  • @karolyjoo5497
    @karolyjoo5497 Před rokem

    ez a csaj néz tükörbe ????

  • @rogelee-TW
    @rogelee-TW Před rokem

    16:00, Technical figures(the basic figures) and artistic figures should be in different proportions in the learning process. The basic figures and be artistic by adding the top artistic sway after the technical sway was done.

  • @foreveryuichi
    @foreveryuichi Před rokem

    I wasn't very interested, but when I heard the story, it got even more boring

  • @rogelee-TW
    @rogelee-TW Před rokem

    11:20 Three packages, 1. lower the rear hip, shape, move, 2. The wide track, 3. Foot shapes.

  • @rogelee-TW
    @rogelee-TW Před rokem

    32:00 99% of the Tango step is flat on the floor.

  • @richardkan8499
    @richardkan8499 Před rokem

    Great lecture thank you

  • @giuseppelucianomannello3144

    Thank you for the very interesting lecture!

  • @rogelee-TW
    @rogelee-TW Před rokem

    5:10 Three resistances, the standing leg, the moving leg, the center between the couple for powerful movement.

  • @user-gs6dt6tx9k
    @user-gs6dt6tx9k Před rokem

    세계적으로 유명한 선수 환상적이네요 영상을 볼수있게되어 감사합니다....👍👍

  • @richardkan8499
    @richardkan8499 Před rokem

    Sorry I disagree about shortening the Man's right side - I'd prefer to stretch the left side more otherwise there'd be a collapsed body. Also, in an upswing where the body inclines backwards, isn't this part of natural body movement?

  • @richardkan8499
    @richardkan8499 Před rokem

    Who's Roger Lee?

  • @german1761
    @german1761 Před rokem

    I'm confused whether he is feeling hot or cold. Or maybe both hahahah

  • @german1761
    @german1761 Před rokem

    Wdsf shirt of teacher hahahah

  • @samuelcoleman3658
    @samuelcoleman3658 Před rokem

    I have a question! Why is this type of natural turn so different compared to the other natural turns I see others do? Is this version just higher technique? When the gentlemen preps, then launches his right foot toward him to the right, just before moving his left foot forward, there is indeed a pos. Why do most natural nurns Viennese Waltz don't do that? What is this version of Viennese waltz considered? Gold, silver, International or standard?

    • @StudioMargalima
      @StudioMargalima Před 8 měsíci

      The answer and the key would be the principle of Drive. The dancers in this vid are of course international top level competitors. And at this level they ought to do this outstanding. Without drive their is no Swing. And without Swing their is no Sway. The good old if not ancient theorama in Standard dancing.

  • @rogelee-TW
    @rogelee-TW Před rokem

    24:00 Body commands the legs, on the last half beat.

  • @baoliemnguyen_dancesportin9597

    Learn swing standard from the camp ballroom. Ace nhớ đọng đưa

  • @paulo9507
    @paulo9507 Před 2 lety

    Be precise please. Spent 6 minutes on introduction and people lost patience

  • @user-mv7ig8zv3l
    @user-mv7ig8zv3l Před 2 lety

    Amazing 🤩 🥳😍🥰❣️❣️❣️

  • @kalharikarunarathne8498

    Wow

  • @tharakaswalpita
    @tharakaswalpita Před 2 lety

    Thank you again

  • @tsvetelinamareva254
    @tsvetelinamareva254 Před 2 lety

    This was really great! Thanks a lot! ❤

  • @monicawiget9818
    @monicawiget9818 Před 2 lety

    Einfach toll dieses Video . War früher selbst Tanzlehrerin, aber nicht zu vergleichen mit all den Spitzen Lehrer . Großartig, hätte zu gerne hier vor 45 Jahren gelernt. . Bin jetzt über 70 & tanze noch ( leider alleine ) zu Hause für mich , man verlernt es nie. So vieles hat man mir wie hier nicht beigebracht . Es sind meist die kleinen Dinge auf die es ankommt . Also , vielen Dank auch für den Unterricht. Lieben Gruß aus der Schweiz 🇨🇭