Sergei Prokofiev - Op.10 Piano Concerto No.1 in Db major (1911-2) (Score, Analysis)

Концерт № 1 для фп. с оркестром Des-dur/Concerto No.1 for Piano and Orchestra
Sergei Sergeyevich Prokofiev (Сергей Сергеевич Прокофьев/Sergey Sergeyevich Prokofiev) (1891-1953) was a Russian/Soviet composer, pianist, and conductor. His works range from piano sonatas to operas, and he is regarded as one of the most important composers of the 20th century.
The first piano concerto is the shortest out of the 5, and is dedicated to Nikolai Tcherepin. The premiere was by the composer and Konstantin Saradzhev as conductor, on 25 July 1912 in Moscow.
On 18 May 1914, the composer performed it for the Anton Rubinstein Prize for pianistic accomplishments before the Saint Petersburg Conservatory. He reasoned that he might not be able to win the prize with a performance of a classical concerto, but with this, the juries would not be able to judge whether he was playing well or not. The competition called that the piece to be published, so Prokofiev found a publisher willing to produce 20 copies in time for the competition. Prokofiev won the prize, and the jury headed by Alexander Glazunov awarded Prokofiev the prize rather reluctantly.
I could not figure out the form very well for this piece, so I used “Concerto for Piano and Orchestra and Sonata Form in Sergey Prokofiev's First Piano Concerto: An Analysis from the Perspective of Hepokoski and Darcy's Sonata Theory” (Gregorio J, 2018) for this video. Even though this is a very short piece, I had a hard time figuring out the structure, before turning into just using another person’s analysis instead.
(0:00) First part of the introduction, a valiant theme in Db major.
(1:09) Second part of the introduction in C major (!), lively.
(2:08) Main sonata part, T1 (with modulations)
(2:51) Transition
(3:29) T2, a march-like theme in E minor (!). However, there is some sense of movement and humor still, especially in the piano
(4:38) Solo, ironic
(5:00) Codetta, with buildup to
(5:44) Introduction theme
(6:30) The “central movement” or “development” starts lyrically in G# minor. However, is it really development? Is it really related to any of the 2 themes? I am not really sure about that.
(8:03) 3 lines
(8:56) Climax
(9:57) Transition
(10:43) Second episode, very rhythmic. Thinking about it, the “development” sounds more related to the codetta theme as well as the second part of the introduction than the two themes from the exposition.
(11:21) T1 fragment appear - like a transition
(11:54) Recapitulation, T1
(12:07) Transition
(12:56) T2
(13:12) Codetta, this time in E major
(14:06) Introduction theme, ending the piece in a triumph.
Source: English/Russian Wikipedia, original research
Recording by Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado
This video is for a non-commercial purpose (I do not get any profit from this video), and I do not own the score or the music. If there is an advertisement, it is not by me; it is by CZcams. If you are the rightful owner and want this video removed, please contact me, and I will promptly remove it.