Steve Wilson-The Total Jazz Musician
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- čas přidán 29. 03. 2018
- Steve Wilson talks about his influences and experiences in music including Cannonball Adderley, Johnny Hodges, Eddie Harris and Phil Woods in this interview. He also talks about his work with Chic Corea, Dave Holland, and Maria Schneider as well as his practice routines as a jazz doubler. Steve demonstrates how he practices learning a tune when he demonstrates various techniques on Dizzy Gillespie's "Con Alma." Finally, he discusses his equipment and why he prefers Yamaha saxophones.
- Hudba
Thank you so much for this! Steve was my teacher at Juilliard and the City College of New York. He is one of the kindest humans and most amazing musicians ever. I have learned so much from him. This interview is such a valuable document.
The Hubert Laws recording that Steve Wilson referenced is “Wild Flower” on the album of the same name. I took Steve W’s advice, learned that music by ear and repetitions. As SW said, it makes for a great play along piece to try to match Hubert’s amazing sound and nuances.
In answer to some listeners question about the book of exercises for sight reading in odd meters that Steve Wilson recommends in our video interview, the book is Joe Viola's Creative Reading Studies For Saxophone. It is available through various sources online, including Amazon.
Thank you so much for creating the Woodwind Legacy Series. As a young musician, this resource has provided me more inspiration and knowledge than you know.
This is the best interview I’ve ever seen so far.
Great to hear you, Steve.
Met Steve Wilson in the 80's in Richmond real great down to earth guy. Didn't know I was in the presents of greatness.
Great interview, thank you!
Amazing channel and amazing content there. Please do Kenny Garrett interview! I will deeply appreciate it. Cheers!
If this was 1940's this would have a million views.
I'd love to know more about the "natural embouchure" to gain volume. I think I have an idea from what I was taught, but would like to compare specifics.
If I'm not mistaken, it's all about keeping the lip position as neutral as possible (not too much lip in OR out) and minimal pressure around the embouchure muscles. In addition, it's working with controlling volume and dynamics from just using your air stream + relaxed/open throat position.
Joe Allard concepts of embouchure.
Great interview, thank you!