Carl Philipp Emanuel Bach - Oboe Concerto in B flat major, Wq 164
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- čas přidán 5. 09. 2024
- In this recording of a concert at the Prinzregententheater in Munich in 1998, the Bach Collegium München performs under the direction of Christopher Hogwood, one of the most reputed representatives of historically correct performance, practice several works of Carl Philipp Emanuel Bach.
Stefan Schilli - oboe
Carl Philipp Emanuel Bach - Oboe Concerto in B flat major, Wq 164
0:46 I. Allegretto
8:55 II.Largo e mesto
16:06 III. Allegro moderato
Click here to watch the complete programme: • Christopher Hogwood on...
Carl Philipp Emanuel Bach, considered in his generation as the most successful composer of the Bach family, spent most of his life in Berlin at the court of Frederic the Great. His fame already during his life resided mainly in that he was considered a great teacher, author of the famous book „Versuch über die wahre Art Clavier zu spielen“ („Essay on the True Way to play the Piano“). Beyond that he was famed to be an outstanding improviser, surpassing all rivals. Carl Philipp Emanuel Bach was especially esteemed by great composers such as Haydn, Mozart, Beethoven and Schubert who all confessed to have learned from him. Yet he never founded any school. His way of composing is singular, intelectual, often somewhat hard edged, always stern, even when he was being witty. It‘s music for intelligent listeners and outstanding musicians because, very much like Beethoven, he never had any regards for the instrument he was writing for.
CPE Bach was a genius, from a great dynasty of musicians. His style of music is UNIQUE, even from other members of his family. His creativity has such depth, beauty and majesty. Hope more of humanity will become aware of his sublime music.
CPE never disappoints. Thanks.
No me canso de escucharlo.Eso es la belleza.Eso es la cultura de la civilización occidental y si es compartida mejor. GRACIAS.
I heard this wonderfull piece of music while walking on a longdistance walk....walking and hearing this music....monotonously walking and hearing this music....and it felt like heaven....thank you
VERY gifted oboeist and fellow musicians. Performed to such perfection. Thank you.
Possibly one of the most difficult instruments to play... this is an outstanding performance
The World is full of negative scheise ==>>
we need less negative, and more positive in our lives..==>> it costs billions of dollhairs to blow each other up...==>> it costs nothing to be nice
The StarFire Family wishes you
Peace and Prosperity
Ad Infinitum 🙏
Peace ✌☮
Une musique superbe d une incroyable volupte,merci!
Tento Bachuv kousek není tak geniální, jako je geniální jeho interpretace. Interpret z něj udělal příjemný zážitek. ❤
Beautiful music !
Great sound!! and nice to have an oboeist play relaxedly with his whole body, very expressively too!!! Lovely!
Superbe un vrai régal pour les oreilles .je suis entièrement sous le charme J'ADORE . MILLE MERCI
J'en suis entièrement d'accord!
At last! Someone who no only plays the music, but he's the music and not standing there if he would been made of wood or steel.Bravo!
The music is so powerful that it "moves" not only anyone who has the pleasure of watching this, but him physically!
When Evelyn Rothwell recorded the Hadyn concerto she had very little movement. I guess she was as still as a post, BUT....... the musical performance is simply untouched, very few oboists even come close to the standard of her performance.
There is a lesson for all oboists to be learned from her. All of them probably have, either directly through her tutors and exercises, or indirectly through their teachers, after all she is the 'mother' of modern oboe playing.
Christopher Hogwood 😥. What a great leader for the Academy of Ancient Music. You are missed.
His replacement Richard Egarr, is phenomenal,
I never get enough of this.
This slow movement is ineffably lovely in its melancholy, the whole performance sensitively stylish.
Absolute oboe masterclass on expression, dynamics, and those trills! May not seem like a virtuoso piece, but that was a virtuosic interpretation.
Wonderful music🍃Love it
El Bach de Berlin !!! un genio C.P.E. .........que belleza !!
Incredible sound!
Merci pour ce partage agréable. Bon moment musical.
THE PERFORMANCE BEGINS @00:50...THANK YOU!!...
Wonderful music, wonderfully performed.
superbe! danke sehr
Perfect!! Beautiful sound.
que coisa linda meudeusduceu!!! muito obrigado!
Ele dança para seu "deusdocéu." Ha ha ha...
10:59 wow he held that line for 16 seconds!!!!
What a surprise ! I keep finding wonderful work from C.P.E.Yet to discover wilhelmFriedemann but he other manerist Bach too is a welcome surprise. This performanceis really sensitive to every phrase . Very alive it doesnt feel like a museum piece it speaks now not like Unsukchin or Maderna's fabulous oboe works and in this performance is really remarkable.The baroque and early classical period recordings i grew up with in the 1970's were never as finely musical as this . The fmous musicians never played as vivaciously as the performance pracice types like Hogwood ,Christie et. al !
Wonderful!
Una gran interpretación, felicitaciones
Great!
Very nice performance.
Very nice performance. Thanks for posting it.
Fint spillet lille obokoncert dejlig varieret og godt gennemført......
Carl Philipp Emmanuel Bach had a style of his own. He cannot be confused with Haydn or Mozart. This concerto gives some idea of his art, even if it is not the most convincing piece that he wrote. But his personality is obvious here.
Gérard Begni Could you please name another concerto of CPhE Bach that is typical of him and likable?
Gerard Begni: I can add my 'yes' to Merlin's desire to find out what makes CPE so much of 'his own'. Yes, I understand I can listen to him extensively, and that may tell me something that I may finally intuit about his individual style that marks him out from the others. But I'm wondering if there are a few words from you that can give us that understanding, also, as you say. Seriously. (Immediately, listening, I can tell that this is *not* Mozart, and would suspect not Haydn , either...)
@@MMijdus I just realize that I did not answer to a question that you asked to me one year ago about a typical concerto by Carl Philip Emmanuel Bach. There is a very interesting concerto for hapsichord, pianoforte and orchestra, in which he shows that he is fully aware of the difference between the two keyboard instruments; In addition, he gives some importance to the flutes in the orchestra.
@@gerardbegni2806 Thank you. I found it. It's the concerto in E-flat (H479 /Wq47). Personally I prefer the oboe concerto, but thanks anyway.
Merlin Mijdus
As a general rule, check the date of composition: if a work was written between 1738 and 1767 then it was written whilst CPE was working in the very conservative, north German, galant, and Italian-style dominated musical environment of Frederick the Great in Berlin.
The music is mostly therfore in a more rococo, galant style, and generally more approachable though still very easily identifiable as CPE, but it has traces of CPE’s characteristics empfindsamer Stil - traces not particularly liked by Frederick the Great.
As a general rule, CPE’s more personal ‘private’ works are more characteristic of the composer than his easier ‘public’ works.
The later works, after he moved to Hamburg in 1768, are more characteristically idiomatic with all the very individual quirks of his style virtually unrestrained:
- extrovert and extreme contrasting emotions;
- unpredictability (melodic, harmonic, rhythmic);
- extreme dynamics; frequent changes of mood and tempi;
- bold dissonances; deceptive cadences;
- motivic fragments followed by bustling activity then expressive lyrical beauty and so forth.
- emotional sensibility.
Remember too that whilst employed at Berlin, his main role was to play harpsichord continuo; at Hamburg, it was to organise the music for the city’s churches.
A key thing thing to bear in mind as mentioned above is the difference between CPE’s ‘public’ and ‘private’ works, regardless of date of composition.
There are some works written also specifically for didactic purposes, though CPE never sacrifices his artistic integrity in writing them.
CPE’s public works are generally easier to follow; his private works ie those basically written for himself, or on specific commission from admirers such as Baron van Swieten, display all his unique musical personality in its boldest originality.
What is true of all CPE’s music, whenever it was written, is that it is easily identifiable within four bars; it can be something of an acquired taste, but is exciting, thrilling and emotionally satisfying once you understand the musical language of the composer.
Prefer the Baroque oboe sound. But CPE Bach is the greatest! A genius.
Best singer
Nice performance and good oboist, who also recorded all the Albinoni's concertos tastefully.
Indeed a good Obonist!
Sorry I meant an a Oboist!
the word is TASTEFULLY
FOOL
@@adrianoseresi3525 thank you :)
Great performance polluted with some comments about his hair his moving on the music. All very important observations we can learn absolutely nothing from. But we sure can from this excellent performance.
Do they mean his PUBIC hair? The man is talented and is an artist.
Hear hear!!!
for once though I'd like to see an artist of his caliber play the piece dressed in a full-length bright pink bunny suit.
Stefan Schilli - oboe
0:46 I. Allegretto
8:55 II.Largo e mesto
16:06 III. Allegro moderato
De muy alta sensibilidad Carl al mostrar su talento para el Oboe
Not very many solo oboeist. Love the oboe. I wish I played it. But I play violin, viola, and cello professional.
süper Stefan 👏👏👏😊
hermoso concerto ,el oboista muy bueno mas emocionantev verv dirigir a hogwood
There is actually a style proper to CPE Bach. When you have listened to a few scores from him, you cannot mix up him with Haydn or any other composer. This concerto is typical of his style. I do not know if it is an original or a transcription. Both the soloist and the orchestra are excellent.
Gérard Begni ballet Clasicocplasiqe
You are absolutely right, C.Ph.E. Bach has really a musical language of his own, very recognizable and I love ihis music.
@Gérard Begni
This concerto ( and the second one for oboe ) are originals. Those were the Last works of this style composer By CPE BACH. Indeed , He favors a sober and quite sentimental tone whose willingness to seduce aims to gain the support of amateur musicians in Berlin .
If you listen to the concerti for flute ( in particular the (third)mvmt of "concerto in D minor ") , i think this isn't the same writing. More joyful, with lightness and more classical style.
@ La Tempesta - Just close your eyes and hear him play. I don't particular like the piece of hair falling on his eye. But his amazing playing outweighs the psychical distractions.
You made Bartje mad with your comment >:(
Shame on you!
Mercedes Sounds
BMW Structures
Audi Emotions
Porsche Dynamics
Perfect German Music
Oboist sounds a lot like Burkhard Glaetzner (who is I think the greatest of the 20th century.)
only oboe concert in d by A. Marcello is hight philosophical - i think.
🌿💕🎶🌾☺️
Depuis quelques temps, manque d'informations sur ces enregistrement ?

0:50
What does loft stand for? Lots of fucking tremendous music?
Why can they not stand still…moving destryes everything for me
Cheeky!
When was this piece written?
between 1720 and 1788
In 1765. It was one of the two last concertos written this year in Berlin before Bach went to Hambourg in 1768.
Almost haydnesque - not too typical for C. Ph. E.
Above all I immensely dislike the slight asymmetry in his bowtie and find myself unable to listen to the music because of this. And! In the mid 18th century, people didn't even wear bowties! And how dare he move his body? When we see musicians we should be able to pretend they don't have any bodies. Bodies are bad! So, just stand there! And comb your hair, too, or wear a wig. In the mid 18th century people practiced in front of a mirror for hours so their wig looked good, so how dare he show his flopping hair!? After all, isn't music all about appearance, about showing proper manners, about looking in the mirror a lot, wearing the correct clothing, and standing absolutely still like the guards at Buckingham Palace? Now that's a good music performance! Those guards make no distracting movements, no distracting sounds, and their clothing is immaculate too. Best music performance ever!
yea, like I don't think he should be p;laying in public without a haircut. I bet his socks are the wrong color...
You must be from the moon. First Lunatic I’ve come across in a long time!
Is it just me, or is there a little Heinz Holliger in his sound?
Holiger produces much more direct and dry sound intonation, this sound is more juicy and mellow
Suena bien .Que sentido moverse tanto.Marea verlo.
It is not an easy instrument.
😝😝😝
I don't know why Hogwood conducts from the podium. He easily could have conducted from the keyboard.It's a small enough ensemble and would have been common practice in CPE Bach's time. A waste of baton.
And why is Hogwood dressed like a priest?
Conductor is unintelligible
Encuentro extraordinariamente clara su batuta
les violons vous jouez trop forts toujours la meme critique ..Il faut toujours jouer piano quand on accompagne un soliste .On ne devrait pas vous entendre .C'est un manque de respect
What is wrong with jazz? If that is ruining music I wish I could ruin music that well. It would be nice to hear at A-432 on period authentic instruments.
Gesticola troppo
Yes, it's true. I don't like it neither
His movement is very annoying. Great sound, expression but u can do all of that without all the body movement
THEN MAYBE YOU SHOULD GO BLIND
Use your ears not your eyes you fool
Gran brusquedad de movimientos del oboista para nada, no mejoran el mensaje. Esto se llama efectivos o.
The oboist needs to stand still. So distracting.
indeed.
Oboist needs one in his, might keep him a little more still.
Such a pity he didn't asked you how to behave before he started playing.
LOFTmusic Proper training would have solved this. Dont get why it is so hard to stand still.
I still don't get why it's any of your business. And no, proper training only teaches to regulate movement as not to interfere with playing. CLEARLY he is having no difficulty expressing musical ideas or executing technique, so what exactly is the problem? You don't like how he looks? Give me a break, you are all kinds of ignorant.
Again a soloist who can nor stay still when playing.I can not like this way of acting. Who is resposible for this???
I don't like neither