I shot ONLY 50mm for a Month
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- Äas pĹidĂĄn 9. 06. 2024
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00:00 Intro
00:16 Context
01:34 Return on experience
04:04 Things I like about 50mm
06:47 Shooting locally
08:07 Full Frame or APS-C?
10:07 Dislikes about 50mm
Love those night rainy shots at 9:38. It really gets you in that mood.
Awesome work as always man đđđ
Thanks a ton!
Incredible compositions !!
I'm on a trip in Japan at the moment and I discovered your channel just before taking the airplane. I obviously came here for shooting street pictures. Your videos are really motivating me to shoot. Keep going with your channel, it's a good one and it pushes me to shoot as well. Thank you!
Hope you will enjoy Japan :)
Great shots,bravo.
great video and, as always, great pictures! đ
Thank you so much đ
NEW ADRIEN VIDEO I LOVE YOU ADRIEN
All you need for street (full frame):
35mm, 50mm, 85mm
Holy trinity.
Got a 28 + 50 not sure if I'm missing something with no 35 or 85
28 & 50 is the ideal street setup imo, don't feel like an 85/90 is versatile enough, for landscapes a 28mm & 90mm would be a good combo
beautiful photos. i enjoyed your perspective here
Thanks so much!
I shot with X-E3 + 35 f1.4 for over six years. Travel, nature, landscapes and especially my kids. Now I exchanged for Canon R8 + 35 f1.8 and I also like this setup very much but size is a little bit too much for my liking. Nevertheless I can't tell if I like better 35mm or 50mm. I can definitely tell that I love having only one prime a shoot with that the whole time. I hated times when I constantly thought what focal lens should I bring, should I change lens on the fly during travel. My family members hated that even more. Btw I love your videos, they are so calm and relaxing.
Would love to see what you would create with a 135mm.
Itâs one of my favourite focal lengths, and I feel like it takes many of the concepts youâve described in this video to the next level.
I know what you mean. I live in a wide open area and sometimes you need to âreach outâ to get elements to come together because they are thematically or aesthetically related but physically so far apart.
I have been really enjoying your videos - thank you! How do you determine that a shot needs to be held at a "dutch" angle - your's look so good
great shots, I also mainly shoot my 35mm f1.4 on the xpro3. Magical combo.
love at first sight is real thing. subscribed
Adrien! I absolutely love your street photography. I've been shooting with a 50mm straight for a couple of months now and I'm wondering what are your thoughts in using Manual Focus lenses for the same shooting style? I shoot manual and I always wonder if investing in a 50mm AF would ease the process. To me this seems like an obvious yes but by how much since I also shoot at F5.6 - F11? Does shooting manual make you a better photographer long term? Thanks!
The 50 is a classic. It was always the anchor in my set of primes. But recently Iâve been shooting on a XF27 and a GF55, both eq +/- to 40mm FF. You should try. Viltrox do a 27mm f1.2 AF for Fuji that is stellar. And you are right, getting past 35 means you have to be much more intentional, and thatâs a good thing.
Viltrox 27 lives on my Xh2s. Absolutely love it.
I love my VĂśigtlander Ultron 27mm F2 as it might be the best 27mm Fuji lens that isnât from Fujifilm.
@@cresk definitely and INCREDIBLE lens⌠I might just be a bad photographer but I mostly do family and children so AF is kinda priceless for me.
I think I like 50mm when Iâm wanting to get better at general photography and composition, because I find itâs the same for me as you described, me taking more time to compose a shot, pick out a subject, etc. I like 35mm more if Iâm going on vacation or something with the wife where I can take easier snapshots encompassing more of whatâs around.
I overall like the 50mm look more than 35 and might could see myself using it as my only lens along with my iPhone for wide shots.
When I used to travel on study abroad trips in college, Iâd only take a 50mm f1.2 and to this day they are some my favorite images nearly 17 years later.
Love this. Just picked up 25mm for my m4/3 cam (50mm equivalent in full frame). Can't wait to make some great memories đŤś
I've just used 14mm (on my m/43 camera) but I really dislike it and today bought a used 24mm vintage lens from ebay. You have to get SO close at 14mm (28mm old money, obviously) otherwise anything more than a few metres away starts becoming very small. Condensed perspective is so much better for keeping a 'story' compact and the various elements in that story visually relevant to each other/cohesive. I've pretty much always found myself cropping to get the composition I saw at a distance but didn't have time to get close enough to. And of course, as you get closer to subjects they just start looking at you, disrupting the 'story'. I don't appreciate the very popular style of simply firing away at people passing by at close range and hoping that some of those shots just 'work' somehow. It's so artless. Cheers for the video and some cool shots :)
I have a Leica Q and yea Iâm use to shooting with the 15mm 1.7 on m/43 and itâs a bit of an adjustment. But shooting from the hip has helped me get very close to people. If I want a portrait or anything Iâll just stop and talk to people, they usually donât mind
Great Video
the shot at 9:53
nice
I liked the one at 9:12 a lot too
You are now the 21st Century's Henri Cartier-Bresson with that 50mm shots.
Great imagesâŚwhich you think you liked âŚFuji or Sony ?
50mm is my favorite focal length for stills! But 24-35 is my favorite for video.
Its funny because 50mm is for me actually quite wide, sometimes i wish it would be 70-85, because not always i can afford myself to get closer to the object
that frame at 10:05 is insane
Thanks :)
Fantastic video
Thanks! đ
Some really nice pictures, and I liked the music and overall ambience.
Personally Iâve never enjoyed 50mm, and Iâve settled on 40mm as the âbest fit for meâ field of view.
What field of view people vibe with is so personal. Itâs hard to give any advice beyond âhere is what I vibe with and whyâ and âtry a bunch of primes, or a trans-standard zoom locked at specific focal lengths for a stretch of time, and see what feels right for youâ.
Funnily enough, Iâve had 50mm lenses forever, which I bought because everyone was saying that 50mm is the ânormalâ field of view, but I was using APS-C cameras and it feels like nobody was explaining the difference! That was in the late 2000s, and 100% of amateurs and a good chunk of the pros were using APS-C sensors (for budget reasons), but still all the photography sites and forums and magazines talked as if everyone was on full-frame lol.
When I finally realized that a 50mm lens was not the famed â50mmâ that all the photography content was talking about on my APS-C cameras, I tried a 35mm but could not make it work for me. It always felt too long or too wide, depending on the subject. 23mm (~35mm full-frame field of view equivalent) was better, but a bit too wide at times. And finally I tried a couple 27mm (~41mm full-frame field of view equivalent), and fell in love.
I like 50mm on APSC, so 75mm FF equiv. I find I can capture candid shots more stealthily with a longer lens. When Iâm not shooting 50mm, like you, I prefer 27mm (that Fuji pancake lens).
I really enjoy your videosđMy two main (digital) cameras are also an A7IV and Fuji X-E4. Both brilliant camerasâŚand though I find the Fuji is way more fun for just walking taking pictures, the Sony is a beautiful, highly capable beast for photo AND video
Which lens are you using on your XE-4?
im new in photograpy, just wanna ask, are you ussually use ND filter when take a street photography?
This was ultimately the reason why I "downgraded" to APS-C". I work a full time job and will do photography for fun so it is VERY rare that I am shooting anywhere near direct bright light, so working in mostly darker urban environments I benefit alot from being able to use larger apertures while preserving the DOF. MFT does have this same advantage but I find it harder to work with creatively as if you DO want subject isolation you have to get much more creative in achieving that (posing your subject farther away from background, using much more telephoto lenses to get better compression and separation, etc) whereas with APS-C you can work at much the same normal working distances as full frame even when you do want more separation, and it helps alot that there are so many cheap large aperture third party lens alternatives for all of the aps-c mounts. Bigger sensors are not always the best tool for the job, it is very important to think about what it is you need your equipment to do and what you want to achieve despite its shortcomings.
I love the pictures. Are they calibrating based on classic chrome?
Thanks, nope they are all Raw and edited with my presets
@@adriensanguinetti Thank you for your answer. Your picture inspires me a lot
Apologies if you've mentioned this previously but I was wondering how you're able to live in Japan? Is your spouse from Japan? I was looking into extended stays/living in the country and research made it seem difficult if you don't qualify for the aforementioned status. Thanks and as always, lovely photos.
50mm is my favourite, especially because I like to have only one subject in my stills
I shot 95% 50mm for years. The only thing to do is to understand 3 things :
1- Nobody matters about your photographies. So no need to try to impress those around you with the shallowest depth of field.
2- You're not doing a reporting, but just trying to keep a memory for your travel or for a pleasant moment. So there is nothing bad if you don't capture the full-scene.
3- Supply constraints is a source of creativity. More often, your pictures are more original than with a zoom lens.
excellent
Now that i got the Fujifilm 23mmf2 and the 50mmf2 you have to do a video about 35mm on Fujifilm. How dare youđ
The thing with shooting vertically on tighter lenses I also noticed. Lot.
Lovely pics, can I ask you which is your favorite system for street photography? Talking about camera feeling? Fuji?
have you used any 23mm for street photography?
23 on apsc? If so, yes I shot 23(35mm on a full frame) for almost a year in 2023
If you multiply by x1.5 you get the same amount of f-stop from apsc to full frame I think; it works just like the crop factor. So if you want f/5.6 apsc but on full frame then that's around f/8 equivalent on full frame (that should give you the same depth of field) and that should give you the same amount of light to the sensor assuming the iso and shutter speeds are the same. Another great video, thanks for posting!
F-stop doesnât multiply. This has been debunked. Exposure stays the same but your distance from the subject will change the depth of field.
@@Image1Nation My bad! So yeah you multiply to get the same depth of field as the aps-c camera.
@@Image1Nation My bad! So yeah you multiply to get the same depth of field as the aps-c camera.
May I ask, do you have a link to glasses you are using :) ? They are amazing
What is your accents?
đ
what does it meas by 35 equates to 50mm. it has the same field of view?
1.5x crop sensor compared to a full frame. So the 35mm lens on the smaller sensor gives a field of view equivalent to a 50mm lens on a full frame camera
where did you get your glasses from? I kinda like it
They are from Jins
I only can afford m50 efm22 mm lens. How can i get a good quality pics as you
I mean that means focus on composition and fundamentals innit. Looks like that lens is closer to 35mm equivalent, so if you want tips on composition this video might not be the one to help.
Gear wonât make the photo. Get that through your head early on.
A quick look at the m50, should be more than good enough for photo work! Go out and shoot and compose, if you liked the photos in this video maybe consider finding an 50mm equivalent lens?
My advice is stop reading anything gear related. You have good enough setup to have stellar results. Spend as much time shooting as you can and in the meantime watch couple videos how to compose and how to edit your photos.
i only have a 50mm f1.4
How can you aford to shot 3-4 hours every day?
I think he says in the video that he shot 10 days out of 30, so not every day.
Got me a GR3 after watching some of Adrien's GR3 videos last year,
love every photo from this channel but I just have one little thought sometimes I enjoy the quiet walking POV instead of so much talking since there weren't many different cameras or lenses used here,
it's always that few repeating lenses like 35mm and 50mm and always that few cameras,
I feel like it's not so important to have so much talk on the repeating perspective on how the lenses work on compositions or foregrounds etc,
but just viewing the photos is already a great enjoyment for me. â¤
Focal length=\=field of view.
You can't just crop a 35mm image and call it 50mm, that's not how it works. The compression is totally different.
First
Why does it say that you posted this comment 8 days ago??
why such a high level camera with a low level lens?
Pictures of 35mm or 28mm re somehow childish and chaotic. Personally, i dont want to shoot ANY action on the streets, i dont like that kind of reportage type of pics. I like more closer shots, i want to previsualize my pics, i like to direct them in a way i want. I like that abstract look, the more cinematic, simplistic, painterly and introvert look of 50mm (and even 85mm!!!). Not to mention the great portrait results. Yeah, foe me, the 50mm is the one to go. Great video of yours mate...
Everyone has its own approach and the focal length that suits them best. I love that street photography is a genre that can be done in so many different ways. Thanks for your comment
nice, you definitely have a perfect understanding of "cinematic"
I would say that your comment is childish, but I suppose that you think that your opinion is the only one that counts.