24fps vs 23.976fps | FRAME RATE dilemma for filmmakers

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  • čas přidán 25. 05. 2020
  • 24fps vs 23.976fps | FRAME RATE dilemma for filmmakers
    Here I discuss the frame rates of a cinema and how 24fps, which became a norm for this medium and why is it necessary?
    What are the efforts that have been put on it by engineering minds to maintain the effect of 24fps for a long time, for the audience? Sometimes 24fps is used in the form of 23.976fps and how the confusion puts artists into a dilemma and how to come out of it and choose the appropriate frame rate for their project.
    #24fps #23.976fps #frame_rates #cinema
    This video is for educational purpose only.
    According to the Indian Copyright Law, this video falls under Fair Use. This is NOT an infringement of copyright. Please refer the following document.
    copyright.gov.in/documents/cop...
    For non-cinema stuff
    Follow me here:
    Instagram: / jishnudebnath
    Buy me a coffee: paypal.me/jishnudebnath
    Thank You! and SUBSCRIBE for more videos.
  • Krátké a kreslené filmy

Komentáře • 123

  • @CinemaResonatesLife
    @CinemaResonatesLife  Před 3 lety +3

    Have you watched my new video (video essay) comparing two scenes from The Godfather & an Amazon Prime Indian series?
    czcams.com/video/AjDyNtHnd14/video.html 💓🤗

  • @GavinHornak
    @GavinHornak Před 3 lety +28

    Absolutely loved this! I had searched CZcams for a comprehensive explanation and you are the only one giving it. Love the other videos - easy subscribe!

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety

      Thanks Gavin😍. Means a lot to me

    • @alhaddifateh
      @alhaddifateh Před 2 lety

      Same with me

    • @lifeingeneral9111
      @lifeingeneral9111 Před rokem

      he's not all correct. simply put. after the war millions of GIs bought MUNTZ TVs tha wouldn't work when color tv started Broadcasting color signal so the had to trick the bw tv's into believing what they seeing was a bw signal. that's it. in 2000 all this Fractionalizd bullshit could have been killed but stupid hollywood liberals thought that it was video law and to this day walk by any 150,000 dollar camera and you'll see 23.976 and if you ask one of those Geniuses "why you shooting 23.976" they
      always say "you have to, it's video" in fact it's really not even video, it's "VLIM", NOT VIDEO OR FILM. at least thats what ive been calling it for the past 20 years.

  • @guilhermefranciulli5088
    @guilhermefranciulli5088 Před 2 měsíci +1

    Simply amazing. This was the best explanation/class that I found at that moment. Thank you very much. Memories from Brazil.

  • @thepwrtank18
    @thepwrtank18 Před rokem +7

    24 frames per 1.001 seconds makes so much sense now, thank you.

  • @jean-francoissimard6591

    Complete explanations and moving commentary at the end, I loved it.

  • @maxagabon18
    @maxagabon18 Před 18 dny

    what a good video. Great job!

  • @mattcero1
    @mattcero1 Před 2 lety +1

    Fantastic lesson and the presentation is top shelf!

  • @kunalravindra
    @kunalravindra Před 3 lety

    Outstanding. Subscribed already. Thank you for this.

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety

      Thanks and welcome. I hope you've watched my new video on Mirzapur & Godfather 🤗

  • @RolandAyala
    @RolandAyala Před 2 lety +1

    One of the best videos on topic I've come across. Well done and thank you!!

  • @rajnishwarchauhan9572
    @rajnishwarchauhan9572 Před rokem +1

    Hey! Thanks for this video.
    Can you please help?
    I shot & edited short film on 23.976 fps,
    Film fests. are demanding 24 fps.
    Should i render it to 24 fps and if i do, will there be any changes ?
    One more thing that i noticed is after adding video of 23.976 fps (Shot, edited and rendered with same fps) have lag or lack of fluency.
    What should i do in both the scenarios?

  • @Cyber_Lava
    @Cyber_Lava Před 3 lety +2

    Thank you for this video and nice quote at the end

  • @GFX_media
    @GFX_media Před 3 lety

    Thank you for this video, very helpful 👏🏻

  • @sumantra7462
    @sumantra7462 Před 3 lety

    Thank you very much man. 💚 Such a in-depth research you have put in this video. Very helpful. Lots of love🌿

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety +1

      Thanks a lot. Valuable viewers like you encourage me to bring stuff like this. BDW new video is in the making.

    • @sumantra7462
      @sumantra7462 Před 3 lety

      @@CinemaResonatesLife great! Would love find out soon. Thanks again

  • @kim_dongryeong
    @kim_dongryeong Před rokem

    8:36 Can anyone confirm if I understood correctly. So there is a video of 2 hour 7.2 second (7202.2 seconds in total) length at 23.976 FPS. It means that (A) this video consists of 172,800 frames (= 7207.2 seconds / 1.001 seconds * 24 frames), (B) it's supposed to play 24 frames for 1.001 seconds and (C) this video will play for 2 hours and 7.2 seconds on an over-the-air television. But if you play the same video file at a theater through DCP, DCP will regard it as 24 FPS and will play 24 frames for 1 second. So this 2 hour 7.2 second long video will be played for only 2 hours at a theater through DCP (so 7.2 seconds less) because 172,800 frames / 24 frames = 7200 seconds.

  • @JaredRibic
    @JaredRibic Před 3 lety

    Thanks for doing this video!

  • @stickfigursicide
    @stickfigursicide Před 3 lety

    Great video, thanks a ton!

  • @stevesvids
    @stevesvids Před rokem

    👏👏 thank you . A new thing I've learned. Greatly appreciated. 👍👋

  • @MusicianLivesMatter
    @MusicianLivesMatter Před 4 lety +1

    Thank You! Well Done!

  • @aw-de-cn
    @aw-de-cn Před 2 lety +3

    A great deal of effort has been put on it by engineering minds, and since it has been arduously carried on by filmmakers, to linger your experience to a great extent of time, to help you contemplate. Which makes you a more sensible living being and you resonate more with lift itself.
    “The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as an example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.”
    ― Andrei Tarkovsky
    Great Topic there.

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 2 lety

      Regards 😊🙏🏽

    • @user-gz2vo1vk2p
      @user-gz2vo1vk2p Před 4 měsíci

      Цель искусства - подготовить человека к смерти, возвысить его душу, чтобы она могла обратиться к добру. Художник существует только потому, что мир не устроен, мир не благополучен. Кино - самое несчастное из искусств, оно очень зависит от денег

    • @user-gz2vo1vk2p
      @user-gz2vo1vk2p Před 4 měsíci

      Вопрос только откуда ты знаешь советского режиссера Андрей Тарковского?!!

  • @misframed
    @misframed Před rokem

    Probably the best explanation I’ve ever heard respectively seen. Good job 👏 ❤

  • @SylveonMujigaeOfficial
    @SylveonMujigaeOfficial Před 3 lety +5

    If you can't really understand him, please turn on subtitles/captions.

  • @Jasonmoussa1
    @Jasonmoussa1 Před 8 měsíci

    this was really well done!

  • @Frainkiz
    @Frainkiz Před 2 lety

    Thank you. This video is made by heart. I see it 😊

  • @JeffBourke
    @JeffBourke Před rokem

    3:23 I believe there is a small error here. 30.0 became 29.970 (NOT 29.976). 24.0 became 23.976 which is where i think you got confused.

  • @--.--
    @--.-- Před 10 měsíci

    Great video essay

  • @anuraj5295
    @anuraj5295 Před 2 lety

    any defference in motion(natuaral moton blure ) between 24fps and 23.97 fps?

  • @katflorida8349
    @katflorida8349 Před 8 měsíci

    I got a big problem. I just bought a Sony fs7 but i need to shoot a feature in 24p. For a movie/cinematic look i need 24p. But in the camera settings i only see 23.98p and 25p. What should i do?

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 8 měsíci

      If your camera doesn't record true 24p natively then you can go with 23.976 otherwise choose a camera which shoots true 24p. Best of luck!!

  • @mazart612
    @mazart612 Před 3 lety

    This was amazing!

  • @widM_
    @widM_ Před 2 lety

    So if your master is at 23,976 fps how you conform this to 24 fps for dcp?

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 2 lety

      If you are planning to release your movie or show in cinema halls then it's better to master in 24fps then conform into 23.976 for WEB or TV release.
      Here as you've already mastered in 23.976 it can be carried in a DCP but if you still want to conform into 24fps, change the sequence settings in your editing software. It won't do any noticeable change to your edited footage. 😊

  • @tianhxu
    @tianhxu Před 3 lety +9

    Clearest explanation I’ve come across, thank you. Still stuck though, can you help me out?
    1. If NTSC ran into problems with colour and slowed down 30 to 29.976, and 24 to 23.976, why didn’t PAL do the same for 25?
    2. Can you explain more about DVB-T, ATSC, ISDB-T, DTMB? So can they all display true 24 and 60 fps? What about 25 fps in PAL regions? Do PAL and NTSC regions still exist?
    3. So, what is the point of my camera shooting 23.976? Why don’t we all shoot 24, and let NTSC TV slow down the playback at 0.1%? Alternatively, why not just shoot true 24 because all modern TVs can display it anyway? Is it something to do with the electronics in the camera?
    4. You say delivering at 24 is obviously for DCP projection at digital theatres. So do you mean that if I shoot and deliver at 23.976, it won’t project properly? Why don’t we all shoot and deliver true 24 if TVs can display it anyway? Why is there still this issue with 24, 25, 30 fps, depending on NTSC/PAL regions of 50/60Hz?
    5. So what happens if I shoot 23.976 and deliver at 24? Will there be duplicated frames? Or does it become shorter in length? Vice versa, what if I shoot true 24 and deliver at 23.976? Are there skipped frames? Or does it become longer? Likewise, what about compatibility with 25 fps? Say, if 23.976 or 24 was to be broadcast in PAL regions, which you mention have been replaced?
    I’m asking all this because after watching your video, I still don’t know to shoot true 24 or 23.976, or 25 for that matter. Nor what format to deliver in and if it matters at all.

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety +4

      See, NTSC and PAL format are strictly for broadcasting. If you are exporting a film or any kind of video which you are about to send to a client in another country, for OTT platform or for CZcams, you need not to worry about the frame rate. It will run just fine. Select the frame rate according to the aesthetic value it gives. For ex. 24fps for Cinema.
      Thanks for asking all of those questions. I hope my answer helps 🤗

    • @emigames6248
      @emigames6248 Před 2 lety +1

      @@CinemaResonatesLife Can 60 fps ever be used in a film setting? Just curious because I once played a game that was more like a movie-game in 60 fps (namely, Detroit: Become Human).

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 2 lety

      @@emigames6248 Actually it's already been used like in Ang Lee's films and many other directors'. But the question is which kind of aesthetic you want to go with, 24fps or higher fps' films like Gemini Man (120fps).

    • @emigames6248
      @emigames6248 Před 2 lety +1

      @@CinemaResonatesLife lol. Then the only device I have that can play Gemini Man without frame rate downgrading is my gaming laptop.

    • @lifeingeneral9111
      @lifeingeneral9111 Před rokem

      @@CinemaResonatesLife i believe both film and tv over there are both shot @ 25fps

  • @BrorFredrik
    @BrorFredrik Před 4 lety +1

    Well done and subscribed

  • @EL.BARTON
    @EL.BARTON Před 3 lety +2

    So, if I have some footage in 23,976fps, some footage in real 24fps, and one drone shot in 29,976fps and I wanna do one video with all of these footage, what can I do for smooth result? What timeline and export fps settings do you recommend? Thanks a lot.

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety

      It depends on the video that you want to export. Accordingly you should set your sequence settings in the editing program. If you exporting video other than film then you should go with 30fps or 29.976fps. I hope it helps 😊

    • @alhayom9479
      @alhayom9479 Před 3 lety

      muumuus up n

    • @qiyuxuan9437
      @qiyuxuan9437 Před 2 lety +4

      Use 23.976 timeline, slow the 24fps footage down by 0.01% and slowdown the 29.97 footage by 20%.

  • @tomasgarcia5054
    @tomasgarcia5054 Před rokem

    Gracias. La velocidad le da la magia. Saludos, desde Argentina.

  • @4picashow418
    @4picashow418 Před 3 lety

    Is there gonna be a different runtime between 23.976 and 24 fps? If yea how many second different from 2 hour movie?

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety +1

      You will have a lag of 7.2 seconds every 2 hours of a video if I understood your query.

    • @4picashow418
      @4picashow418 Před 3 lety

      @@CinemaResonatesLife @Cinema Resonates Life thanks, that's bout right. How did u count it?

  • @MsMoeb
    @MsMoeb Před 3 měsíci

    Yet another indian tutorial to teach western civilisation about what they invented themselves. Well done dude.

  • @GellertTV
    @GellertTV Před 4 lety

    Really good video ! You need to show the subscribers amount to get 1 million !

  • @ongbakbuang
    @ongbakbuang Před 4 lety +1

    I'm quite confused if it is ATSC or ASTC. 5:31
    I think Japan uses the ISDB-T and not DVB-T. I'm quite confused. 5:34

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 4 lety +1

      Thanks buddy. Although this doesn't affect the reason why we use 23.976fps, but you are right in both the cases. I misspelled and presented ATSC as ASTC and Japan do use ISDB-T. I hope to be more careful next time.
      Thank you again for this valuable comment, resposible viewers like you help in pushing this medium to greater heights.

    • @ongbakbuang
      @ongbakbuang Před 4 lety

      @@CinemaResonatesLife It's okay. I was afraid at first that I will be misinterpreted as bashing, but thank you for your kind message. God Bless!

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety +1

      @@ongbakbuang Please check out my other videos. New videos will be coming very soon😊

  • @TheArdhyCard
    @TheArdhyCard Před 4 lety +1

    thank you, awesome. how to convert 23.976fps edited footage to 24fps. without audio drift?

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 4 lety

      The audio sampling frequency for your audio is normally unaffected by video frame rate. Audio has a sample rate, measured in kilohertz. Standard audio for video is recorded at 48 khz. This does not change with framerate; audio will always be the same, whether you're shooting or converting footage from 23.976 to or 24 fps.
      Unless you are filming hours and hours of footage, then you will have a lag of 7.2 seconds every 2 hours of a video.
      If you are still facing problem try fixing your digital recoder, it might be due to some difference in the electronics or else try fixing it in Audition.

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 4 lety

      BDW you could check out two more interesting videos on this channel and new videos coming soon😍🤗

  • @TheRockeyAllen
    @TheRockeyAllen Před 3 lety +1

    Waiting for you to upload the other videos you mentioned in this video

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety +1

      Happy to get this reminder Rocky😄. New video is under process. It will be released soon & I'll bring those videos you mentioned too. Thanks for supporting and staying with this channel. 🙏🏽

  • @MORCOPOLO0817
    @MORCOPOLO0817 Před 2 lety

    Can you really tell the difference when you watch it?

  • @sourabbaidya9554
    @sourabbaidya9554 Před 4 lety

    Oshadharon.

  • @JeffBourke
    @JeffBourke Před rokem +1

    but the camera companies STILL don't give us pro-sumer cameras that can shoot True 30.0 or True 60.0 fps.

    • @lifeingeneral9111
      @lifeingeneral9111 Před rokem

      right! that's why they things these days called jobs, get yourself one and buy a red komodo and you won't have to bother yourself with the small things in life.

  • @fliqgaming007
    @fliqgaming007 Před 2 lety

    Hi bro.. just have a doubt.. i have 4K 100fps footages to be edited for CZcams. So which is the best frame rate to work in Premiere pro.. i tried 24fps sequence but when i slow down the clips again to ultra slow motion, the frame jumps !! I need to make Cinematic 24fps 4K video for CZcams, no need of 100fps !! Kindly please help !!

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 2 lety

      You simply create the sequence the way you want it to be and drop your footage on it. When asked if you want to change the sequence settings to match the video, tell it "no".
      The video will play at the normal speed.
      If you want some specific portion to be in slow motion then import the footage again through Interpret Footage>Frame Rate and then do crop & insert the specific portion on top of the earlier import that I mentioned above. Hope it helps😊

  • @ruepelmarkus394
    @ruepelmarkus394 Před 2 lety

    Hello great Video, when I shoot in 60fps or 120fps, should I export in 24fps or 23,98 fps?

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před rokem

      Both works fine

    • @lifeingeneral9111
      @lifeingeneral9111 Před rokem

      just shoot 24 and stop listening to those hollywood geniuses

    • @wilsonrositaortiz5037
      @wilsonrositaortiz5037 Před 11 měsíci

      @@CinemaResonatesLife you mean its okay to use in 24p timeline both of 23.97 fps and 24fps?

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 11 měsíci

      @@wilsonrositaortiz5037 @ruepelmarkus394 asked about shifting from 60/120 fps to 24/23.976 fps to slow the footage I guess.
      If you already have footage in either 24 or 23.976, the timeline will be created automatically if you drag the footage on the timeline. You can change timeline settings afterwards if you want.

    • @wilsonrositaortiz5037
      @wilsonrositaortiz5037 Před 11 měsíci

      @@CinemaResonatesLife I know how to slow mo. my question is, in my camera i don' t have exact 24p, i have 23. 976p , 23.98p etcc... what should i use like a true 24p?

  • @joseacarrasm
    @joseacarrasm Před 2 lety +1

    The best explanation I came across Internet. I know os this things before because my father was a TV engineer and spoke about this things.

  • @4tcfilm
    @4tcfilm Před 3 lety

    The strip of 35mm film, you showing is not from 35 motion picture camera! but from still camera.....

  • @ikisfilm1994
    @ikisfilm1994 Před 3 lety

    Wrong. No one shoots PAL in Brazil as far as i know

  • @mrhobs
    @mrhobs Před rokem +1

    I would say just shoot true 24fps in all situations. (Aside from higher frame rates like 30fps and 60fps, etc.)

  • @jonathanJRA
    @jonathanJRA Před 3 lety

    Bom video!

  • @chander_negi
    @chander_negi Před 3 lety

    😎🤏
    😏🕶️🤏
    Smooth.

  • @christianmariano1071
    @christianmariano1071 Před 3 lety +1

    Dragonball Z in Japan was dub on 23,976 fps!

    • @ac1ddead
      @ac1ddead Před 3 lety

      all anime have 23,976

  • @InteractiveDNA
    @InteractiveDNA Před 3 lety +1

    You should avoid both frame frames. Both frame rates belongs to last century. 24fps is a must NO and 23.98 it could pass cause you can easily convert to 30 and 60. But avoid both frame rates at all costs. Those frame rates are unicorn, don’t exist in today’s monitors and displays and will cause you many problems.

    • @CinemaResonatesLife
      @CinemaResonatesLife  Před 3 lety

      I think you should watch this video czcams.com/video/EM16aiSSpFk/video.html to uderstand better why it's not just an excuse for filmmakers to use 24fps or 23.976fps rather it's very crucial for this medium. 😊

    • @InteractiveDNA
      @InteractiveDNA Před 3 lety +1

      @@CinemaResonatesLife Thanks for the link. But I understand extremely well frame rates. I am the first in the world to deliver Blu-ray video quality over the internet back in 2006 with my encoding software. 24fps needs to be removed from all camera from now and so on. Period. It just makes any video horrible to watch. Also, it is a horrible frame rate for creating interactive videos. Too many horrible things about this frame rate. I used to work with film and digital to deliver commercials for movie theaters and broadcasting stations, 24fps always where a nightmare. Again! PLEASE STOP USING 24FPS, IT DOES NOT EXIST ON TODAY'S MONITORS OR DISPLAYS. PERIOD! IT BELONGS TO CINEMAS. THE LINK YOU PROVIDED PLAYS HORRIBLE BECAUSE IT IS 24FPS. Same goes to people that ask pictures with DPI, DPI does not exists on computer screens. Always ask for resolution/video size and never DPI. Same as video, 24fps does not exist. Computers will create the missing frames to match the hertz. By doing that, every computer and displays will playback a 24fps horribly. People that are near sighted and people that has epilepsy should avoid watching videos on monitors at 24fps. We can see the horrible strobes when playing back. Create the cine look in POST and render the footage at the country's hertz.

    • @kconrad5893
      @kconrad5893 Před 2 lety

      @@InteractiveDNA You’re an idiot bro. That’s YOUR opinion.

  • @chrisw1462
    @chrisw1462 Před 3 lety

    #KILL59.94