Saint-Sulpice organ, Vincent Warnier plays Bach Kyrie, Gott heilliger Geist BWV 671 (6 Feb 2011)
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- čas přidán 4. 09. 2024
- Tribute concert to Aristide Cavaillé-Coll (1811-1899), 6 February 2011.
Daniel R0TH, Yann LI0RZ0U, Eric LEBRUN, Vincent WARNIER and Sophie-Véronique CAUCHEFER-CH0PLIN.
Vincent WARNIER plays Bach Kyrie, Gott heilliger Geist BWV 671.
Première combinaison
Manuels (tous claviers accouplés):
GO/GCh: Montre 16, Montre 8, Bourdon, Diapason, Salicional, Prestant, Octave, Doublette, Quinte, Plein Jeu, Cymbale, 1re Trompette, Basson 8
POS: Violonbasse 16, Quintaton 8, flute, salicional, Flute 4, Flute Oct, Dulciane, Doublette, Quinte, Larigot, tierce, picolo, Plein jeu, Trompette, Basson 8
REC: Quintaton 16, Diapason 8, Violoncelle, Prestant, Fl oct 4, Doublette, Octavin, Nasard, Trompette, Clairon, Basson-hautbois, Fourniture, Cymbale
SOLO: Principal 8, Flute, Bourdon, Gambe, Kéraulophone, Flute 4, Prestant, Octave 4, Oct 2, Quintes, Tierces, Trompette
Pédale (sans tirasse)
Principal 32, Soubasse 16, Contrebasse, Flute 8, Violoncelle, Flute 4, Bombarde 32, Bombarde 16, Ophicléide 8
Deuxième combinaison
Manuels
GCh: - Octave 4, Plein jeu, Cymbale, 1re Trompette, Basson 8
POS: - Doublette, Quinte, plein jeu, larigot, trompette
REC: -Cymbale + Cornet
SOLO: -Oct 4, Oct 2, Quintes, Tierces, Trompette 8
Pédale: -anches PED + Tirasse GCh
At the 1:20 mark M. Roth and Francois D-A share a look that says, "Oh my, THIS IS SPECIAL." Dub-Attenti holds the smile a while Roch continues to "conduct" each bass line entrance, and holds his hands together in reverence for most of the performance. Oh, to have been there!
Loved the rapture from the great man when the pedal kicked in! It's fantastic to see that he still gets thrilled by this organ after so many years
I agree. I think that it is impossible to get tired of such an organ !!
Mr. Warnier has here unlocked the true meaning of the piece. I'd never heard what he has brilliantly realized!
Utterly sensational performance of an extraordinary piece that’s almost beyond imagining.
Daniel Roth seems to be the most gracious master of the organ. He always takes such delight at watching other organists ply their craft. I hope I get to meet him some day.
Three amazing individuals on one bench! I love how Pierre and Mr Roth glance over at each every so often throughout the performance. They are both clearly very moved by the power of the registration and the amazing performance of an incredible piece of music!
Mai ascoltato niente di più sublime.... grazie davvero
Toute puissance et gloire à Bach!
Seulement 42 000 vues ? On a ici un moment indescriptible de beauté, Bach sur un CC, cela peut-être magnifique, et en tout cas ce Choral est vertigineux !!
I think the 46,000 views (as of January 2020) don't tell the true story... I think that most of us (me included ;0) have saved this video in a local file so that we can play it again and again on a glorious HiFi system, without internet and without commercials ;0) :-)
@@Elhombresombra I filed this video too. This performance, the sound , all is outstanding here.
If, for Robert Schumann, "Schmücke dich" from the 18 restored everything he had ever lost:
then this very instanciation of the big Heiliger Geist Kyrie from the Clavierübung, with its nod to Dupré, and on the instrument Schweitzer rightly declared to be "IT" for the adequate performance of Bach restores all that I need in 2021 to *get through this." "Le feu sacré" spoken of by Stendhal in *The Red and the Black" delivered to my front door in the Rocky Mountains. Immortal Thanks to the very long roster of luminaries from pre-Bach to this day who produced this exceptional moment in what we call "Civilization." In the history of what Schweitzer named:
"Ehrfurcht für's Leben."
Very best regards, Mark (from Arizona)
Still watching and still the most emotional and powerful pieces ive heard .
Vincent Warnier is terrific...he brings structure and meaning to pieces other organists play perfunctorily....this PERFORMANCE is a true work of artistry.
I've decided...the most exciting 6 minutes of my life, and it replays!
Spectacular performance of this profound piece. I also loved Daniel Roth's conducting of the cantus entries!
Le chef d’œuvre d’écriture contrapuntique de Bach a 6 voix et en Organo Pleno ! Une polyphonie grandiose et une majesté divine !
L’interprétation de Vincent Warner est sublime avec un tempo modéré et la bombarde 32 !
Un morceau de musique impressionnant, joué de manière impressionnante!
Amazing organ, amazing performance !!
And this extraordinary masterpiece, so magnificent and mysterious too !!
Daniel Roth à 1:22, c'est bouleversant. Il entend "son" orgue, qu'il connaît par coeur, mais que sa beauté continue à l'émouvoir. La tête s'affaisse, les mains s'élèvent, et tout dit la plénitude. Vincent Warnier, totalement concentré, est impressionnant dans sa façon de "déclamer" cette oeuvre troublante.
Living proof that the most difficult music is not necessarily virtuosic. Bach's tribute to the Holy Ghost - the third Person of the Trinity - ranks, along with the remainder of the Clavierubung Part III, among the most sublime and profound creations in the organ literature. I can personally attest to the fact that this piece in particular is of a degree of difficulty to both learn and play that can only bedescribed as staggering.
this is glorious!!! love this channel =)
I know this piece well, and this is among the most striking performances of it I have heard. The pacing is impeccable, both in the general speed which allows this astonishing counterpoint to speak, and in the way the player bends the tempo at key moments. He understands how this piece works! Moreover, the registration changes during that intensely chromatic ending are extraordinarily effective -- a musical equivalent, perhaps, of the bow or crossing that some folk will do at the end of the Kyrie in liturgy.
Go to 5:19 and watch as all three organists instinctive lean in...........wonderfiul!
Majesté !
Roth's enthusiasm is really infectuous; this video is a great demonstration of why we love the organ.
THAT SOUND !! Who said that JS Bach is badly played on a CC organ ? This time, Bombarde 32' is pertinent, because the melody at the pedal is slow, and the CC organ is so wide here, so majestic, that you can use it. Usually, you must avoid the 32 feet stops with Bach. I think that it is what, maybe surprises a bit Daniel Roth and his pupil, or consolidates their opinion abaout it ? Another good idea : no 'tirasse' on the Pedal, playing only with its own stops.I think that the tirasses are too many times systematicly used. The rendition of this Choral is fantastic, although on a CC organ, with very few mixtures in this registration. The result is very impressive !!
Perhaps this should be called a "Triple Fugue" due to the three performers. Quite thrilling!
wunderbar es ist mit diese orgel diese musik zu spielen.
Great performance on a fantastic organ...........goose bumps 👍
Just Breathtaking
This is glorious, listen to the pedal part simply divine. I follow Warnier on his facebookpage and am admirer of his. Our national broadcaster asked on Facebook how people react when listening to Bach we were asked to comment what we did if we just sat there or do we show emotion my reply I carry on like M. Roth does you can't help it he touches our soul.
Magnifique interprétations de M.Warnier, quels orgue et que beau choral..
at 3:35, it is like the heavens rip open...
Organiste de grande sensibilité!
Je ne me lasse pas de l'écouter en boucle :)
Yikes what a treat!
Yes!
The decrescendo is most effective. Quite lovely.
Wonderful registration and interpretation!
Bravo
Quelle merveille... Bravo
Imagine if Bach himself could hear this!
Yes, he would be surprised by the depth and the power of the pedal, and even by the power of the ensemble of the organ !
ok d accord Vincent
Che brividi!!!! Non conoscevo bene questo pezzo, ma adesso giuro che lo studio e lo suono sul sample set di Caen con una registrazione simile a questa indicata!!! Wonderful! Thanks for organist and for Dub-Attenti! And Roth of course!! Ps: Why in the end, change recording to finish it mezzoforte? It's for organo pleno, from start to finish!
Hi, thank you for your comment. As for the registration change at the end, Marcel Dupré used to play this piece like this, which brings much mystery and emotion to the piece.
on entend bien la contre bombarde 32!!
oh that ''32 contra bombarde..
pecka
While this is a fantastic performance, I disagree with the change of manuals (to piano) at the end of the piece. This organ is impressive, and its loud sound should continue throughout the chorale. But Mr. Warnier appears to be a dedicated musician!
É un'occasione per ascoltare eseguita musica di Bach su un organo del 1800 forse il meno adatto a
queste composizioni perché talvolta i registri
gonfiano troppo il suono
delle singole linee melodiche del contrappunto.
Personalmente non gradisco.
Organiste remarquable, mais j'ai du mal a entendre JSB...
trop MDR ( Mort de rire ?😂
Je me trompe peut être mais je n.aime pas le son de cet orgue Ni l.eglise non plus. Elle est triste , Glaciale
Le plus beau Cavaillé-Coll avec celui de Saint-Ouen de Rouen, qui magnifie cet immense choral, dommage que vous n'appréciez pas cela. Personnellement, c'est proprement extraordinaire de vivre une vie et d'entendre une telle chose. Et ce n'est pas faute d'avoir passé toute une vie à écouter et pratiqué l'orgue et le piano.
Certes, ce n'est pas le son d'un orgue allemand, que j'adore pour pour tout le répertoire de Bach, mais ici ce Grand Choral prend encore une autre dimension avec une telle puissance et dimension sonore, le son d'un CC...
@@keplergso8369 Peut-être mentionner St Sernin... Un CC splendide. Mais il est vrai que St Ouen...
Very not good really.
M.C.Alain go on Swiss for to
play Bach or on Neederland.