Dizzy Gillespie & John Coltrane, Live at Birdland 1951 - Unknown Radio Broadcast | bernie's bootlegs
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- čas přidán 17. 09. 2017
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JOHN COLTRANE
1951 RADIO BROADCASTS
Birdland
New York, NY, USA
Sound Quality: B/B+
Side A
01 Congo Blues
02 Night in Tunisia
03 Yesterdays
04 Birk's Works
Side B
05 Good Bait
06 I Can't Get Started
07 Birk's Works (Air Check 2)
08 Jumping with Symphony Sid (Theme)
Total Time = 32:14
Typical of many jazz bootleg LPs, this one contains no dates nor any information beyond song titles
and the year of 1951 (despite having a long liner essay by one "E.S.Spoe"). After a good bit of research
(and matching some of it with my recollections from countless hours of listening to the pedantic, yet
informative Phil Schaap on Bird Flight here in New York City weekday mornings on WKCR), I have come up
with the following probable list of dates and line-ups. The venue is always Birldand.
Tracks 01, 02, 03
1951-January-6
Dizzy Gillespie Sextet
Dizzy Gillespie, trumpet
John Coltrane, tenor
Milt Jackson, vibraphone
Billy Taylor, piano
Percey Heath, bass
Art Blakey, drums
Track 05
1951-January-13
Dizzy Gillespie Sextet
Tracks 04, 06, 08
1951-February-3
Dizzy Gillespie Septet
same as above, add J.J. Johnson, trombone
Track 07
1951-March-17
Dizzy Gillespie Septet
same as above, but changes: John Lewis, piano; Carl "Kansas" Fields, drums
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a. 00:00 Congo Blues
b. 03:07 Night in Tunisia
c. 09:32 Yesterdays
d. 12:38 Birk's Works
e 17:29 Good Bait
f 21:03 I Can't Get Started
g 23:55 Birk's Works
h 29:12 Jumpin' With Symphony Sid
a-c Jan 6 '51
d,h Feb 3 '51
e Jan 13 '51
f Jan 20 '51
g Mar 17 '51
a-f,h: Diz, Trane, Milt Jackson, Billy Taylor, Percy Heath, Art Blakey
g add J. J. Johnson; substitute John Lewis for Taylor, Kansas Fields for Blakey
Coltrane's solo on Night in Tunisia is very soulful - pointing to things to come.
Wow Classic! baby Colltrane choo-choo trane! ;-)
Interesting, there's Trane with a King tenor. Trane was already doing "different" stuff than most saxmen of that day. Nice!
So perhaps Trane's SOS has a bebop source namely Dizz. But his tone is there even without that incredible execution that changed my life.
Coltrane w Diz and Hodges live are some of may favourite recordings - he was already Trane.
This represents the very best in musical archeology-discovering previously unheard(by most people)treasures. Thank you!
Awesome. These are killer and your info and research is invaluably insightful
What a true gem thank you!
I knew that Coltrane played in Dizzy's big band, but i didn't now small combo too
I knew because I accidentally stumbled over a record with these guys in a library many years ago. I am still looking for a tune with phantastic short solos by John Coltrane and Billy Taylor that is not included here. Couldn't you find it, Bernie? I think it was from a studio session.
DG always heard big bands and wanted and got that sound and impact, perhaps to the point of excess arranging/control. Coltrane and Miles were of the next generation not beholden to that tightness, verticality of rhythm expression, dancibility, and mania for detailed ensemble precision. That said, this holds up 70 years later, and gives a good sense of how the finest minds on the music scene then were operating. Both historical and good, if you can overlook Billy Taylor's fluff. Thanks for editing out the distracting announcements - a rough edit is a small price to pay.
🤔🌱💙🌸
145
My Hero John Coltrane was making his mark playing with Dizzy, who is/was a monster on trumpet!!!!!!!!
dizzy au sommet de la maitise de la trompette pas beaucoup de concurrent en plus de l improvisation!un maitre!
WOW! Early Coltrane! I can hear his future sound. What a time capsule recording thank you! The missing link
Coltrane is stone blues on this. Just after his R&B experience.
This recording is dedicated to those who actually believe that tony William's invented uptempo playing in jazz! This comes from who loves Tony's playing.
The best Dizzy Gillespie recording I have ever heard. So clear, clean and powerfull
sensational and of great historic interesr !! I love it, and finally Coltrane is already himself.
trane is already so good. pretty much past any other tenor already..., to my opinion, obviously. on tunisia he already sounds more modern than the bebop that his been laid down.original.
Even if it's off pitch or faster. This is GOLD, LOVE IT
Bud squeezes an awful lot of notes into the 8 bars of the Tunisia bridge at 7:07. It's fully Tiger Rag speed-wise, damn close to Tatum clean-technique wise, and much more interesting.
I sent this link to a friend who used to frequently make his way down to the Apollo and Birdland in the 50's from the Connecticut suburbs as a white teenager. He is prone to hyperbole, but he termed it "one of the great finds of the 20th century!"
Tx for this upload.
Bud? You mean Billy Taylor?
@@MarioMinaya The bullshyt people say!!!
Fantastic... craziness... ❤
Thank you! Amazing!
Yeah man
It's just super hit!
Really good.
great! thanks for post that :)
This is just awesome thanks!!!
Fantastico!
Thanks!
Thanks!
Wow. What a gem. As usual, Mr. Senator, very nice post.
Great stuff Bernie thanks for posting, i did like and sub.
Yeah
THANK YOU
music is forbiden by allah so get out muslim !
Dizzy's solo in I can't get started is epic - this is ballad playing that has never been surpassed - except maybe by Miles.
Coltrane playing Bop lines. It has been said that Barry Harris gave Trane theory lessons in Detroit. Both would have been very young. But I definitely hear that possibility in Trane's first solo.
👍
3:07
This is old from Tranes 1st ride we've heard this before
Pitch off by a 1/2 step. Or more. Sharp & too fast. Fixable, if someone has the skills. Horrible to hear at this speed & pitch, to me. Distorts the music.
Pretty much dead-on half a step too sharp.