CHARLIE PARKER & MILES DAVIS AT THE ROYAL ROOST, 1948 September 4, 1948 Royal Roost, New York City czcams.com/video/8PYIsrfjMBQ/video.html December 11, 1948 Royal Roost, New York City czcams.com/video/VInmvMEEb-w/video.html December 12, 1948 Royal Roost, New York City czcams.com/video/gyT2-YtASqc/video.html December 18, 1948 Royal Roost, New York City czcams.com/video/DnjUzAaj-sU/video.html MORE LIVE RECORDINGS Early March 1946 Finale Club, Los Angeles czcams.com/video/QhsjX_gHP74/video.html May 15, 1949 Salle Pleyel, Paris (All Star jam session) czcams.com/video/PIyq8OMtCFQ/video.html January 19, 1951 Hotel Diplomat Ballroom, NYC czcams.com/video/vRJdk1QYxpU/video.html May 23, 1953 Birdland, New York City (with Dizzy Gillespie) czcams.com/video/uUBuzJJAeYU/video.html THE MILES DAVIS STUDIO SESSION WITH BIRD ON TENOR Half Nelson (August 14, 1947) [2 takes] czcams.com/video/3jdQChUmMNs/video.html Little Willie Leaps (August 14, 1947 NYC) [3 takes] czcams.com/video/q02HyN-wfeg/video.html Milestones (August 14, 1947 NYC) [3 takes] czcams.com/video/kKbHFGUJbOk/video.html Sippin' At Bells (August 14, 1947 NYC) [4 takes] czcams.com/video/z3I7ASVeFwQ/video.html
Its so amazing that these guys were all geniuses they studied music and learned it inside and out. Unfortunately. rock and blues musicians are primitive compared to this.
Charlie died 65 years ago today. God Bless Him! Thank you for all the music you left behind. I wish I could have seen you and miles play together. I know you two are jamming in Jazz Heaven.
The trades between Bird and Miles starting at 8:39 are very amazing!!! They could never do that on a studio recording due to the short lengths of the record sides in those days. This live session is pure gold, all the way through!
Only thing I can say is... what a shame I was not around in NY city at that time. Miles quote: the best thing that happened in my life with my trousers on was listening Bird and Dizzy playing together! That really tells you all about this music.
My God I can just imagine little jimi hendrix putting his dad's records on in Seattle saying I'm going to do that some day to his dad Al and his dad saying sure son some day I can feel it in my bones !
"Along with Miles Davis, Lous Armstrong, Duke Ellington and John Coltrane, Charlie Parker embodies one of the most popular and innovative jazz figures of all times❤👏👏👏🎶✨️🎺🎷🎵📀"
We ALMOST got a Jimi-Gil Evans album - it was all planned, but Jimi passed away before the session could be held. The album was made anyway with guitarists John Abercrombie & Ryo Kawasaki, and issued as "The Gil Evans Orchestra Plays The Music Of Jimi Hendrix".
It was headed that way. Jimi recorded with Dave Holland and John McLaughlin, both Miles side men and I think I remember a mention in Miles' autobiography a mention of Electric Ladyland studios.
The one I really wanted to hear was a Jimi/Coltrane collaboration. If Coltrane had lived a few years longer, I think he would have gone electric. He was already doing shows with two drummers and two bassists near the end, as if he wanted the rhythm section louder and denser, and his shrieks and wails would have fit perfectly with Jimi's distortion and feedback.
@@KipTheDipWithChips no. Trane planed to teach for children, to open a club of traditionnal folk musics from the world and to study yoruba songs in nigeria to adapt african traditionnal music into freejazz. This is well documented with a lot of mentions by bob thiele, lateef, sanders and many others.
D.F. - Magical Milez, sought Charlie Bird Parker out! He wuz attending Julliard during da day & gigging wit Bird @ nite. He told his Julliard Professor, dat he wuz learning mo wit Bird Parker, than @ Julliard. Let Milez teach u. After-all, Milez wuz MILEZ AHEAD. Seek dat, which u wish 2 find, bud. BUTT, DUH stank part, iz dat once u find it, it MAY not b everything u hoped & dreamed about! Milez ended-up dtesting his mentor, bcause after-all, Bird wuz a junkie. Un4tunately, Milez traveled down dat difficult road, bhind Bird. So themz DUH funky partz of life. Put a close pin over ur nose, if it bcumz 2 FUNky. BEST WISHEZ!!!
He is the father of jazz. Before him there was swing. Before swing there was Dixieland. But this style of playing he created, and inspired everyone playing before him to do something new and different.
MILES DAVIS SO LYRICAL COPING BIRDS-BAG WITH CHOICE NOTES man these cats had to endure the problems of that time! To-be so creative and put-up with all that go threw the back B-S. THE LORD IS SO WISE YA-KNOW MUSIC IS SPIRITUAL !!!
A prophet said, he saw da future, & Kingz would b slavez, unaware of who they REALly were. Dis iz sumthin, our current nerdy technocratz, banksta gangstaz, & politrickshunz, have no clue about. They don't know whut they put out, iz gonna b waitin 4 em, when they resurface! Anywho..... Bird wuz named appropriately. Tho they named him so, bcause he LOVED fried chicken ( yardbird - he once stole a chicken, out of sumbodiez backyard, whilst touring da South. Datz where his nickname, came from. ) I think Bird wuz appropriately named, simply bcause his playing, SOARED!!!!!!!
Only thing I can lament is that Bird didn't listen to Miles and Roach when they advised him to get Bud Powell to replace Al Haig. Bird refused, probably because he reckoned Bud Powell would be too dominating a soloist himself. However the few times they played together has furnished some of the best bebop recordings ever. Al Haig is no bad pianist though.
Bud also had some mental health issues. Some attribute that to an incident of being beat by the police outside of a club, while he was high. But who knows, maybe his issues lead to him antagonizing the police? If I get around to it I'll do some research and add a new response. Do you remember the movie "Round Midnight?" It was really about Bud Powell even the main character was Dexter Gordon, who played sax.
They did do at least one recording session together. It was on the Savoy label. There were four sides, which included "Donna Lee", and "Buzzy". By the way in a bio I read, Miles said he wrote "Donna Lee", for that session, but was not given credit. There a couple of live sessions, with Bird, Dizzy, and Bud, as well. One was in 1950, and the other was the more famous, Jazz at Massey Hall, in 1953. I recently heard Quincy Jones say, he was at the Massey Hall concert.
@@yurei8 those didn't happen till much later. Due in part to police brutally assaulting him in Philadelphia. Bird was a drug addict at the time, and got untold numbers of musicians "hooked" on heroin. Miles also later on. Great player, horrible human being.
@Allen C. Not sure of what dates you are referring to, but the "Donna Lee" session was recorded, on the Savoy label May 8th, 1947. That was the only studio session, I can remember, with Bud Powell on the piano. I had forgotten that on August 19th, of that year, Miles was the leader, of what may have been his first time leading a session date, which was also on the Savoy label. Bird played tenor on that date, as he also did on a Miles session around '52, or '53. Sonny Rollins was also on the latter date, on tenor, as well. Anyway, the the first Miles date, he wrote "Little Willie Leaps", and Half Nelson", (I think named for Nelson Boyd, the bass player on the session. The first of four sides, was called, "Milestones". Most people call the song that name, that came out on Miles later album, with Cannonball, and Coltrane, in the mid 50's. But that song was in reality called, "Miles". However most of us musicians that know, when they hear the name of the song being called "MIlestones", it's the song with Cannonball and Trane. Now that i think of it, the song "Half Nelson", was covered on MIles first Columbia label release. I love Trane's solos on Half Nelson and Bye Bye Blackbird, on that. Perhaps you know all of this, but I'm just being thorough.
Poor Miles, stumbling through the changes: what an embarrassment after Bird's inspirational work! It was only later, that he realised he just couldn't play like Bird, that he adopted the lyrical approach in, for example, Miles Ahead, that he came into his own. PS: Lovely to hear the sadly underrated Al Haig, soloing beautifully as always.
...Miles hangs in there pretty good trading fours on on Big Foot - and even blazes a bit of double-time on his last one - but Bird responds by effortlessly blowing him away with a final flurry, as if to put an end to that.
Saxophones can play 3.5 times, or more, faster than trumpets because saxophones have ten buttons and the notes are all in a row. Trumpets on the other hand have three buttons and the notes are all over the place.
Miles Davis is super overrated in every way. He could barely cut it in any group he was in. He posed as some hip tough guy; that got him a lot of mileage.
I agree with you. But there is an historic context to this, also. It is my understanding that Miles and Bird were arguing, at this time. Miles was doing a lot of work, like conducting rehearsals, that Bird did not even show up at, etc. Mile quit the group. it may have even been this very night. I think this is the last recorded club session, with Miles as Bird's sideman. In a recording at the same club two weeks later Red Rodney, was on trumpet. They did recording sessions after that. Bird had Miles on a session in '51. And Miles had Bird on a couple of his sessions after that , I believe that. One session that I know of featured, Bird on tenor, as well as Sonny Rollins, maybe in '53. Anyway I can tell you have a great ear. These live recordings add an extra dimension ot the music. I love how someone says, "you were right that time" at the end of the hearty applause on Miles solo on Ornithology. Hope you get this post. Blessings!
The way these two worked together..... Holy God .... Take my soul away. Do you understand this is American music. WOW! Best of the Best. Thank God for Miles & the Bird. I don't get know what to say. To do it true adoration.... Thank you Lord Krishna.....? I don't know....
there is an story about Charlie Parker ,he got a gig and took Miles for the gig ,when they came back to the hotel after the gig, Charlie Parker gave Miles his share, Miles complained to him that there was more money for the gig, Parker refused to pay him more, Miles broke a bottle an told Parker"you S.O.B give me the rest of the money or i F....up"..thats the way Miles and Parker loved each other
Only 80,000 views amazing,, Everyone should hear real music.. The crap today they call music is a joke! I used to drive from Trenton NJ to gig Jersey Shore blasting Bird and Miles on my 8 track player back in the 70s to gig fired up to play!
Miles and bird this what real jazz sound like the birth of cool daddy,o hip and smooth,and let,s not forget my idol brother max roach on drums with real beats,m.m jazzing for life.
I suspect Miles could have played in a more typical be bop style if he wished, maybe not when he first joined Parker's band but a couple pf years later. Check out this recording (played at 340 bpm). czcams.com/video/zwXNB9kkTSg/video.html
John Lindstrom ...You're absolutely and positively correct, John! Miles was the epitome of the cool style by slowing down, which was later adapted by the jazz legends primarily in California: West Coast Jazz. Miles had already said that he had difficulties keeping up with Birks, Yard, Fat Girl, Maggie, including Brownie, Lee, and Hub just to name a few. I don't know why Miles' younger fans get so bent out of shape about this.
@@brucescott4261 Did you check the link in my comment? He plays fast on that. You say he confirmed he couldn't play fast but his autobiography suggests otherwise.
@@brianpatterson7332 I agree Miles could play faster than he usually did on record. I think he saw early on there was a need for balance in combination with Bird's mercurial double-time flights, and he explored a more lyrical style that provided that. There's also this to consider: by the late forties and early fifties, he was moving into "third stream" music with Gil Evans and attempting to incorporate classical elements into the music. Remember, he was raised in a wealthy family whose parents sent him to Julliard to study, which is how he got to New York in the first place. So he always had the technique, but he was after something more than just polytechnic showmanship.
Al Haig was a real piece of work about how he spoke about Bird later. Per Phil Woods, Haig reallllllly laid into Bird’s kid, Baird, while Haig was wasted. ‘Yeah I knew you’re old man, what a pos’ etc.
Miles has said that it was a seriously challenging situation for him, as you could imagine, coming up with solos following Charlie Parker. No time for hero worship or playing it safe, he had to dig deep and work very hard to meet such a singularly high standard. After that nothing intimidated Miles musically. The swagger he carried with him through the rest of his career was earned in sessions like these.
it really throws me, when I listen to Bird solos and then hear miles right after...miles solos are always such a disappointment, not because they are bad, but Birds solos are so next level, nothing compares.
Milez wuz young & hearing sumthin else. Still he learned how 2 git there, playing wit da Master. Check out any recordings u can find of Bird playing wit Dizzy, whom Milez replaced. U'll c...... Milez had sum shoez, which were 2 BIG 4 his small feet! Still.... Give Milez credit. He got up there & PLAYED, man! Da BEST, wuz yet 2 come, 4 Milez!
CHARLIE PARKER & MILES DAVIS AT THE ROYAL ROOST, 1948
September 4, 1948 Royal Roost, New York City czcams.com/video/8PYIsrfjMBQ/video.html
December 11, 1948 Royal Roost, New York City czcams.com/video/VInmvMEEb-w/video.html
December 12, 1948 Royal Roost, New York City czcams.com/video/gyT2-YtASqc/video.html
December 18, 1948 Royal Roost, New York City czcams.com/video/DnjUzAaj-sU/video.html
MORE LIVE RECORDINGS
Early March 1946 Finale Club, Los Angeles czcams.com/video/QhsjX_gHP74/video.html
May 15, 1949 Salle Pleyel, Paris (All Star jam session) czcams.com/video/PIyq8OMtCFQ/video.html
January 19, 1951 Hotel Diplomat Ballroom, NYC czcams.com/video/vRJdk1QYxpU/video.html
May 23, 1953 Birdland, New York City (with Dizzy Gillespie) czcams.com/video/uUBuzJJAeYU/video.html
THE MILES DAVIS STUDIO SESSION WITH BIRD ON TENOR
Half Nelson (August 14, 1947) [2 takes] czcams.com/video/3jdQChUmMNs/video.html
Little Willie Leaps (August 14, 1947 NYC) [3 takes] czcams.com/video/q02HyN-wfeg/video.html
Milestones (August 14, 1947 NYC) [3 takes] czcams.com/video/kKbHFGUJbOk/video.html
Sippin' At Bells (August 14, 1947 NYC) [4 takes] czcams.com/video/z3I7ASVeFwQ/video.html
Q
yasss!
Bird, Miles and Max were all in their 20's here..with Miles the youngest at 22.
What a pleasure to have lived through this!
Its so amazing that these guys were all geniuses they studied music and learned it inside and out. Unfortunately. rock and blues musicians are primitive compared to this.
@@MarshallAmpMan yes I agree .. bop-jazz .. lives .. from I was 15 years until now 85 ! .. I am from Sweden lives in Roslagen .. Björn is my namne !
I listened to this once when I was extremely high. It probably was one of the best experiences of my life so far.
Mine too.
Welcome to the world of groovy Bebop-- as played in the 1940s-- by the Masters and inventors of a unique American sound
Is that Art Blakely on your profile pic?
@@filipe8673 Miles Davis dude...
@@hardyblues2194 dafuk.. How did it even went over my head? Shit
I love hearing the announcer between songs, it makes it feel like I'm actually there
Agreed 💯
same
Miles Davis was musically relevant for 5 decades while he played and he still is today because of the quality of music he made.
Charlie died 65 years ago today. God Bless Him! Thank you for all the music you left behind. I wish I could have seen you and miles play together. I know you two are jamming in Jazz Heaven.
Charlie "Bird" Parker, Max Roach & a "Young Miles Davis"...This Is Jazz @ It's Finest...Period!
It will never be like this again sadly
The trades between Bird and Miles starting at 8:39 are very amazing!!! They could never do that on a studio recording due to the short lengths of the record sides in those days. This live session is pure gold, all the way through!
One of the best things on You Tube !
Only thing I can say is... what a shame I was not around in NY city at that time. Miles quote: the best thing that happened in my life with my trousers on was listening Bird and Dizzy playing together! That really tells you all about this music.
I'm in heaven with this site. Old school is still the bomb..........
Listen to The Flow of this Music !
Agree!
Literally two of my favorite jazz musicians of all time
Such beautiful music: you hear the beginning of the future with both Bird and Miles.
Thanks for sharing
This is a gem. Amazing
My God I can just imagine little jimi hendrix putting his dad's records on in Seattle saying I'm going to do that some day to his dad Al and his dad saying sure son some day I can feel it in my bones !
Two legends playing together
More than legends
Don’t get no better than this. Bird and Miles will live forever. Ornithology. And Al Haig on piano floats right along...
I argue diz and bird, nothing passes
It’s groovin high, not ornothology
@@ChromaticHarp sorry. My mistake.
Actually, “Ornithology” begins halfway into this post. One of Birds greatest solos!
Masterpiece by Midnight Indeed!
mister brown
those mystics breezin from heaven
wistelling like
a witche bewitched
indeed...
Symphony Sid intro ,perfect. God, I miss having clubs to go to. Live bop!!!
Sounds like yesterday _____ this is forever
Thanks for sharing! I m just reading Miles-The Autobiography. Good to find some old recordings of Miles
Yard blowing beautifully with Miles in pursuit! OUTSTANDING BOP! Dream Team Rythm section! Haig, Potter & Max, making wax!
I remember those days very well, I was a teenager at that time digging all that music that all I had to do was.
I remember those days very well, I was a teenager at that time digging all that music that all I had to do .
"Along with Miles Davis, Lous Armstrong, Duke Ellington and John Coltrane, Charlie Parker embodies one of the most popular and innovative jazz figures of all times❤👏👏👏🎶✨️🎺🎷🎵📀"
one of the greatest collaborations of all time. depresses me that we will never get a jimi miles album.
We ALMOST got a Jimi-Gil Evans album - it was all planned, but Jimi passed away before the session could be held. The album was made anyway with guitarists John Abercrombie & Ryo Kawasaki, and issued as "The Gil Evans Orchestra Plays The Music Of Jimi Hendrix".
It was headed that way. Jimi recorded with Dave Holland and John McLaughlin, both Miles side men and I think I remember a mention in Miles' autobiography a mention of Electric Ladyland studios.
The one I really wanted to hear was a Jimi/Coltrane collaboration. If Coltrane had lived a few years longer, I think he would have gone electric. He was already doing shows with two drummers and two bassists near the end, as if he wanted the rhythm section louder and denser, and his shrieks and wails would have fit perfectly with Jimi's distortion and feedback.
I have Jimi Miles album : -D
@@KipTheDipWithChips no. Trane planed to teach for children, to open a club of traditionnal folk musics from the world and to study yoruba songs in nigeria to adapt african traditionnal music into freejazz. This is well documented with a lot of mentions by bob thiele, lateef, sanders and many others.
Precious legacy of the truth,with No compromise.
Charlie Parker and John Coltrane
I wish I could be back in 1948.
When Jazz was Jazz and delicious to the ear! Real masters at their instruments!
Man if you found a band right now that could blow like this... I'd never let them leave the stage.
Trombone Shorty. :)
I love the I'll Remember April quote.
These cats sound like they were playing yesterday. Sound quality withstanding.
Inspiración, deleite, exploración, vanguardia: CLÁSICO.
Great!!!!!!!!!!
Fantastic archive, thank you for sharing!
Wonderful!
This is the starting point for modern era bebop jazz
I think I was there in the audience. Great jazz place.
Wow!
Sonja Coryat But your face says your 65 and was a DeadHead back in your day. You weren’t even born yet.What’s up with that?
lying hippie fantasist.
Y’all 1948 was like 70 years ago it’s very possible that she was actually in the audience
@@michaelabbo2779 yeah but also gotta calculate the age she was when she went
bird lives!!!!!!!!!
Oh... I have some bad news for you...
Bird will live forever and ever 🐦
Tremendous books of music ...I LOVE ANYTHING MILES. DOES HE SURE KNOWS MORE THAN MOST AS TO THIS DAY HE IS THE MIDAS TOUCH SO MANY- BOOKS
Thanks.
Considering how hard it is to play trumpet, Miles was just fine. I heard the fresh ideas, too. Haig on piano was tight.
It still amazes me that Miles played with Bird!
Most of Parker's best records are with Miles ('47-'48)
@@sommerwood2920 ...It was Yard's working group.
Bird and Miles were actually roommates for awhile.
D.F. - Magical Milez, sought Charlie Bird Parker out! He wuz attending Julliard during da day & gigging wit Bird @ nite. He told his Julliard Professor, dat he wuz learning mo wit Bird Parker, than @ Julliard.
Let Milez teach u. After-all, Milez wuz MILEZ AHEAD. Seek dat, which u wish 2 find, bud.
BUTT, DUH stank part, iz dat once u find it, it MAY not b everything u hoped & dreamed about! Milez ended-up dtesting his mentor, bcause after-all, Bird wuz a junkie. Un4tunately, Milez traveled down dat difficult road, bhind Bird. So themz DUH funky partz of life. Put a close pin over ur nose, if it bcumz 2 FUNky.
BEST WISHEZ!!!
@@robertkay312 Bird was "roommates" with Everyone ;)
Loving miles sound on this recording.
9:45 Ornithology
SO MUCH FIRE
Bird Lives. Antonio.... From Naples.... Italy
He is the father of jazz. Before him there was swing. Before swing there was Dixieland. But this style of playing he created, and inspired everyone playing before him to do something new and different.
That's right. It couldn't be taken away by haters.
Quando la musica era musica e i musicisti suonavano con meno tecnica,ma cazzo.... questi suoni vengono direttamente dall'anima. ... straordinario
MILES DAVIS SO LYRICAL COPING BIRDS-BAG WITH CHOICE NOTES man these cats had to endure the problems of that time! To-be so creative and put-up with all that go threw the back B-S. THE LORD IS SO WISE YA-KNOW MUSIC IS SPIRITUAL !!!
A prophet said, he saw da future, & Kingz would b slavez, unaware of who they REALly were.
Dis iz sumthin, our current nerdy technocratz, banksta gangstaz, & politrickshunz, have no clue about. They don't know whut they put out, iz gonna b waitin 4 em, when they resurface!
Anywho..... Bird wuz named appropriately. Tho they named him so, bcause he LOVED fried chicken ( yardbird - he once stole a chicken, out of sumbodiez backyard, whilst touring da South. Datz where his nickname, came from. ) I think Bird wuz appropriately named, simply bcause his playing, SOARED!!!!!!!
Only thing I can lament is that Bird didn't listen to Miles and Roach when they advised him to get Bud Powell to replace Al Haig. Bird refused, probably because he reckoned Bud Powell would be too dominating a soloist himself. However the few times they played together has furnished some of the best bebop recordings ever. Al Haig is no bad pianist though.
Bud also had some mental health issues. Some attribute that to an incident of being beat by the police outside of a club, while he was high. But who knows, maybe his issues lead to him antagonizing the police? If I get around to it I'll do some research and add a new response. Do you remember the movie "Round Midnight?" It was really about Bud Powell even the main character was Dexter Gordon, who played sax.
Read the Miles autobiography he talks about it
They did do at least one recording session together. It was on the Savoy label. There were four sides, which included "Donna Lee", and "Buzzy". By the way in a bio I read, Miles said he wrote "Donna Lee", for that session, but was not given credit. There a couple of live sessions, with Bird, Dizzy, and Bud, as well. One was in 1950, and the other was the more famous, Jazz at Massey Hall, in 1953. I recently heard Quincy Jones say, he was at the Massey Hall concert.
@@yurei8 those didn't happen till much later. Due in part to police brutally assaulting him in Philadelphia. Bird was a drug addict at the time, and got untold numbers of musicians "hooked" on heroin. Miles also later on. Great player, horrible human being.
@Allen C. Not sure of what dates you are referring to, but the "Donna Lee" session was recorded, on the Savoy label May 8th, 1947. That was the only studio session, I can remember, with Bud Powell on the piano. I had forgotten that on August 19th, of that year, Miles was the leader, of what may have been his first time leading a session date, which was also on the Savoy label. Bird played tenor on that date, as he also did on a Miles session around '52, or '53. Sonny Rollins was also on the latter date, on tenor, as well. Anyway, the the first Miles date, he wrote "Little Willie Leaps", and Half Nelson", (I think named for Nelson Boyd, the bass player on the session. The first of four sides, was called, "Milestones". Most people call the song that name, that came out on Miles later album, with Cannonball, and Coltrane, in the mid 50's. But that song was in reality called, "Miles". However most of us musicians that know, when they hear the name of the song being called "MIlestones", it's the song with Cannonball and Trane. Now that i think of it, the song "Half Nelson", was covered on MIles first Columbia label release. I love Trane's solos on Half Nelson and Bye Bye Blackbird, on that.
Perhaps you know all of this, but I'm just being thorough.
The best period of Miles!
Pretty much agree - and of Bird too
i agree!!
absolutely not
just one of Miles‘ best periods.
U are entitled to your opinion, but Miles continued to progressively grow and took it to another level.
Blown away!
Royal Roost: Chicken Supreme? Can you imagine these guys walking in and start playing up a storm!?
Tam da, Miles ile Charlie'nin enstrümanlarıyla yaptıkları atışmalı bir nefis bir sohbet gibi... Meraklısına sunulur!.
still love it!!
the finest jazz post ever get thanks for it my friend
... ¡¡¡ GRACIAS INFINITAS !!! ...
Poor Miles, stumbling through the changes: what an embarrassment after Bird's inspirational work! It was only later, that he realised he just couldn't play like Bird, that he adopted the lyrical approach in, for example, Miles Ahead, that he came into his own.
PS: Lovely to hear the sadly underrated Al Haig, soloing beautifully as always.
Least they might have tuned the piano for him.
Spot on. Miles is generally a boring player especially early, but a brilliant composer later on. I'd have loved to hear Brownie hear with these guys.
you are an idiot
As part of the Reagan administration, Al Haig was a disgrace.
Miles Davis is overrated.
My relaxing Muzik 🔥🔥🔥🔥🔥 Play Jazz in Peace Charlie Bird Parker n Miles Davis 🤲🏿🤲🏿🤲🏿⭐️⭐️🕊🕊
...Miles hangs in there pretty good trading fours on on Big Foot - and even blazes a bit of double-time on his last one - but Bird responds by effortlessly blowing him away with a final flurry, as if to put an end to that.
Saxophones can play 3.5 times, or more, faster than trumpets because saxophones have ten buttons and the notes are all in a row. Trumpets on the other hand have three buttons and the notes are all over the place.
Case in point.
Miles Davis is super overrated in every way. He could barely cut it in any group he was in. He posed as some hip tough guy; that got him a lot of mileage.
I agree with you. But there is an historic context to this, also. It is my understanding that Miles and Bird were arguing, at this time. Miles was doing a lot of work, like conducting rehearsals, that Bird did not even show up at, etc. Mile quit the group. it may have even been this very night. I think this is the last recorded club session, with Miles as Bird's sideman. In a recording at the same club two weeks later Red Rodney, was on trumpet. They did recording sessions after that. Bird had Miles on a session in '51. And Miles had Bird on a couple of his sessions after that , I believe that. One session that I know of featured, Bird on tenor, as well as Sonny Rollins, maybe in '53.
Anyway I can tell you have a great ear. These live recordings add an extra dimension ot the music. I love how someone says, "you were right that time" at the end of the hearty applause on Miles solo on Ornithology. Hope you get this post. Blessings!
Yes, all true. Yet Clifford would have not been blown away by Bird.
Got to love the stone age rhythm section
bird stratosferico...il più grande di tutti
The way these two worked together..... Holy God .... Take my soul away. Do you understand this is American music. WOW! Best of the Best. Thank God for Miles & the Bird. I don't get know what to say. To do it true adoration.... Thank you Lord Krishna.....? I don't know....
Superbe prestation ! Toutes mes Félicitations my Friends .
this is the only Jazz that doesnt bore me
Bird LIVES... since 100 years!!!
Una joya al alcance de la mano
What I wouldn’t give for some video of this performance. Not very likely (or practical) in a jazz club in the late 40’s, but wouldn’t it be nice.
It would be fantastic. Unfortunately, it's very difficult to even find still photos of Miles and Bird together.
genial!!
Baguette
miles and parker!!!
Good~~♡
baguette
Thisss is it 🙏
só feras.
When did Miles first start turning his back to the crowd?Charlie Parker doing somethings here never heard from a sax player.
there is an story about Charlie Parker ,he got a gig and took Miles for the gig ,when they came back to the hotel after the gig, Charlie Parker gave Miles his share, Miles complained to him that there was more money for the gig, Parker refused to pay him more, Miles broke a bottle an told Parker"you S.O.B give me the rest of the money or i F....up"..thats the way Miles and Parker loved each other
The Birds singing morning glory. Thx
I was 15 days old on 12/11/48! 🥰
I was 4 years old....
There must be something REALLY REALLY wrong in our world : Charlie Parker 41131 Views - Despacito - Find the name by yourself = 5.7 billion.
jazz was always a minority oursuit
no seas pes imbecil
Bird was ready to play that night.
I love you bird🖤❤
Epic
creep's picture
Long live bebop!
Long live!! viva Bird!!
Only 80,000 views amazing,, Everyone should hear real music.. The crap today they call music is a joke! I used to drive from Trenton NJ to gig Jersey Shore blasting Bird and Miles on my 8 track player back in the 70s to gig fired up to play!
i call today music DIGESTED PLASTIC
@@lo0ksik Indigestible
@@lo0ksik
Just wait til u hear 2morrowz muzak!
Fantastic o
Miles and bird this what real jazz sound like the birth of cool daddy,o hip and smooth,and let,s not forget my idol brother max roach on drums with real beats,m.m jazzing for life.
HOLY MOLEY!!
THANK YOU FOR THESE!!
Unable to keep up with Dizzy and Fats, Miles carved his own NICHE, by slowing down and leaving extra space, and, finally, spacing out.
I suspect Miles could have played in a more typical be bop style if he wished, maybe not when he first joined Parker's band but a couple pf years later. Check out this recording (played at 340 bpm). czcams.com/video/zwXNB9kkTSg/video.html
John Lindstrom ...You're absolutely and positively correct, John! Miles was the epitome of the cool style by slowing down, which was later adapted by the jazz legends primarily in California: West Coast Jazz. Miles had already said that he had difficulties keeping up with Birks, Yard, Fat Girl, Maggie, including Brownie, Lee, and Hub just to name a few. I don't know why Miles' younger fans get so bent out of shape about this.
@@brianpatterson7332 ...Miles couldn't play fast, and he confirmed it.
@@brucescott4261 Did you check the link in my comment? He plays fast on that. You say he confirmed he couldn't play fast but his autobiography suggests otherwise.
@@brianpatterson7332 I agree Miles could play faster than he usually did on record. I think he saw early on there was a need for balance in combination with Bird's mercurial double-time flights, and he explored a more lyrical style that provided that. There's also this to consider: by the late forties and early fifties, he was moving into "third stream" music with Gil Evans and attempting to incorporate classical elements into the music. Remember, he was raised in a wealthy family whose parents sent him to Julliard to study, which is how he got to New York in the first place. So he always had the technique, but he was after something more than just polytechnic showmanship.
NEW YORK, NEW YORK,
Can we talk about the metronome of a ride cymbal?!??
Al Haig was a real piece of work about how he spoke about Bird later. Per Phil Woods, Haig reallllllly laid into Bird’s kid, Baird, while Haig was wasted. ‘Yeah I knew you’re old man, what a pos’ etc.
👏🏾👏🏾
4 people can't hear
Meidän Bändi on Nimeltään Espoon tallaajat Moniäänirock CZcams.
大御所ばっかやん。いいもん聞かせてくれました、アップ有難う。
löl,;/";:_''::-::""´´/-:´^?´/"~häh?
Miles actually "sounds" young here! You can tell Bop was new to him cause he's swinging like mad! Still getting his chops.
Miles has said that it was a seriously challenging situation for him, as you could imagine, coming up with solos following Charlie Parker. No time for hero worship or playing it safe, he had to dig deep and work very hard to meet such a singularly high standard. After that nothing intimidated Miles musically. The swagger he carried with him through the rest of his career was earned in sessions like these.
Read his book, he was very inexperienced compared to the big boys
He was so young that the clothes he was wearing in the pic weren't even his. Definitely green but with a lot of potential and promise.
@@Tusc9969 ...Those were Miles' clothes!
Are there not two saxophones, or does Bird just make it sound that way?
it really throws me, when I listen to Bird solos and then hear miles right after...miles solos are always such a disappointment, not because they are bad, but Birds solos are so next level, nothing compares.
Milez wuz young & hearing sumthin else. Still he learned how 2 git there, playing wit da Master.
Check out any recordings u can find of Bird playing wit Dizzy, whom Milez replaced. U'll c...... Milez had sum shoez, which were 2 BIG 4 his small feet! Still.... Give Milez credit. He got up there & PLAYED, man! Da BEST, wuz yet 2 come, 4 Milez!
I follow parker riffs on guitar. ( be bop) is finest
Bird Lives
Meidän Bändi on nimeltään Espoon Tallaajat Moniäänirock CZcams.
C est l histoire
I was 1 year old….
Who's the one and only disliker?
an ignorant
There’s 6 now and they’re freaking IDOTS!!!!
An individual too square to be hip.
do not forget SYMPHONIC SYDNEY