Middeleeuws orgel (Binchois) / Mittelalterliche Orgel (Binchois) / Medieval organ (Binchois)

Middeleeuws orgel, bespeeld door Tomas Flegr met het stuk van Gilles Binchois "Esclave puist" uit het Buxheimer Orgelbuch 102, tijdens het presentatieconcert te Beerta op 31 maart 2010.
Mittelalterliche Orgel bespielt von Tomas Flegr mit "Esclave puist" von Gilles Binchois aus dem Buxheimer Orgelbuch 102, während des Präsentationskonzerts in Beerta am 31. März 2010.
Medieval organ played by Tomas Flegr with "Esclave puist" of Gilles Binchois from the Buxheimer Orgelbuch 102, at the inauguration concert in Beerta on the 31th of march 2010.
Calcant: Winold van der Putten
opname/Aufnahme/recording: Dennis Wubs

[@carlocorozzi]

Meraviglioso!!! Bellissimo!!!!!

[@RickfromVermont]

It looks like the organ played by the angel in the Ghent Altarpiece by the Van Eycks -- and sounds like an instrument for an angel to play! Delightful, visually as well as musically.

[@matthiasschreiter6773]

I can imagine how medieval craftmen felt when entering the church, hearing that great sounds and feeling the presence of Jesus. People who had a deep connection to nature and the wonders that God gave to them. I know, organ accompainment was after or during baroc epoce. But i like imagin such things.

[@Natasja2103]

Mooi orgel, schitterend! De klank is zo mooi!

[@portatief]

@MolnarPohdap yes, he made this fantastic organ and he he is the one who's pumping

[@rustydog1236]

Beautiful!

[@JoshuaCaudell]

There is nothing like the Medieval Organ sound from a Medieval Pipe Organ. I would love to have one of those two rank Medieval Organ ian my schools Music Department. I would love to have one of those medieval organs and play on one of those medieval organs at some point in my musician career. Thanks for posting!

[@earthlightsmusic2743]

I should like to have heard both ranks being played. An Octave adds sweetness, Superoctave adds brilliance, and a mutation adds bell-like tone.

[@bobvanderlinde]

wat een fantastische klank zeg!

[@orgelmakerij]

Thanks very much. For me its a real archeological research in sound. And I'm doimg that together with Jankees Braaksma, the musical-director of Super Librum in Groningen.

[@orgelmakerij]

I hope we will do that in a coming project, but it is allways difficult to find the financial circumstances where thing happen!!!!!!!!!!!!!!!!!

[@gerarddelpech9213]

C'est étonnant comme un instrument si petit sonne avec plénitude et pureté. Ce serait bien qu'on utilise de telles orgues dans les enregistrements de musique du XVe siècle, soit comme doublure ou pour remplacer une voix dans des messes polyphoniques par exemple.

[@MolnarPohdap]

You list Winold van der Putten as the calcant, but isn't he also the organ builder?

[@andreweden9405]

Does this instrument have more than one rank?

[@earthlightsmusic2743]

Hard to say -- that foreground row could be a second rank.

[@portatief]

Titel: Esclave puist - Gilles Binchois - Buxheimer Orgelbuch 102

[@portatief]

@cembalo75 de stemming: pythagoreisch naar Arnout van Zwolle (1440)

[@musicisitall]

dit is muzikaal gespeeld!

[@Rheinlander95]

Now add the VI-VIII Mixtuur

[@earthlightsmusic2743]

Or at least Octave.

[@goohber1]

i like how peaceful the Medieval organ sounds compared to the loud abnoxius Baroque organ.

[@earthlightsmusic2743]

I sort of prefer the brightness added by an Octave rank.

[@orgelmakerij]

Alle mensuren zijn naar Arnout van Zwolle

[@baxter5431]

I think maybe you're thinking of the "obnoxious" and mushy sounding 19th Century instruments. Baroque organs are merely the ultimate in the 2000 year development of the organ. Bach and all the rest of the Masters just might disagree with you.