Inside ILM: The Making of The Creator
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- čas přidán 17. 02. 2024
- ILM Originals and Director Chris Hawkinson bring you an inside look at the filmmakers and artists that brought “The Creator” to the big screen.
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ILM Originals gives you exclusive behind-the-scenes access to some of the the most creative minds in motion pictures, television, and beyond. - Krátké a kreslené filmy
The Tracking and Roto Painting team, are the maestros on this one, wizardly stuff
now openai's sora has come along and has made everyone believe that they can become the next great hollywood director lol. this is real art. this was made by hard working humans working their butts off day in and day out. this is what i want to see. congrats again to ILM.
Yet, if Sora would have made this, most people wouldn't even care.
At first, I was flabbergasted by Sora and its impact killing the need for video artists and VFX artists overnight but when you watch the result of the prompts, it still shows how the artists still have a place because SORA can't produce a movie with specific shots being edited together from different angles in specific lighting settings, basically the difference between a birthday party shot by your mom unedited and a party scene from The Godfather being carefully edited by an artist revieweing every single shots to build a specific sequences.
The videos that are currently generated by SORA are so devoid of any artistry showcased in this BTS whatsoever, you still need artists with a sense of vision, style and framing a narrative through image movements and editing so the beholder can feel something genuine emotions out of it that isn't just "WOW, That fake thing looks so real" for 30 seconds then just forgets about it.
Can Sora actually produce a whole narrative movie with a script, digital actors and edit it all altogether like it came from the vision of a singular director and cinematographer? That's the difference with producing a single AI frame like Midjourney for concept art stills but engineer a whole movie in prompts without a single artist supervising the result and edit it in a coherent human form? I don't think so...yet.
Those full robot replacements (like the police bots) was done without markers?! Wild! I never ever would have guessed 😳
This was a B- movie plot paired with absolutely A+ cinematography, visual effects, design, and talent. While it's not my favourite, I'm glad it exists, I'm impressed by the creativity and effort that went into it, and I am keen to see what these people do next.
B- is generous 😂
They added all those effects in post without any tracking markers, and they all looked seamless. CGI has made lightyears of progress in a very short time. When you have a clear understanding of your technology and how to use it - the sky is the limit.
They did have tracking markers. They had black dots on the side of the faces of the actors. What they said was they had minimal tracking. Ultimately this is genius work from ILM and the team.
I don't think the candid shots had any tracking data.@@ODHunte
Naturally occurring trackers in the texture of the ground, the wood of buildings etc are totally fine for use as tracking markers these days. Anything that doesn't move around in the wind. Even easily accessible software such as adobe after effects has been able to this kind of tracking for 15+ years. For tracking of the heads, a tool such as KeenTools GeoTracker would get you pretty close without markers.
@@ODHunte On some main characters, yes, but quite a lot of the "extras" were comped on without tracking markers iirc. It's very exciting for the future of VFX if this is what's possible now.
Please forward that message (and this video) to the Marvel crew 😅
Where it really shines though is the combination of shooting on/at amazing locations and the CGI being integrated into that footage so incredibly well. Most creative people assume VFX artists just push a bunch of buttons and use special software to make the output image. However, like everything there is an art to VFX. And your way one of the most creative and originalapproach VFX. Thanks for sharing your video!
This film better win the Oscar.
Quite possibly my favourite film that I watched last year. The vfx were just incredible. Outstanding work from everyone at ILM 👏👏👏
The tracking, matchmove and the roto team deserves a weeklong holiday in the Bahamas with every food they could ask for after this movie.
*This is quite possibly my favourite scifi movie of all time. Certainly I’ve learnt the most from this film out of anything I’ve watched. Bought the book, bought the movie too! Of course the BTS inspired the Heavy duty Gimbal L bracket but also Gareth and team inspired thousands of filmmakers in many ways. And of course the visual effects are simply breathtaking. Thank you team for such innovative and all encompassing work!*
Another awesome work.
ILM, as always, the best of the best!!!
👏👏
Astounding work. I became obsessed with this movie (watched 3 times on IMAX). What Garret and his team and everyone at ILM have accomplished is truly remarkable. I think it’s going to set the tone for creating a level of authenticity in service of great storytelling, something the Sci-fi genre was in desperate need of.
Amazing work. I loved the location scouting part of it and how those unscripted, organic shots were implemented in the final cut, that really added richness to the story. Amazing collaborative work between the different departments.
Y'all do incredible work. The Creator is stunning, probably my pick for VFX although I'd still love to see the Godzilla Minus One team win too.
congratulations to ILM and Gareth! this movie is beautiful, it will become a classic!
Legend Work👍
Amazing breakdowns guys.
This is amazing. Truly!
Idk if there’s anyone out there who has imagined so many stories and want to put them to life. I’m aiming to make a short film.. something sci-fi. Im not good at vfx but im good at making the story and filming. If there’s anyone who’s willing to tell their own story let’s create something together !
Insane work. Motivation🔥
Stunning film, fantastic VFX. One of the most beautiful film of the last decade! 👏
You guys are so inspiring!
That looks like so much fun to pull off!!! I really want to be put to that challenge on a project.
Amazing vfx, story and cinematography.
It's Magic as always 😃
BIG UP for my BEST Favorite Directors
Georges LUCAS, Gareth Edwards, Paul VEROVEN, John FAVREAU
Mickael BAY, Ridley SCOTT, James CAMERON, JJ-ABRAMS, Rob COHEN and much more
Love it! More pls 🎉❤🫶🙌
Ready when you are, Raoul
Hello ILM, how are you? Please tell us if you used 3ds max or not because these VFX are stunning. Thanks
WOW, niiice!!!
HELL YEAH...🤘BRING IT ON !!!
Really amazing
Woooowwww soo cool
This is too cool
Movie of the Year! so under ratted.
Bloody brilliant movie.
WOOOOOOO
🤖🤖🤖
All filmmakers should take lessons from The Creator.
ILM is the VFX Origin Creator
I'm still shocked that this was mostly filmed with FX3 cameras...
❤
Let’s goooooooooo 😍🫶🏽
🦾🦾🦾
The VFX was definitely very massively well done, for $80Mill its worth every penny... It's very unfortunate that the marketing wasn't successful as expected even though the movie has a solid plot
But would ILM do it again and for the same price?
Did they do two different shots, I mean the main object and the background? So that when the main object is cropped, the background is not affected?
Robotic camera with dolly?
So I understand that VFX in this movie werea cheaper because they filmed in locations and whitout tracking marks or mocap suits... how is this not the new standard of filming? I mean...cheaper, faster and seamless. The tech to track and replace is obviously not an issue
An excellent movie that feels very much like something Isaac Asimov and Arthur C Clarke would write if they were alive today.
Hi Andrew Roberts
The movie looked incredible hats off to everyone involved.
Shame about the story tho :(
ILM?
This was a relatively "cheap" movie, but the effects are so amazing! And puts Hollywood mega-movies to shame
CGI + LED Walls = Today's Visual Effects.
The VFX and visual universe of this film is just perfect ... Such a pitty the story is so bad.. that ending is almost unbearable ...
LOVE LOVE SCIFI 😎🍿🥤💥💥💥💥💥💥💥💥💥💥💥💥💥💥
🦾🦾🦾
we have so much to thank George Lucas for
Visually one of the greatest scifi films so far. Sadly the storyline and directing was the opposite.
4:04 OMG 'trickss'??''..come on!! You guys never reveal the secrets for tracking without markers!!
Hello KATH Farrar bluff
visually the movie is amazing, simply immense work by artists. too bad it's a bad story, gareth edwards should focus being a director instead of trying to be a writer.
My only problem with this film from a look standpoint was that it had too much grain. The movie wasn't sharp or crisp enough and that's because they filmed on the Sony fx9. The grain and lack of detail is more noticeable on the 4k disc.
Imo it made it look more believable. I really can't stand that clean digital look so many movies have these days..
I can tell you they added it in post. It wasn't from shooting on the FX9, they actually used the FX3 with a couple old Kowa anamorphic lenses. I've shot on 2 FX3's since they came out and I've never had noise issues unless I strayed way off the base ISO's when they were new to me.
They shot majority of the movie with the FX3 while the FX9 only utilized when they were shooting in The Volume
Ah ok, thanks for clarifying!@@NoshannaJJ
@@jeremy_woods in a talk for ShotDeck they mentioned shooting a lot in ISO 12800 especially because they liked the grain
This video contains very little information that we haven’t heard 1000 times before about this movie… I was hoping we’re going to go into depth of how the effects really happened. You showed before and after, but there was almost no information about how we got from .A to point B. Mediocre video at the most. Give us details details details. Otherwise what’s the point?