For more Edelstahl music check out his Soundcloud: / edelstahllive For his tracks have a look at Beatport: www.beatport.co... Edelstahl on Facebook: www.facebook.c...
guter alter techno. schöner live act... macht spass zu zusehen und zuhören.. gerne mehr davon.. gruss aus ibiza.. / (jetzt gerade dubai !) weniger ist mehr.. nur das wesentliche... gut das es noch leute gibt die dieses verstehen ! ;)
How do you transport all this to the gig? Just curious. I play out and I've gotten where I just strap everything down to a metal shelf and leave it all pre-wired. The set up was murder and I'd always forget something.
hi Matt Greer, i have cunstruct a new case, where i can leave all wires connect doepfer and arturia, so i only have to disconnect the main audio and some other connections to the dark energy
1.) layer a low end and a high end tuned kick sample of your taste, now a lot is possible, but you ll probably want to start with some decent 909 high end and a 808 low kick first, fo historys sake n such... 2.) add sub-osc, noise and/or high click of your taste to it wherever your initial concoction needs more decoration. 3.) PUT IT ON MONO, idiot!!! also your baseline, in general EVERYTHING below 150-200 Hz should stay mono 4.) now balance these volumes and eq individually till character suits your needs and put it in a kickgroup 5.) kick-group EQ - now that is important, although it might seem counterintuitive you have to CUT a lot of the sub frequencies that are not audible. although your speakers might resonate on these frequencies, they will NOT sound uniform on different equipment and will drow your mix in a mushy swamp. - lot of these frequencies will be filled by your bass sounds later, so cut away those subs up to ~100 Hz but careful and use conservative equing on the rest (first increase a notch with high q until it screams and then cut it away if you find a resonant dissonant section until you use a second general eq setting to balance bass/mid/highs). 6.) kick-group compress. now, that is taste and genre matter, in techno compression settings are more creative, but keep your overall mix in mind (use RMS setting on abletons compressor and DON´T use its Makeup settings. 7.) take your baseline, shorten the amp-envelopes, reduce release and sustain times so it keeps character but gets more pronounced. take out frequencies where the kick has it´s low end punch by eq first (100-150 hz dip down) and in general cut the inaudible low end and unneccary mid/high range 8)compress, eq your baseline 9.) now make a mix group of your baseline and kick, compress and eq again, till they are tight as feeerkkkkh ( in techno in general, cascading compression groups in the rythm section are very common. 10.) group all your already eqed, compressed and effected non-kick non-baseline groups and use a compressor over them. 11.) Activate the sidechain on your mixgroup compressor, set the compression to a rigid setting and route your now genetically mutated monstrosity of a kickdrum through all of these sidechains, fast attack, short decay, soft knee setting. set threshholds according to how strong you want your other signals to be affected, generally the lower or more attack they have, the more sidechain treatment they need. if you want reverb flanks to be affected, a sidechain needs to be used there as well or you set your main reverb individually on all your channels before the sidechain compressor that should now finish the routes of all mixgroups. 12. master stage. with compression, equing and limiting, your track should now pound like shit, the sub you cut off the kickdrum should can now be refurbished with the master-eq/compression settings if necessary open eq frequencies on your kick/bass and beware of that affecting the dynamics of all mixgroups 13. reread, and if re-reading this step by step manual doesn´t help, stop music, try painting...
Excellent set !
guter alter techno. schöner live act... macht spass zu zusehen und zuhören.. gerne mehr davon.. gruss aus ibiza.. / (jetzt gerade dubai !)
weniger ist mehr.. nur das wesentliche... gut das es noch leute gibt die dieses verstehen ! ;)
Excellent live set, enjoyed this a lot!
BIG FAT SOUNDS love EM!! GREAT MR EdelStahl.
impressive live act
I like the production a lot
all the tracks are awesome
thanks for sharing
wow nice nice nice - also the new tracks on beatport 1a
sehr geil was neues ,danke der letzte war schon der knaller :)
pure quality......just awesome.....
Finally another great set from you 🙌🏻🙌🏻🙌🏻
great work!
Jetzt muss ich meinen Senf dazugeben : GEI GEIL GEIL !!
Sauber treibend und ravetauglich !
einfach nur geil 😍😍😍
Awesome!
Amazing set man!!
What is the AKAI rack mount unit next to the DARK energy synthesizer? Never mind I figured it out, its a MFC42 analog filter module.
nice thanks
Nice chunky techno man. Love it ;)
what , only 27037 thumbs ? the people do not know what is good . of me there still 10,000 thumb
richtig gut! :)
Würde mich freuen, wenn du Mal wieder was neues bringen würdest. Das Modularsystem ist bestimmt in der Zwischenzeit größer geworden😉
hello it's Amazing live.
the kick is crazy .
what is le white box on the rigth?
Good job
great Livesound ;-)
Big BLUE THUMB !
Alban.
Just found this. GREAT techno set 🙂 *What is the roundish device between the launchpad and the modular?* A controller for ableton Live?
Damn this is FIRE!
sick man
Mega cooler live act 😆 really nice 😆
buenisimoooo
Hey man - I regularly play Darkmoon in my sets and let me tell you, it's a fucking wild song! Never fails to make a crowd lose their minds
richtig abgefahren, korrekte traxxx
How do you stand having all those empty U's in your rack? :)
Awesome set. Just what I needed for the end of my work day.
🎯
hey mein lieber was los mit dir? machst du noch musik?
geil gefällt mir. Wie schaut dein Gig Setup aus?Hast ein kleines Eurorack zum mitnehmen?
Your drums are absolutely stellar! How do you get such huge, beefy drums?
Hi, the sidechain on synth and bass, so your kick become more fat :)
Great point! I love your work, you should come out to Texas and play a couple shows :))
Did you have a old account with a video called 4am in the studio like 10 years ago?
10:35 Track id pleaaase :)
welche geraete benutzen sie compression für
39min id?
How do you transport all this to the gig? Just curious. I play out and I've gotten where I just strap everything down to a metal shelf and leave it all pre-wired. The set up was murder and I'd always forget something.
hi Matt Greer, i have cunstruct a new case, where i can leave all wires connect doepfer and arturia, so i only have to disconnect the main audio and some other connections to the dark energy
Cool. Thanks for responding.
carlooooooooooo ?ssssssss?
I really need to know how you get such an impressiv Kick Sound?
me too!
1.) layer a low end and a high end tuned kick sample of your taste, now a lot is possible, but you ll probably want to start with some decent 909 high end and a 808 low kick first, fo historys sake n such...
2.) add sub-osc, noise and/or high click of your taste to it wherever your initial concoction needs more decoration.
3.) PUT IT ON MONO, idiot!!! also your baseline, in general EVERYTHING below 150-200 Hz should stay mono
4.) now balance these volumes and eq individually till character suits your needs and put it in a kickgroup
5.) kick-group EQ - now that is important, although it might seem counterintuitive you have to CUT a lot of the sub frequencies that are not audible. although your speakers might resonate on these frequencies, they will NOT sound uniform on different equipment and will drow your mix in a mushy swamp. - lot of these frequencies will be filled by your bass sounds later, so cut away those subs up to ~100 Hz but careful and use conservative equing on the rest (first increase a notch with high q until it screams and then cut it away if you find a resonant dissonant section until you use a second general eq setting to balance bass/mid/highs).
6.) kick-group compress. now, that is taste and genre matter, in techno compression settings are more creative, but keep your overall mix in mind (use RMS setting on abletons compressor and DON´T use its Makeup settings.
7.) take your baseline, shorten the amp-envelopes, reduce release and sustain times so it keeps character but gets more pronounced. take out frequencies where the kick has it´s low end punch by eq first (100-150 hz dip down) and in general cut the inaudible low end and unneccary mid/high range
8)compress, eq your baseline
9.) now make a mix group of your baseline and kick, compress and eq again, till they are tight as feeerkkkkh ( in techno in general, cascading compression groups in the rythm section are very common.
10.) group all your already eqed, compressed and effected non-kick non-baseline groups and use a compressor over them.
11.) Activate the sidechain on your mixgroup compressor, set the compression to a rigid setting and route your now genetically mutated monstrosity of a kickdrum through all of these sidechains, fast attack, short decay, soft knee setting. set threshholds according to how strong you want your other signals to be affected, generally the lower or more attack they have, the more sidechain treatment they need. if you want reverb flanks to be affected, a sidechain needs to be used there as well or you set your main reverb individually on all your channels before the sidechain compressor that should now finish the routes of all mixgroups.
12. master stage. with compression, equing and limiting, your track should now pound like shit, the sub you cut off the kickdrum should can now be refurbished with the master-eq/compression settings if necessary open eq frequencies on your kick/bass and beware of that affecting the dynamics of all mixgroups
13. reread, and if re-reading this step by step manual doesn´t help, stop music, try painting...
@@mynameismynameis666 that's a flippin comprehensive answer if ever I saw one
95% Analogue ha ha ha ha
boa
Too much monotony of the four quarters and game.bomb and hit hat.
1 hour Same drum loop yey
it's called techno