What can a preamp do an integrated cannot?
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- čas přidán 31. 05. 2024
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Listening from Portsmouth here! Yes it is the mouth of a port (and home of the Royal Navy) and the only island city in England. Nice video!
🇬🇧 Ha ha .. 🚤 ports Mouth 👄
Is it pronounced ports - mouth? Here in the states we have cities named Portsmouth as well but we say Ports-Mith.
It's pronounced Ports-muth.
@@jeremycox4658 It's pronounced Pompey. ;)
@@jeremycox4658 Ports-muff ...by the less linguistically eloquent
Integrated amps are usually better of cause depending on the price points that are compared. You get more integrated detail, more intimate sound, more music less artifical HIFI effect because of the shorter signal path. Mono blocks with preamp, just usually gives you more power/gain/control which creates the illusion of better sound, but usually the sound is also a bit more flat, where you suddenly also begin to hear the monoblocks, preamps, cables signature on top of each other as separate parts. Huge potential of better sound, but usually it does not happen, unless it is done at a high level so things communicate very well. Most people that have integrated going to this more expensive alternate, just fall in love with the added gain and looking at something that is more cool.
That is the precise truth.
If that is true, then everyone will be rocking integrated amp. The best thing to do is move the power amp part of the integrated amp out of the same chassis. Keep everything separate is what hifi is all about.
This is the most wonderfully explained question about the difference between the two I have ever hard ! Thank you for making these wonderful videos !
It's always been received wisdom that the main advantage of a separate pre-amp is it allows the sensitive, low-level circuitry (moving coil inputs, for instance) to be physically isolated from the noise (induced hum etc) from a heavy-duty power amp. transformer. There are another couple of practical benefits too; it allows for monoblock power amps. to be placed close to the speakers with short speaker leads but long interconnects to the pre-amp which may be advantageous in some circumstances and, secondly, it allows for the upgrading of individual components easily; for instance a better pre-amp, additional power amps. or active crossovers etc.
I so enjoy learning the ins and outs of hifi in your knowledgeable and casual style which is full of relevant information and examples and no bluster. Please keep them coming.
I like separates because I can keep my amp forever and switch the preamp when new tech and formats are released. Other than that I think the room is more important than any combination of cables, separates etc.
Yes, abso-damn-lutely!
The room's impact cannot be overstated.
In addition, all too often we see these fabulous systems whereby so much performance is left untapped due to a disregard of the simplest, easily addressable, "low hanging fruit" acoustic issues.
100%, in echoing room all speakers sound very similar doesn't matter price difference.
But you can do that with a receiver. Add an amp to it to get clean power right. Then if there si new technology then you can upgrade your receiver and keep the amp.
I have 2 Monoblock-Power-Amps, a Dual-Mono-Preamp an a DAC/Streamer, all True-Balanced... Even my Loudspeakers are Seperates (Stereo Bass-Modules with 12-Inch Woofers from ScanSpeak combined with 2-Way-Speakers and an external Crossover.) All Components are Specialists. Greetz from Switzerland.
Thank you so much for this excellent explanation, Paul. I used to think that running an amp without a preamp was the way to the most pure sound, well, I WAS WRONG, and one of your earlier videos concisely spelled out why. My mistake for not listening to you in the first place. From my research and investigation, I think that the best way to go is to put 75 pct of your money for your front end gear in the PREAMP and 25 pct in the AMP for the simple reason that it's the preamp that colors the sound the way you like it. A good preamp can make all the difference in the world. Again, thanks for the video.
I completely agree with you. Decades ago I ran a cd player with a variable output straight into a power amp, and I thought that eliminating an entire component and set of cables helped maintain the "purity" of the signal. Well, a fellow I knew lent me a preamp he was selling and I couldn't believe the improvement it made! More depth, more detail, more bass, etc...
I was converted! I would never go without a preamp again.
These days my preamp is a two piece unit that weighs 60 pounds, puts out a full 8 watts at the output, and costs more than my power amp.
Wickham is the most beautiful village with a large market square, a classic british pub and great teashops. Just off the square is the Chesapeake Mill (now an antique shop) so called because it was constructed from the beams of the US ship Chesapeake (captured in the war of 1812).
Wonderful video, by the way. Everything explained so simply and clearly.
the Kinges Head is indeed a fine pub
For an audiophile, having a separate preamplifier is a must as, it gives him/her the opportunity to experiment with many different types
such as solid state or valve devices to get the sound that s/he prefers.
And even though many people would have you believe that, preamps don't have a 'voice' of their own, reality is, they do and give the whole system a different
audible result each time.
When you buy an integrated amp. you're 'stuck' with whatever preamp. circuit the designer has given you in the box. Simple as that!
Nope, you just use an aux input for your chosen input device.
Mike Eastridge I agree. That is an ignorant statement to make on a public forum.
Damn I was gonna buy the MA12000
Absolutely superb explanation but for all you non-English viewers out there we never pronounce "mouth" in a Proper Noun. "Muth" is correct - PortsMuth. Similarly "Shire" isn't pronounced like in Lord of the Rings. So Worcestershire sauce is "Wuh-Sta-shuh". Glad your audio products are so damn good Paul. Peace.
I do agree that separates is typically the way to go... I wouldn't say it is THE way to go though. If you have a great integrated, the differences, if any are so minuscule that it isn't worth spending any extra to own separates. I use a Hegel H190 and haven't heard anything that is objectively better than it... I've tested this same setup with several separates and I always go back to the Hegel. It is damn good.
Great answer, never thought about the "design" aspect, I always thought about the issue being preamp circuits next to heat sources that didn't need to be if separate.
This is the best video I've seen Paul do to explain something. Right to the point and with good authority. This all just makes perfect sence of "separates" (which I own and beleive in).
As a general rule yes, the less power supply you have to share with a given primary function in any audio system the better. Preamp, amp, dac, all using their own power supplies = better. But there are some darn good integrated amps out there that will beat out some separate amp/preamp combos. It's really a matter of research, understanding the unit you want and your given space situation, sometimes separates aren't feasible.
Wouldn't you just uprate the power supply to the integrated to get to a supply point where nothing is compromised? (I appreciate probably at the top end driving monster speakers lots of power in a confined space is never good but I'm talking for the vast majority of us who don't spend 5 or 6 figure sums on hifi)
yeah but then the headache of interconnecting cables should I buy ones worth 100$ bucks or 1000$ USD
THANK YOU for the explanation of a Power Amplifier. For decades, I have ALWAYS been confused about their purpose. Various salespeople (different manufacturers) over the years have given me non-sensible reasons ("well, that is just high-end gear set up").
BTW: I recently put together my own small Valve Amplifier (studied and then soldered together using Solar Power). I got it working and it sounded GREAT but I immediately wanted MORE of the Fantastic Sound. I came to an epiphany that one will require MUCH MORE power only after they hear better sounding HiFi!- thus the need for Power Amplifiers....Never Realized this before!
Great video, I love Paul, he has brilliant mind for hifi, patience and a heart of a teacher, the way how he breaks things down is very usefull
What an excellent explanation. Thank you Paul
This is why I love Paul. He explains things and answers questions like a regular person who just happens to know a lot about audio. So rare to find these days.
Paul, you sir are a brilliant man. Godspeed.
Honest Paul reveals audio-world hidden details. Thank you!
Separates would not only sound much better (Caveat: IF and only IF configured, matched and calibrated properly), but they would also make the whole system obsolescence-proof for much longer, as nothing great would change between the power amp and the speakers for many years (and both can last for very long), while the source, pre-amp, DAC, streamer etc. would constantly keep evolving at a much faster rate, in-sync with Moore's Law!
If the initial cost were not a concern, separates is the way to go, as it would also open the gateway to experimentation with multiple source players, and different amps - tubes, valves etc. etc. If you don't mind the numerous connectors and cables, that is! 😁
Superb explanation, Paul.
Spot on Paul. A dedicated component rig vs integrated? I’ll take my system a la carte every time, no question. Within a given budget, of course.
Another major difference about separates and integrated is that the latter only requires one 2nd mortgage, as opposed to waiting 15 years and taking out another 2nd mortgage for the second piece of gear. I raise my beer to all music lovers out there who are squeezed out of enjoying Mahler (or their favourite music) because of outrageous "diminishing returns" audio prices. May audio prices crash, along with the price of good wine. May we, who actually love music, live long enough to see fair pricing.
A very nice explanation. Thanks.
both have pros and cons. separate preamp is more flexible, you can use it with other systems. with an integrated, you can almost certainly eliminate all hum and feedback oscillation by star-grounding everything on one single ground. separate power supply is not necessary to eliminate interactions between circuits, you just need separate rectifiers and proper grounding. both can be excellent in terms of performance if properly designed and vice versa.
Well said.
Thanks for all of your helpful videos, its almost like the questions you answer are being pulled from my brain! I learned a lot about pre and power amps!
Simply to say . It is extremely difficult to compete with the other great integrated amps , like : Parasound , Macintosh , Naim , not to mentioned even Yamaha , Pioneer , ONKYO etc . " Considering diminishing returns " :-)
Another factor: it's best to have the source, especially a turntable, some distance from the speakers. Separate power amp(s) gives you the option of locating it near the speakers with short speaker cables, which is usually preferred.
This is a great comment and one I’m amazed he didn’t mention in the video. He rarely answers the questions properly in my opinion!
I love this guy, he is one of my go to guys for audio stuff. He is not trying to sell you his product. I "may" never buy his product. Would I like to, you betcha.
Curious that he would react "old school" when he mentioned CD & not have
that reaction when he mentioned "phono" which was decades ahead of CDs
I remember a time when I had a CD with numerous scratches and it would
still play perfectly even. I don,t think a vinyl would survive that well even with
some scratches, or sometimes it would even falter when you don't even see a
scratch.
The short answer is that with separates, each box gets its own dedicated power supply.
I cannot stress enough the importance of a quality power supply. It is probably the single most important part of any audio component, and really good ones are hand built and expensive.
That is why you can not only go from an integrated amp to a separate pre-amp and power-amp, but you can take the next step, and go to monoblock amps (so that each speaker gets its own dedicated amp, and that amp has its own dedicated power supply that is used for only that one speaker).
And to take it a step further, you can bi-amp your monoblocks, so that you have:
-- a single amp powering the left speaker's low frequencies, and
-- a single amp powering the left speaker's mid and high frequencies, and
-- a single amp powering the right speaker's low frequencies, and
-- a single amp powering the right speaker's mid and high frequencies.
The above, done properly, gives the bass its own power supply for each speaker, and the mids/highs their own power supply for each speaker.
In life, equipment or machinery that is well built to do one single and very specific task will usually perform that task exceedingly well.
There's zero need to bi-amp any speaker system unless either a) your amp is deficient or b) your speakers are deficient
@@joncarl3431 "There's zero need to bi-amp any speaker system unless either a) your amp is deficient or b) your speakers are deficient"
-- That means that your contention is that the best amp on the planet will reproduce voices exactly the same when that amp is also reproducing deep, dynamic bass notes?
-- That means that your contention is that that amp can do both deep, dynamic bass + voices exactly the same as the same amp doing only voices?
-- That means that your contention is that that amp's resources that are being expended on deep, dynamic bass notes has absolutely zero impact on it simultaneously reproducing voices?
-- That deep, dynamic bass taxes the amps zero? That deep, dynamic bass is done effortlessly by the amp? That deep, dynamic bass takes zero toll on the amp's resources?
Vandersteen's Model Seven speakers are bi-amped. That is their built-in design.
I suppose Vandersteen's flagship Model Seven speakers are deficient?
I suppose Vandersteen's reference Model Seven speakers, that compete with speakers triple the price, are deficient?
Perhaps you should call Richard Vandersteen and offer him your experience and your services?
559-582-0324
Jon Carl:
Have you ever listened to a high-end stereo?
Have you ever tested your assertion that "There's zero need to bi-amp any speaker system unless either a) your amp is deficient or b) your speakers are deficient"?
Please list the components of the stereo with which you did your listening tests, that you used to form your conclusion.
@@NoEgg4u I have no idea what Vandersteens are. Maybe try you appeal to authority argument on someone else?
I also have no idea what "dynamic" bass is. My subwoofer can reproduce 18hz at 130db so I guess that's "dynamic" enough for me.
My loudspeakers are DIY and compete with commercial offerings that retail for 20 times the cost of my materials in any objective test (frequency response, THD, phase, efficiency, etc)
@@joncarl3431 "I have no idea what Vandersteens are."
It shows.
And that you did not check, before replying, shows your "couldn't care less" attitude to learn.
"Maybe try you appeal to authority argument on someone else?"
In order to try something on someone else, it has to be tried on someone to begin with. That is what you tried, by implying that I appealed to authority, when I did not.
Vandersteen speakers are universally applauded. If owners, reviewers, and nearly everyone that has heard them at shows or elsewhere all praise them, then that supposed authority is the general public.
"I also have no idea what "dynamic" bass is."
It shows.
"My subwoofer can reproduce 18hz at 130db so I guess that's "dynamic" enough for me."
The frequency has zero to do with dynamics.
The decibels have zero to do with dynamics.
"My loudspeakers are DIY and compete with commercial offerings that retail for 20 times the cost of my materials in any objective test (frequency response, THD, phase, efficiency, etc)"
1)
Name the commercial offerings that cost 20 times your cost.
2)
List any of your objective tests.
3)
Explain how that has anything to do with the benefits of bi-amping.
4)
You are not the only person that preaches specifications with no mention of sound quality.
People that understand sound quality will nearly always purchase components based on how they sound; not on measurements.
But if you would rather tout measurements and not even mention sound quality, and that makes you happy, then more power to you.
All of the above evidences that you do not understand the benefits of bi-amping, which is why I took issue with you misinforming people by way of your initial reply.
My crystal ball shows me that you will refuse to answer any of the above numbered items because you can't, and the reason that you can't is because you lied.
@@NoEgg4u You expect me to give to a reply to you on your terms after making an ad hominem against me?
I'm not going to respond to your nonsense other than to tell you nobody appreciates being insulted and that appeals to authority and ad hominems are classified as logical fallacies. I only debate people that are courteous.
Very well stated! Thanks so much!
Thank you.
Seems like the actual question was more about using a stand alone pre vs the source's own volume control.
Stand alone? It's audio not computing not efi it's hifi
@@paigemiller1925 huh? Who said anything about computers?
I like these short videos, but yes I don't really think the actual question was answered.
So many new sources with unheard of capabilities appear so quickly, it's impossible to know what's next.
@@theelectricsheep8204 He NEVER answers the question just go's on a PS Audio advert speech every time but its his company and channel so let him
Linear power amplifiers produce much heat. Switch mode power amplifiers produce much RFI. Both heat and RFI can degrade preamp performance. Then, some people decide to separate them.
Cheers from Indonesia
👏👏👏 best explanation!
All things being equal, and they usually aren't, I think in modern well-designed and implemented gear it's a more efficient, and performing device putting these two things in one box. It reduces footprint, external wire, and matching issues for the consumer even when they use the same products of the same brand. Everything is isolated so well, and optimized so I can't imagine a feature lost by using the same enclosure assuming cost having little or no bearing on it. Another play for separating however may be layout. You could lay two mono-blocks out near the speakers with their heat leaving the control equipment cool as a cucumber centered for a really elegant look we often see in audiophile videos. It really depends on your budget and taste. What I was just saying is performance doesn't really suffer when integration is done right.
Good explanation
Hi Paul, im in the public addresss scene, amd i was always told pre-amps were for microphones and record players, which didnt have integrated amplifiers built into them
Public address Mixers have two different ways of hooking an input up to them, usually RCA connectors and balanced XLR connectors, and usually the RCA goss straight through the mixer to its output stage, and usually the XLR connectors run through a pre-amp to the output stage of the mixer
This im told is because a microphone and a record player provide weaker signals than say CD players, MP3 players etc
My understanding of power amplifiers are what drive your speakers after mixing
Russell from Derbyshire, UK
Please correct me if I’m wrong but it seems like it comes down to the initial setup of which way you want to go if I’m understanding your expectations correctly?
Having to downsize, meant that I have had to give up some flexibility with an integrated digital amp.
But does it actually have pre-amplification? or is it just an ADC for the external inputs?
If it is just ADC, plus volume control before final output stages. That has to be good doesn't it?
One less component to agonise over.
Amps & preamps, each generate their own opposing RF fields (LF & HF). When they’re brought close to one another, a noise floor is created; hum, hiss or I/M distortion. Isolating this is a compromise with integrated amps. The end result is resolution suffers from distortion, detail is veiled, soundstage gets displaced. Purists insist on separates, & some have separate power supplies. This all then mandates extra cabling is required, where shielding is paramount to reject RF interference, & material construction to limit signal loss. How much convenience do you demand, & how much trade-off comprise are you willing to accept? Just Keep Listening.
Wow! That looks like my Tektronix 2245A, on the bench behind Paul.
Just bought a power amp. And a preamp too. A Chinese tube pre amp to be married to a British power amp. Speakers are wharfedale floor standers. I followed your advice that I should get the best of both worlds.
Wha model of Chinese tube preamp you bought?
@@paulcarrasco4694 it's a DIY. No brand. Just bought it on a hunch and thankfully it's good. I was quite surprised that after running in it sounded better that some expensive preamps I had before.
Excellent explanation my fellow Coloradan. My question is more about preamp availability. Its getting really hard to find a reasonably priced and well-performing preamp these days. I can find reasonably priced amps and reasonably price integrateds, but good preamps under $1000 are thin on the ground. "Good" of course being a relative term, but maybe it wouldn't be too much to ask to have a 4 - 5 input preamp with good linear class A characteristics with a mono sub out and a loop back and perhaps a pass through and an active defeat switch (for passive mode) and a decent gain control with a display that shows the name of the input (not just input 1, input 2) with a remote and 12v trigger for significantly less than $1000.
I know of only one, the Parasound Zpre3 (relatively hard to get) and close runner up the Pro-ject DS2 Prebox Analog (no display) which is even harder to find. Other than that you have to ask is there a less powerful integrated with all that functionality, but has an very good preamp output stage uncolored by the rest of the electronics? Possibly the Audiolab 6000A or the IOTAVX SA3 both which seem to have well-reviewed sound as long as they aren't driving big / inefficient speakers and perhaps that indicates they have a good quality preamp. They also have phono inputs, which is nice but I can always just buy a separate and same for DAC functionality.
Maybe just do the Zpre3, add a Purifi-based megaamp and buy separate bluetooth/DAC/phono stage. Argggg....
About ready to just call it quits and buy a Cambridge CXA61 and an efficient set of bookshelves and move onto a higher end project like my Linkwitz Lxmini and 6 channel digitally crossed-over mega system.
I like my separates Pioneer hi-fi. Preamp Has 3 transformers and very good phono with wind transformers. Cool stuff and made in japan
Yes, an argument can be made that separates sound better and are "less compromised." But more importantly, if a separate breaks (or becomes obsolete) then both units don't have to be replaced preserving some of the original investment.
I like your gentle and clear descriptions..
This time I found that the distinction between integrated amp and separate power and pre amplifier was one of concept rather than concrete example.
Sure in concept it makes sense but in reality there's likely to be such a small difference in many cases that proponents of separate devices are just blowing wind in typical audiophile fashion.
It'll greatly helped your responses if you provide one or two examples to...amplify your point. Pun intended.
I have a question..
Is the distortion figures that we see on Integrated amplifiers mainly from the power amplification stage or the pre amp stage ? My thoughts is that it's likely the power amplification stage.
I've hooked up a technics su-z980(su-V98 in the states) to a technics su-vx800 so that the su-z980 is the preamp to the RCA unbalanced direct I put to the vx800 as a power amplifier.
Am I getting the .007 THD in total or will it be throttled by the worse .07 THD of the su-z980 used as a preamplifier..
I'm doing this so I get remote control of the vx800 volume... effectively.
Really good question
good answer
I’m using a hybrid tube headphone pre amplifier as well as a hybrid tube integrated headphone amplifier in my setup. Not bad at all. The integrated power amplifier doesn’t require much power as the gain from the pre amp is more than enough. Also if you try to increase the volume on the integrated amp it sounds noisy if not loud; even after significantly reducing the noise using ifi’s noiseless ac dc power supply adaptors. Using high resistance headphone / speakers would benefit well from this setup.
I have an Optonica SM4646 intergrated amp. It is dual monoblock with a third transformer (Delta Power) meaning the preamp section has it's own power supply running in class A to the power amp section running class AB. The only thing they share is the chassis otherwise they are only connected by preout main in jumper pins. Sharp did it right when they made the Optonica series.
ATC SIA2-150 integrated has a proper discrete pre amp stage with its own transformer and psu. The 2 box set up is a little better though as they run the output of the pre class A. There is not enough room to do that in the integrated. But in the most part integrated amps do not have decent pre amp sections, some just have a volume pot and that sounds poor.
separates will take up more space and weight so make sure you can accommodate those. You’ll also have to be prepared to spend a lot more on cabling, audio and power cables.
I like my Yamaha C40. It works well with separates or powered monitors.
When using a pre amp/power amp combo which amp is imparting the sound characteristics? I have an Audiolab 6000A Play that I would like to give some more ooomph to, to drive my KLH Model 5 Speakers. If I add a class D XTZ power amp, is the sound characteristic coming from the Audiolab, The XTZ or a combo of both?
There are simply alot of awesome top notch intergrated amps made from yesterday and today that are on equal grounds in quality of seperates
💚😎Thank you Paul.
Paul, you don't mention at least two of the advantages of an integrated: 1 chassis instead of 2 equals lower cost, and shorter, internal interconnects equals less chance for interference (plus less cord clutter)
Howdy.
I have a 2 x 70 W Yamaha integrated amplifier. It is really good. I guess the designers were dedicated to design an integated amp. It has all the usual inputs. It has a built-in RIAA preamp. for a vinyl player. It may be bypassed. My vinyl player also has a built-in RIAA preamp that may be bypassesd. I can't say I observe any significant difference using either one.
I use the player preamp because it is more appealing to me. My thinking is that it is good to amplify the signal as close to the source as possible. Also, I think that some effort has been given to dedicate the player preamp just for that pick-up.
I'm with you. the classic mid 70's receivers etc had ( I still think ) very fine internal parts, along with superior style. MAYBE the cost would be up 6 x in todays cost ( $1800. or so ) maybe not. Yamaha notably still imports classic silver models. Denon & Marantz sell them in Japan, sad to say not here... WHY ?
Yes, the key difference is the separate power supplies as well as being in separate shielded boxes. This isolates the preamp from current surges that take place in the power amp. I have been using separates since 1967.
First, the way Paul describes the ‘designed from the ground up as an integrated’ is contrary to what he says, certainly different from separates. Keywords: ground loops, output-input matching, interconnects.
Some thoughts:
1. Power supplies: you don’t want to have a single power supply for the power amp and the pre-amp. Ok. You also don’t want to have one PS for both channels. So you need 4. Ok. Most pres and power amps offer just one. Separates mostly rule, unless designed the 3rd way Paul described it.
2. It would be best to put pre and power in one casing, an integrated. Why: common star grounding scheme possible, also with separate power supplies. Best to prevent hum and all sorts of ground loop currents. Integrated wins.
3. Connecting two amp stages requires matching impedance and capacitance load. The interconnects interfere with this (just textbook electronics), altogether they act like filters.
So connecting both stages causes issues, and hence all the fiddling with matching equipment and interconnects. The longer the cable, the bigger the problems. What about the speakers? They’re are passive devices, not so many issues with cables, as long as they’re fat enough to transport the current. Integrated wins.
My £0.02: an integrated could be better. But integrated amps are never build to the spec separates are build. Understandable, as it would be more or less impossible to put a real beast of a power amp on the bookshelf. And they won’t be small and light, due to the heavy power supplies and heat dissipation.
So in the end you’re required to deal with separates if you really want TOTL. And deal with the matching and cabling troubles.
Or just listen to the music.
Howdy again.
There is one good reason to use separate preamlifiers and power amplifiers. That is the desire to use graphic equalizers. If possible to aquire the loudspeakers sensitivity graphs one may compensate the unlinearities of the frequency responses. Particularily bothersome are the bass element resonance and the tweeter resonance. The former causing a pealing sound and the latter annoying whines. A graphic equalizer may actually make the speakers sound one price class better.
I have a tube power amp, and what I've done instead of a preamp is put a separate tube buffer ($30 Chinese) in between my source (which is either an ipad tablet or CD player)--and the amp. I like the sound of tubes. I may get a DAC instead of the tube buffer...I just don't think a preamp will do much for me to improve the sound.
A preamp has less heat, an amp preamp set keeps heat and interference in its place. And if one breaks it can be replaced. Also I bought one one year and the other the next. Separates are the only way to go
Interesting. It makes me wonder about the PS Audio Integrated devices. Are they compromised or just separates stored in a single box?
What the are you talking about? PS Audio does not make integrated amp. He is talking about the different between a specific product vs cost, Integrated vs separate. Every product has to have a cost vs benefit other wise everything would be a cost no object item.
I clicked on this video because I wanted to know the answer and it actually answered it very thoroughly.
@@arun2995 PS Audio makes two integrated amps: the sprout and the stellar strata.
@@michaeldickman1460 my bad
What about if you only have one source, maybe a media transport, that is connected to a DAC which in turn is connected to a power amp? What would then be the point of adding a pre amp in between the DAC and the power amp? (Knowing you would not need more input sources.)
Go with the McIntosh MA9000. Best integrated and strong second hand market if you need to ever sell it. They are the airstream of this fragmented industry.
The amp psaudio makes you mentioned, do you sell it?
Thanks
Interesting. With more content streaming thru the internet, having an input selector is less of an issue. All my CD's are ripped and stored on hard drives. All my video watching comes via the internet, I use my computer as the input selector, equalizer and volume control going to my amplifier. My preamp sits in storage.
Would it keep costs down to combine them?
The OP was asking what the point of having a preamp in the first place would be instead of just plugging a source directly into a power amp. Paul got the point completely wrong and answered a different question. My own answer would be that certain sources could use a bit of gain from a good pre. A good pre will also have a decent phono stage (or not) and besides switching and volume control, might have EQ or tone controls that (heaven forbid) you might want to use to tweak the sound coming out of your speakers. Or to use as a headphone jack it’s no speakers. Also, there are many vintage monoblocks that don’t have any volume controls and need a preamp in order to control. And there are lower powered or low sensitivity monoblocks that benefit from a hotter preamp signal. It you have more than one source, you need a preamp.
The objective of asking all about these gadgets is I strongly believe to hear confirmation that connecting these makes the audio coming out of our devices better. If there nothing to gain then there is abolutely no need, just stick with the most conventional or even the cheapest.
Hello Paul, Iam Mahes from Sri Lanka and very happy with your videos! Please keep up the good work!.
My question: What if an integrated amp is designed in a Dual Mono configuration? Can it eliminate the usual cross talk? I use 2 Musical Fidelity integrated amps, A308 and A3.2 both designed Dual Mono and they sound perfect though both are as old as the hills!😊
Yes, a true dual mono design should be able to eliminate crosstalk. Absolutely.
So... if I have already have a good AV receiver, do I still need or want to connect a preamp to it? I saw some tech videos promoting this on youtube
If you’re happy with your AV receiver then no you don’t need a preamp.
If you keep switching out speakers though the issue may not be with the speakers but with your source.
All the magic is in the pre amp… 25 years ago, Cal Audio had a CD player that had a digital volume control…. My spectral amp only got great once a pre amp was added.
Yup. I listen cds , original ones bought at shop. Im old shooled
Well I listen to cds , they sound superb. You can't hear hires audio anyway total waste of time.
Me too. After years of raspberry and streaming service, I'm come back to cd player and turntable
Is anyone thinking of getting a CD player or just a transport ? I am thinking of the hegel mohican or Cyrus xt signature.
I have just inherited a vinyl collection from my uncle, all the classic albums .most are first print. They are from the 60 70 and 80 about 3000 of them. Not sure if I will get a record player though.
@room-ten-oh-nine ! Would you play mint albums like pink Floyd dsotm first pressing.
Ideal for an active speaker setup rather than a passive crossover speaker. Cleaner, no bulky amplifiers to create heat, cooler by miles than a integrated unit. Most audiophiles would prefer a preamp.
Funny, I had two old perfect quality stereo preamps stored away for future use. One could pick them up commonly for about $75, I purchased several Carver units at that price or even lower. For some reason, analog preamps had temporarily run out of favor in the mass market. Folks are idiots the world over...
Lack of a digital tier more than likely the culprit. Easily remedied.
I don’t know that Paul answered the question. I think the question was, can he directly connect the source to the amp without a pre-amp.
If you only use one source for listening, do you still need a pre-amp? It wouldn’t be as loud, but is the extra gain/volume worth the price?
here is the real question I have I own 2 nad power amps 275bee Now i have to amps that can run them .. one is nad 165bee preamp only.. and the other is nad 326bee intergraded//preamp option as well.. the 326 is much cheaper then the 165.. like 3 times cheaper yet you can use the 326 as a preamp to run power amps is there a big difference in quality of preamps in the 2?
My problem is what type of cable do I use between a pre & power amp. The integrated can have very good wire inside the box.
Here I was thinking that the single biggest advantage of a pre-amp was improved signal voltage to the power amp, from the source...?
On an integrated that's not even an issue. The biggest advantage is flexibility, being able to swap out your amp or pre, and being paranoid about breakdowns,a backup plan is more easily implemented.
Sources do not always have a volume control. Traditionally, disc players, tape players, tuners, turntables did not have volume controls, but newer source components have changed that, and in a good way. Easier interfaces and new components with ever expanding capabilities enter our reality like never before.
I have a Adcom preamp with an extra pre out labeled lab,can i connect a power subwoofer to this output since it doesn’t have a sub output build on it?
One Adcom manual manual (GFP 565) states as long as you are not using any tone controls, its a direct coupling output. (no filtering) I suppose a sub woofer would work well this way. www.manualslib.com/manual/206154/Adcom-Gfp-565.html?page=9#manual
You can get pre power amps and dac with network streamer all built-in to the speaker, and these will make huge improvement over the next couple of years. Kef ,dynaudio ,Elac and dali to name a few.
Can't really upgrade different components with all in ones though
Hello, why most of pre-amps do not have the phone stage?
There are two kind of listeners, audiophile's and purest.
Audiophile's have to have all the guagets so they can play with their toys and of course bragging rights but often not happy with their rig.
A purest will select the best of 3 components that complement each other, source, amplification and speakers.
👍 I WOULD LOVE TO BE AN AUDIOPHILE ( BY YOUR DEFINITION. )😊. BUT I AM CONTENT TO BE A PUREST 😊 (ALSO BY YOUR DEFINITION ) 😍😍😍
Add a cassette player to the receiver and you have cassiever.
But the most flexible and versatile is going separates with a separate preamp.
Can you add a pre-amp to a receiver?
As far as I know a nice (pre)amplifier enclosure cost a lot of money. I am sure that is a place to make a combined product more cost efficient.
My profession is Music production and audio engineering and I would love to own one of your power amplifiers some day, to drive my passive studio monitors. Still haven't heard a power amp that I like in the Pro Audio world, and I feel that I can find the qualities I'm looking for in the Audiophile world. My speakers are only 25 watts (Yamaha NS-10). What would you recomend?
start by getting better speakers lol
Can anyone help- I am using my Audiolab 8000a integrated amp as a pre-amp and connecting to my Audiolab 8200p’ power amp. I am wanting to move up to a dedicated pre amp but am mindful of the cost. I am considering a Audiolab 8000q if I can find one? Thanks 👍🏼
My tube power amp is 35kg and I can barely carry it so the pre amp will need to be seperate haha. I wish I could try it out with the Stellar pre amp DAC. One day!
I have an Atoll in50 , and I use the pre-out for a power amp . So my integrated serve only has the preamp . And if something apen to my power amp , well my Atoll his a good back up :)
The whole reason preamps were invented is because manufacturers ran out of room on the front of receivers to put all the knobs added to top-of-the-line receivers in the 1970's. In that day, it was becoming common to have a midrange tone control (I wish that was still true) in addition to adjustable turnover controls for both the bass and the treble, plus a "loudness" button, plus a "Record Out" selector, a speaker selector, low filter button, high filter button, phase inversion, volume muting, and several tuning meters, and tuner settings buttons/levers. Now consider that the tuning dial took up the top half of the front panel of most receivers. At some point, manufacturers just needed more room for the circuitry and more front panel real estate for buttons, knobs, and levers.
It also allows you to go active.
I thought it would be something like this, but that still leaves me with the question: What part of one particular integrated amplifier has been compromised on?...
As in, did they compromise on the pre-amp, the power-amp, or are they equally "compromised" so that they're of equivalent quality?...
Perhaps they didn't compromise much in terms of the internals and they compromised on the casing or some other part?...
This is probably something you couldn't find out unless you'd analyze each product thoroughly or asked the engineers somehow.
Sad thing for me is: I probably won't have a budget for separates for a long time to come. I'm looking at stuff like Schiit, which... yea, have some affordable options. But they will lack some features and they jump up in price significantly as you go up the products in each category. - Maybe there are better options, but I'm just saying, it will just drive up the price significantly.
I like the idea of each component being of good enough quality in its own right, but if only it would be clearer what the compromises are in the "all-in-one" type products.
I mean, for example, I have this older digital receiver from like 2001 or so, by Sony, which at the time was probably really expensive (I got it used, but finding an equivalent today ends up on some of the more expensive ones). And... it sounds good... It's powerful and it doesn't have much noise, even without any "conditioners" or whatever. It sure has hefty components in it, as lifting it is a workout in itself. - But it's chock-full of stuff, from its slew of inputs to the fact that it has a load of DSP-options, plus a tuner, prety substantial amplifications and so on. So where did they compromise?... Is the sound-quality just not all that it could be?... Does it lack dynamics?... Which it sure doesn't seem like it when it slaps me in the face with really dynamic masters.
I don't know, it's hard to really find where compromises are. Especially if you can't directly compare stuff. - So how much it matters, I don't know.
I think he was asking, if I don't need to switch inputs and I can already control the volume from the source through software, why do I need a preamp at all?
I have a a PS Audio Digital Link generation Two, bought used, but I don't know much about it.
A little confused about the preamp- I just replaced Sumo Athena by Ampzilla with Parasound C5 Halo, did I waste my money? If the preamp is only a volume control and input selector? Why are many preamps in the multiple thousands of dollars range? Seems to me you get what you pay for?