Rossini - Concerto For Bassoon And Orchestra - Sergio Azzolini
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- čas přidán 6. 07. 2024
- Concerto For Bassoon And Orchestra ("Concerto Da Esperimento" Ca. 1845):
00:00 I. Allegro
07:27 II. Largo
12:06 III. Rondo: Allegretto
Bassoon: Sergio Azzolini
Composer: Gioacchino Rossini
Conductor: Georg Egger
Orchestra: Bozen String Academy - Hudba
E INIMMAGINABILE , INCREDIBILE DI UNICA LA SUA INTERPRETAZIONE, NESSUNO NO HA MAI RAGGIUNTO LA SEMPLICITÀ E COMPLESSITÀ DI TUTTI VALORI RICHIESTI IN UN CONCERTO COSI RICCO DI NUANCE E TECNICA DIFFICILE !!!!!! BRAVISSSSSSIIIIMMOOOO !!!!
This guy plays out of this world awesome....wow
This is my tast of basson,the best player since G.Brook,s recordings more than 60 years ago. Thank You Signor Azzolini.
Regards
Brynjar Hoff
I LOVE ROSSINI AND THIS GUY PLAYING THE BASSOON IS ABSOLUTELY WONDERFUL
MAGNIFIC , IS SUPERB, WONDERFUL PERFORMANCE !!!!! UNICAL SERGIO AZZOLINI !!! I LIKE YOUR SOUND AND INTERPRETATION !!!!!!!!!!!
An excellent version! Lively and spirited, a most uplifting work. Thank you for posting.
Grandioso... resterà nella storia!
Motiff introducere 0:29 & 1:17
Tema A 1:55
Tema B 3:09
Omonima 3:28
C. S. 3:44
Motif dev 4:20
Tema 1 dev 4:46
Tema 2 dev 5:03
Rex Tema A 5:19
Rex Tema B 5:44
Omonima 6:02
Rex CS 6:27
Coda 6:40
Браво!!! Спасибо Сергею и оркестру за наслаждение прекрасной игрой.
Erg mooi!
Unico...grande genio!!!
Wonderful playing ...Thank you, lambda music, a lot for the upload ...Bassoon: Sergio Azzolini
Блин, обалденный концерт. Солист молодец, и музыкально, и проникновенно, и чувственно, и технично. Иногда звучит как саксофон, иногда как габой и др. супер!
Azzolinis Fagott klingt erstaunlich solide in den tiefsten Lagen. Zertifiziert intergalaktisch! 🌹
Bravo e superlativo Sergio🌞🌞🌞
Fantastic piece performed by inspirational Musician/Bassoonist-Sergio Azzolini. BRAVISSIMO.
SO WONDERFUL AND SO TENDER IN THE SLOW MOVEMENT.....I LOVE ROSSINI SO MUCH
La voce del bassoon/fagotto è una voce bellissima e inimitabile; se spesso viene utilizzato come basso di accompagnamento nelle orchestre, da solista ha nei fiati (con ancia) una voce morbida e cantabile come (mi si passi il paragone) il violoncello nei cordofoni. Il brano è definito concerto, termine vago che deriva da concertare (certare più cum =combattere con,o suonare con). Ha più l'aria di una sonata ABCA', oppure semplicemente ABA' se uniamo il rondeau all'allegretto. Nel secondo movimento (largo) Rossini rivela la sua vera natura di depresso, con melodia molto triste. Sergio Azzolini è formidabile per interpretazione, per tecnica e per il "certare" con l'orchestra, a sua volta di alto livello. Grazie per il bellissimo ascolto
FOR ME SERGIO AZZOLINI THE MAST OF WORLD !!!!!!!
I've heard a lot of interpretations but this one is the best by far. Every note is so well played it makes you one with the music and the bassoon is like a singing voice
Entirely agree. Operatic in the greatest sense
Dziekuję za piękny koncert na fagot Rossiniego bo dotychczas moja znajomość twórczości ograniczała się do opery Cyrulik Sewilski
Perfect ! 🙏🏻
I have written it before,this is beutyfull playd of mr.Azzolini
Brynjar Hoff
Wonderful - BRAVO!!
A sublime interpretation! Cello and Bassoon, these are my favorite instruments.
Love it so much! Thanks for the great inspiration! From a former Italian bassoonist.
Straordinario sotto tutti gli aspetti.
Quelle merveille.
What - the mature Rossini wrote a bassoon concerto?! How did I miss that? Azzolini's performance, to no one's surprise, is superb. Check out his recording of Hertel.
Well, to be fair it's slightly debatable whether Rossini wrote this alone, with others or not at all, but I'd like to believe he at least was a part of it. :-)
Azzolini himself discovered the manuscript in 1998.
Gary Allen Semiramide, from 1821, actually still sounds like this.
Anton Schüsler After listening to this, I believe it may be culled from three unfinished projects. This concerto begin and end in different keys at a time when progressive tonality in a symphony, sonata, or concerto was virtually unheard of. Compare this with the exactly contemporaneous Stabat Mater, which is consciously and deliberately anchored in G minor.
Azzolini's playing is indeed amazing. I also thank you for the great suggestion of Hertel, you've introduced me to another bassoon gem! Now you know what I will be listening to for the whole week now!
Absolutely breathtakingly wonderful!
Such mastery and resolution of technical challenges to achieve such a clear vocal through line as it were as distinct from ornamental wit and embellishment…
effortless, free, spontaneous, always surprising and passionately « operatic » in the best sense of the word …
Bravissimo maestro !
Merci de tout cœur pour nous révéler la beauté de cet instrument si riche, surprenant, à la fois romantique et theatrically tragi-comique
🙏🏼
Sehr wunderbar!!
erhebende Musik, toll gespielt!
Un fenomen unic
Fabulös
OMG that passing semitone at 11:18, so wonderfully unexpected. The slow movement is perfect.
A bit too perfect for Rossini's not-so-chromatic writing.
About Rossini and chromatic writing, check Preludio Religioso form his Mass ;)
Seventy plus and I have never heard of or even knew that Rossini wrote a Bassoon Concerto, do you think if I requested our commercial classical station to play it, it would happen. Two chances, unlikely and none😂. But seriously, this is seriously good and you can’t beat a bit of good bassoon playing to cheer me up.
I feel great breath of Rossini through Bassoon & Ochestra. I wish to know name of Ochestra as well.
It's in the description: Bozen String Academy
J'écoute ce concerto pour basson de Rossini et, sous le charme totalement, je me demande pourtant ce qui s'est passé pour ces compositeurs italiens du XIXe siècle pour que leur musique instrumentale reste aussi belle et riche alors que leurs oeuvres vocales sont devenues brutalement insipides et caricaturales...Je regarde, incrédule, le monde entier s'enthousiasmer pour tous ces opéras italiens de Rossini, Verdi, Bellini qui sont creux et grotesques (et je pèse mes mots)...Cette atmosphère semi-délirante de ténors qui s'égosillent vainement avec des attitudes de matamores porte aux nerfs...L'Italie, phare du monde en matière d'opéras depuis le seicento a soudainement fondé un style "propre à elle" qui n'évoque rien de plus qu'un succédané Mozartien, puis Wagnérien. Eux avaient vraiment porté au pinacle l'opéra...Si les germaniques ont réussi à faire leurs les styles italiens, les italiens quand à eux n'ont pas réussi cet exploit en sens inverse...Reste effectivement leurs pages orchestrales, du coup insuffisamment connues...
« Rossini, Verdi, Bellini … creux, grotesques » ?!
🤔
@@constantquestioning4010 Complètement
Wie bei Rossini´s großem Vorbild Mozart: Der Opernkomponist verrät sich immer wieder. Könnte auch eine Arie sein! Vor allem das Orchester ist -wie beim Salzburger Genius- nicht
zur Begleitung verdammt, sondern ist aktiver Teil des Ganzen. Super Interpretation. Evviva Rossini (Wenige Tage vor seinem 228sten Geburtstag am 29.2.1792!
Entirely agree. Bravo!
Einsame Klasse.
In risposta a Sheldon Bazinga....Ho anch'io notato tante assurdità nella storia della musica, considerando , però, non dimentichiamoci che non solo Mozart, ma tanti altri Grandi, pretendevano di imparare da Maestri italiani, infatti le prime opere di Mozart, sono state concepite in COLLABORAZIONE con DA PONTE e cantate in italiano! Ricordiamoci che Mozart chiamava l'Italia la madre o la patria della MUSICA. Tante opere vengono rielaborate da virtuosi. Per esempio..da il Rigoletto, Bella figlia dell'amore per piano, da Lizst,. La casta diva di Bellini per orchestra? E tante altre opere.Il fatto è, che politica, invidia, e religione, può riuscire a influenzare una maggioranza. Una domanda.... Perché Bach viene chiamato il dio della musica? Perché è protestante. Non scandalizzarti( Io leggo dio della musica ANTONIO VIVALDI) poiché ha fatto sì che Bach cambio' il suo stile procurandosi musiche di Vivaldi, che Bach stesso stimava e considerava il più grande dell'Epoca.E così un dio ha avuto aiuto da un Dio. Io da conoscitrice del periodo antiprotestante ,non ho bisogno di sostituire le musiche che conosco con altre.Pur non essendo attiva, trovo che in latino le musiche sacre, possono raggiungere il cielo! Quando ascolti quelle di Vivaldi, non senti certo il bisogno dei quattro vangeli secondo....cantati etc, etc.
Continua............Ricordati che nel secolo scorso ,chi provocò il boom dell'Opera furono gli Italiani, e il più grande tenore Enrico Caruso, il tenore del secolo, napoletano, che come tale conosceva le canzoni di Napoli, che sono un po' d'ispirazione operistica.Una gran parte di noi italiani,ama l'opera, anche se tanti non le hanno viste dal vivo.
B R A V O ! ! !
I still say that is the best basson player sinc G.Brook….
Brynjar Hoff
2023
☺😍😍
Molti non conoscono le opere di Vivaldi, e tra gli affezionati di CZcams ho letto ( Di sicuro lo stile di Vivaldi è Mozartiano, dunque copiato). Non sapendo che Mozart nacque quasi un ventennio dopo la morte di Vivaldi. Significa che qualcuno ha provveduto a portare avanti l'opera del periodo barocco. Non ci sono trucchi! Le tante verità non si potranno più nascondere
I see Rossini thinking: "Do I go like this or do I do that?"
😂👍
10:40 wow
I love this!! :D
I want to play the bassoon! Anyone know how a 23 year old girl from Norway can learn this? I already play the flute, but can't afford a bassoon :( Wish I could rent one, but not possible.
There are international renting companies that rent you a bassoon for a monthly fee. 23 years old is definitely not a problem! I have a collegue who started playing at about that age after finishing her course in flute. So you're no exception ;-) All you have to do, is find a teacher who's willing to teach you (preferably at a music academy) and find a rental instrument (I think most academies do have instruments they rent out for a yearly fee, not sure about Norway) If you really want to play the bassoon, there are always ways to start! if you need or want more info, you can always contact me privately ;-)
Lo stile è INEQUIVOCABILMENTE rossiniano, soprattutto nel primo movimento
Please don't swear! No offense, I think you have only a superficial knowledge of Rossini. I would rule out that Rossini ever wrote, or even collaborated on, this piece. I would rather say that it is the work of a mediocre musician who tries - very clumsily - to imitate Rossini.
@@InspectorJ.Clouseaulook, I'm not swearing at all! But... I have the right to speak, as I am a musician myself (I'm a classical pianist), I really don't care who you fucking are or who you think you'll turn out to be. If you listen carefully, here, in this piece, you can definitely hear ROSSINI. Listen carefully, man. Then you can comment on this thing I wrote.
Chi ha pubblicato questo delizioso lavoro di Rossini?
Ricorda alla lontana Vivaldi :-)))
Penso che è possibilie d'avere le parte a IMSLP (normalemente non devi pagare!) online
@@benlindsay6012 Grazie Ben :-)))
Was this originally a concerto for bassoon, or has it been arranged for bassoon?
12:03 mov.3
Para mim e grande fagotista eu o adimiro muito sergao
Is the bassoon pictured the instrument used in this recording by Sergio Azzolini?
no, the recording is a modern instrument
WHAT A GRIPPING PERFORMANCE
anyone having sheet notes ?
01:37
This isn't by Rossini at all, it's a likely a pastiche of his style by Nazzareno Gatti, a student at the liceo Rossini was honorary advisor to at the time. Awesome performance of the music though, whoever wrote it.
Any sources for that?
@@suchased why yes I do: www.gramophone.co.uk/review/rossini-concerto-for-bassoon-and-orchestra-variations
Plus if you can't tell from the music that is in NO WAY written by Rossini then I am not sure what to say.
@@AllatariaSuchased asked for sources, not insults.
Style Like a Mozart
forgive me but i think this is a typical rossini style
@@johnbau3571 Famous quote from Rossini on Mozart: "He roused my admiration when I was young; he caused me to despair when I reached maturity; he is now the comfort of my old age."
If this was composed in 1845, then yes it would have been heavily influenced by the classic composers he enjoyed into his old age: "Beethoven I take twice a week, Haydn four times, and Mozart every day."
Occidental79er from this side you r right， but i can tell that its rossini without listening before because it has a typical rossini style and very different from mozart
r
One thing you realise from posts like this: advertisements are so vulgar. Life at the lowest possible level where nothing matters except money. This is how our « upper » classes live and think. Yet it’s all completely unnecessary and it’s all so desperate. And the price will be paid for this Godlessness on the part of our « superiors »
The price is always paid, but still the stubbornness goes on
it is no video, we have Spotify and Soundcloud for that, what is the point of looking for 16 minutes at an image of a not that good looking bassoonist??
Azzolini
Spotify and Soundcloud don't have everything
Because we don’t have to see the music to feel it. And most important: is Azzolini
This performance is not streamed by Spotify (still).