This is one high fidelity recording... you can here everything form the open strings ringing to the fingers clacking on the fingerboard. It's like hearing yourself play.
Unbelievable musical talent on display here. The sound is glorious, warm, and natural, and the playing is divine. The venue and the resulting recorded sound are phenomenal. That familiar portion of the Gigue, repeated several times, is immaculately modern & surreal. Like Bach had some sort of 'future vision' and was able to write something so far ahead of his time it defies all logic.
Well done everyone. The young talent and of course N.B.S. once again. It will be interesting to see if anyone of the talent makes playing the cello a career. If not I hope that they continue to play and enjoy the cello as a relaxing pastime.
The interpretation of Bourree I and II are particularly good. All the performances are excellent, but the two Bourrees really stand out! The gigue is also particularly excellent. I look forward to hearing more from these young musicians in future!
Lebhafte und jugendliche Aufführung dieser perfekt komponierten Suite in verschiedenen Tempi mit mildem doch gut phrasiertem Ton jedes technisch fehlerlosen Solocellos und mit künstlerisch kontrollierter Dynamik. Die Virtuosität aller genialen Solistinnen und Solisten ist wahrlich ergreifend. Echt interessantes Projekt!
Valentijn Jeukendrup is phenomenal! His interpretation sounds like a mature professional cellist in his 40/50th. Very unusual for a 13 year young teen.
Magnifique ! Chacune, chacun à leur manière, ils offrent à Bach la preuve encore que sa musique est bien de notre temps ! Belle idée que cette vidéo. Génial ! j'adore ! Même si je confesse une préférence pour l'interprétation du prélude pour la fluidité et la précision du jeu en des phrasés amples qui n'excluent pas la fougue de la jeunesse notamment dans les fins de phrases.❤
En medio de tanta zozobra causada por las elites del Planeta entero, est@s Chic@s nos brindan esperanza de que lo realmente valioso perdurará. Soli Deo Gloria. 👏🏽👏🏽👏🏽 👏🏽👏🏽👏🏽 👏🏽👏🏽👏🏽
Unbelievable performances and musical talents. Their playing left me speechless and I think they will do the same to any cello lover. Really amazing, thank you so much 🙏💙
All this is quite wonderful to listen to, without so much bothering about who plays and when. It becomes a proof of Bach´s genious in composing great music for the cello, and also a proof that this music will survive together with these talanted young musicians.
Enormously talented musicians I have to say, after listening to this more than ten times. It seems as they already are mature pupils of Bach, ready to conquer the world with this music.
Wonderful talent--it's heartening to know that Bach's music resonates with the next generation. Thank you, NBS, for showcasing these remarkable individuals. And presenting them in such an exquisite manner--the sound quality, camera work, etc., is outstanding, in keeping with literally every other performance I've had the pleasure and privilege of watching from the NBS library. God bless you folks.
Es muy motivador escuchar música tan sublime siempre, sin embargo, cuando la toca un ángel solo cabe viajar al infinito para soñar con lo imposible. Infinitas gracias por compartir este talento tan exquisito. ¡FELICITACIONES PRECIOSIDAD! 💜❤💛💙💚🌝⚘🌞🌙🗽🌍🎁🎶
Enough young super-talent here to give most men an inferiority complex. All very impressive, especially, IMHO, the perfect performance of the Bach Cello Prelude by Valentijn Jeukendrup, and with a face the great Raphael would use for an angel. Maybe that explains, not a boy but an angel pretending!
I hope you keep this up. I appreciate your famous professional musicians who you presented regularly on this Channel. But I also think that this is an excellent idea 💡 also. To present young musicians playing Bach on your Channel means the world 🌎 😉 to me. 👏👍🤩❤💖
With period instruments and holding the cello with the the legs. Bravo. They all know how to phrase the music. What Anner Bylsma started these kids they took it even further. They use the most fitting tempi, and they let the piece talk. Personally I would prefer a more free approach with more rubatos and personal additions. Hey , we are now in the 21st century and we try to stay away from the clichee , so let us do it. We are not Ai s !. Hopefully we will never be and the individualism in performance will take new evdeavors.
Great to hear the suite with a different performer and instrument for each dance. Wonderful talent; do they spend as much time on a normal cello or are they already zeroing in on being early music musicians?
For some children, it was the first time playing on a period instrument (the Dutch Musical Instruments Foundation provided us with some instruments). See the masterclass with Lucia Swarts on our website: www.bachvereniging.nl/en/bwv/bwv-1009-ii/
Thank you so much. I had not looked at the masterclass when I asked the question, but have now watched that too. I admire their playing so much: they are playing with much more musical maturity then I did at their age. I find myself a bit wistful that I had not had such an opportunity on a baroque instrument at the same age as them. I do count myself lucky, though, for being able to borrow and play gamba for a few years, with some lessons, but when quite a bit older. I don’t think I have ever played on a baroque cello, although for many years I played on gut/wound gut, which, alongside many other benefits, can help develop tidier right hand technique.
Hahaha i love that the guy who play the bourre play not in the baroque position, (he play with the pin out) but his in is cut in the video Pin censored
Why she holds the bow like that? I know that that kind of bow hold was used centuries ago, but I wonder what are the benefits of using them and why cellist and violinists changed their grip throughout the history until they reach today's standard bow hold
All talented musicians but why the need to use old technology, which makes the instrument much more difficult to play? To get a more traditional, nasal sound? Or end up with crippling RSI like Boccherini was found to suffer from when they exhumed his body? The craze for early music performances is baffling to me when the great French luthiers like Tourte and Vuillaume created masterpieces that allowed Paganini to play his caprices. Baroque masterpieces do not need to be played on baroque instruments to sound authentic. It’s pure affectation because we can never know how the great virtuosos of Bach’s day actually sounded, and Bach and Beethoven weren’t the only composers who complained bitterly about the limitations of the instruments of their day. I went back to listen to Ma’s Bach and found his interpretation absolutely incomparable, and so many other amazing modern cellists.
0:06 Prelude
3:48 Allemande
7:10 Courante
11:03 Sarabande
14:57 Bourrée I
16:25 Bourrée II
18:36 Gigue
Gracias
YoYoMa been real quiet since this came out
This is one high fidelity recording... you can here everything form the open strings ringing to the fingers clacking on the fingerboard. It's like hearing yourself play.
@bobo sapiens Only 2 of the performers are using fine tuners and a spike.
There's not nearly enough muffled cursing to be like hearing myself play
@bobo sapiens Nobody asked. The comment you answered to was obviously talking about the quality of the audio recording.
First interpreter (Valentijn Jeukendrup) gives an astonishing performance: reminds me of Anner Bylsma. He is THAT good
I agree. The bourrees and the gigue are also quite remarkably mature interpretations.
I was impressed with her rendition too!
@@manfioviolas It's a man :D
I agree here. All of them are amazing, but the prelude stood out.
Unbelievable musical talent on display here. The sound is glorious, warm, and natural, and the playing is divine. The venue and the resulting recorded sound are phenomenal. That familiar portion of the Gigue, repeated several times, is immaculately modern & surreal. Like Bach had some sort of 'future vision' and was able to write something so far ahead of his time it defies all logic.
This was FUN! Each cellist with their own cello and individual style was completely unique which only added to the overall enjoyment of this Suite.
After listening to this I believe the future for Bach Cello Suites is saved!
Bravura! Valentijn Jeukendrup, Sofia Boisvert, Thijmen Tempelaars, Mudrė Buckutė, Arda Naci en Joshua Hassler-Forest, cello
Wonderful renditions of young musicians! How talented are they!!
Exquisitely played. Great talent. Bless our youth 's artistry.🙏❤️
Well done everyone. The young talent and of course N.B.S. once again. It will be interesting to see if anyone of the talent makes playing the cello a career. If not I hope that they continue to play and enjoy the cello as a relaxing pastime.
Talented playing, the promise of great music to come from these wonderful and dedicated youth!
The interpretation of Bourree I and II are particularly good. All the performances are excellent, but the two Bourrees really stand out! The gigue is also particularly excellent. I look forward to hearing more from these young musicians in future!
Lebhafte und jugendliche Aufführung dieser perfekt komponierten Suite in verschiedenen Tempi mit mildem doch gut phrasiertem Ton jedes technisch fehlerlosen Solocellos und mit künstlerisch kontrollierter Dynamik. Die Virtuosität aller genialen Solistinnen und Solisten ist wahrlich ergreifend. Echt interessantes Projekt!
The Sarabande is truly world class, i agree a lot with that interpretation. Very musical, thats how Bach should be played.
What a graceful piece. And the players give it justice!
Absolutely wonderful with all these talented young people playing Bach so beautifully🌷thank you
Bach siempre necesitó en mi día. ¡Muchas gracias!
We need not worry about the future of baroque cello in these hands! Well done all of you!
What a wonderful young talent.
All of them are absolutely excellent!
Fantastic, what mature performance of these young talents.😀
Valentijn Jeukendrup is phenomenal! His interpretation sounds like a mature professional cellist in his 40/50th. Very unusual for a 13 year young teen.
Magnifique ! Chacune, chacun à leur manière, ils offrent à Bach la preuve encore que sa musique est bien de notre temps ! Belle idée que cette vidéo. Génial ! j'adore ! Même si je confesse une préférence pour l'interprétation du prélude pour la fluidité et la précision du jeu en des phrasés amples qui n'excluent pas la fougue de la jeunesse notamment dans les fins de phrases.❤
Thank you from south Korea
En medio de tanta zozobra causada por las elites del Planeta entero, est@s Chic@s nos brindan esperanza de que lo realmente valioso perdurará. Soli Deo Gloria.
👏🏽👏🏽👏🏽
👏🏽👏🏽👏🏽
👏🏽👏🏽👏🏽
Amazing Future will be
Gracias por regalarnos tan hermosas y refinadas piezas de arte . El mundo necesita más música y menos guerras
Absolutely magnificent performances from all the young musicians!
Many thanks for sharing your brilliant work.
This channel is always on top of its game !
The bourees in particular I found to be played wonderfully. I'd like to hear that artist play all the suites.
Excelente interpretación y muy Bien ejecutada, una verdadera Joya musical. Gracias por Compartir.
Unbelievable performances and musical talents. Their playing left me speechless and I think they will do the same to any cello lover. Really amazing, thank you so much 🙏💙
Thijmen fantastisch!!
All this is quite wonderful to listen to, without so much bothering about who plays and when. It becomes a proof of Bach´s genious in composing great music for the cello, and also a proof that this music will survive together with these talanted young musicians.
Enormously talented musicians I have to say, after listening to this more than ten times. It seems as they already are mature pupils of Bach, ready to conquer the world with this music.
Wonderful talent--it's heartening to know that Bach's music resonates with the next generation. Thank you, NBS, for showcasing these remarkable individuals. And presenting them in such an exquisite manner--the sound quality, camera work, etc., is outstanding, in keeping with literally every other performance I've had the pleasure and privilege of watching from the NBS library. God bless you folks.
Es muy motivador escuchar música tan sublime siempre, sin embargo, cuando la toca un ángel solo cabe viajar al infinito para soñar con lo imposible. Infinitas gracias por compartir este talento tan exquisito. ¡FELICITACIONES PRECIOSIDAD!
💜❤💛💙💚🌝⚘🌞🌙🗽🌍🎁🎶
what a wonder Treasure!! Bach´s music is a Gift to humanity! / was a wunder Schatz, Bachs musik ist eine Geschenke an die Menschheit.
Excepcional!! Estoy maravillado!! Gracias por compartir❤️🏆❤️
Great young players! I was deeply impresed by the first one!
Wow - fantastic playing by all.
So beauty performance , so talent , thanks for sharing .
Brilliant! Congratulations to you all!
Beautiful, thank you from Thailand.
Wow
Enough young super-talent here to give most men an inferiority complex. All very impressive, especially, IMHO, the perfect performance of the Bach Cello Prelude by Valentijn Jeukendrup, and with a face the great Raphael would use for an angel. Maybe that explains, not a boy but an angel pretending!
Great playing!! ❤❤❤
I hope you keep this up. I appreciate your famous professional musicians who you presented regularly on this Channel. But I also think that this is an excellent idea 💡 also. To present young musicians playing Bach on your Channel means the world 🌎 😉 to me. 👏👍🤩❤💖
Lovely work once again, thanks!
Excellent, every one of them. Particularly like the Sarabande.
The prelude sounds so good
Beautifully played.
Splendid ! 💐
So wonderful 😍
Thank you for sharing 💕💜
they are so cool
Well done to everyone, including the sound people.
humans are redeemed and are allowed 1 more year of life by this magnificence. God.
Maravilloso preludio,felicitaciones para ella y todos los participantes.BELLAS INTERPETACIONES🌿🍃🎋
Excellente interprétation!
Bravo!
I was deeply impressed by these young talents! Thank you for sharing!❤
Absolutely beautiful playing of Bach’s wonderful music! Thanks for posting! 🌸🍀🌹🦋🥰🎈🎻🎶😀👍
Slay third guy!!✨🧚🏼
I always thought the Prelude to the 3rd was the most fun to play.
Wonderful. ❤️
They are so good,
I love the Prelude much
very nice performance!
Bach would have...how do a put this....a scheiße fressendes lächeln on his face. Love this intensely.
Wonderful!!!
Beautiful performance, I love the cello suites!
admirable
Bravo !🌷👍
Amazing!
La relève est là :)
I was deeply moved by the initial legato of the Allemande, but I don't know why
That "not knowing why" is an effect of transcendent music (or literature, for that matter), isn't it? I've experienced it, too.
With period instruments and holding the cello with the the legs. Bravo. They all know how to phrase the music. What Anner Bylsma started these kids they took it even further. They use the most fitting tempi, and they let the piece talk. Personally I would prefer a more free approach with more rubatos and personal additions. Hey , we are now in the 21st century and we try to stay away from the clichee , so let us do it. We are not Ai s !. Hopefully we will never be and the individualism in performance will take new evdeavors.
They're really good. (This video uses A440 tuning unlike other videos btw)
Intoxicating performances, with a little help from Bach.
Great Burree!!!
Vi Adoro ❤
Great to hear the suite with a different performer and instrument for each dance. Wonderful talent; do they spend as much time on a normal cello or are they already zeroing in on being early music musicians?
For some children, it was the first time playing on a period instrument (the Dutch Musical Instruments Foundation provided us with some instruments). See the masterclass with Lucia Swarts on our website: www.bachvereniging.nl/en/bwv/bwv-1009-ii/
Thank you so much. I had not looked at the masterclass when I asked the question, but have now watched that too. I admire their playing so much: they are playing with much more musical maturity then I did at their age. I find myself a bit wistful that I had not had such an opportunity on a baroque instrument at the same age as them. I do count myself lucky, though, for being able to borrow and play gamba for a few years, with some lessons, but when quite a bit older. I don’t think I have ever played on a baroque cello, although for many years I played on gut/wound gut, which, alongside many other benefits, can help develop tidier right hand technique.
Talents.
Wow! This is hard stuff
Please tell us what mics and mic setups you used for this recording.
Superrrrmegaaayeaaa !!!!
Can anyone tell me what bow is the first girl using? Looks like a double bass bow. And why's she holding it so high
It is a baroque bow, and they are held higher than a modern bow. In this video we explain a bit more: czcams.com/video/MEOgzUkD-IY/video.html
I feel embarrassed asking this since I’ve been playing cello for 7 years now… but WHAT IS THE FIRST CELLISTS BOW HOLD BRO 😭
🎶🥰🎵
Sometimes you just have to accept that there is some 9 year old out there that is better than you.
I dont care
No, you don't have to accept it. Go practice.
Estem salvats!
It would sound even better with gut strings
Hahaha i love that the guy who play the bourre play not in the baroque position, (he play with the pin out) but his in is cut in the video
Pin censored
🎃🎃🎃👍
On doit jouer le cello baroque sans pique ? Cette personne ne serait pas informée ?
For this project not all young cellists chose to perform on a baroque cello
Why she holds the bow like that? I know that that kind of bow hold was used centuries ago, but I wonder what are the benefits of using them and why cellist and violinists changed their grip throughout the history until they reach today's standard bow hold
유튜브의 순기능
「young」の概念壊れるわwww
Courante e Bourrée I e II forse un po' troppa foga nei passaggi... ma ok!
All talented musicians but why the need to use old technology, which makes the instrument much more difficult to play? To get a more traditional, nasal sound? Or end up with crippling RSI like Boccherini was found to suffer from when they exhumed his body? The craze for early music performances is baffling to me when the great French luthiers like Tourte and Vuillaume created masterpieces that allowed Paganini to play his caprices. Baroque masterpieces do not need to be played on baroque instruments to sound authentic. It’s pure affectation because we can never know how the great virtuosos of Bach’s day actually sounded, and Bach and Beethoven weren’t the only composers who complained bitterly about the limitations of the instruments of their day. I went back to listen to Ma’s Bach and found his interpretation absolutely incomparable, and so many other amazing modern cellists.
얘가 한동훈 술자리 폭로 첼리스트여? 인생그렇게살지마쇼잉