Update 0.5: - SEQ1 and SEQ2 spit out notes for external synths & devices. Or use it to record some sequences to a note clip. - Additional Note Grid Preset (download below) with only one sequencer, when you don't need the whole synth and just want to generate sequences. Update 0.4: - EG1 and EG2 behave more like real voltage-controlled EGs. The "trig mix" knob now scales the triggers from each sequencer. Update 0.3: - Added new sequencers with the corrupt system. 0-50% changes the pitches, 50-100% changes the triggers. Update 0.2: - Can be triggered with a key now (so you can play it like a synth). - Added a quantizer for each sequencer (to keep stuff in tune, use SEQ1 AMT 100% because it's post-quantizer and use SEQ1 Range for the pitch range). - only plays when transport plays
Polygrid Modules classifications: Bipolar: Signal goes negative and positive. Unipolar: Signal goes only positive. Polarity: "I'm not AI, trust me, bro! Let's make some DSP sorcery!"
...ha...30 minutes ago, i watched loopops review and thought, must ask if U might wanna recreate the moog labyrinth in a grid patch....and there U are...!....great job...!...and big THANX....
This is slick. I always learn a lot from these recreations. I'd love love if Bitwig created some kind of UI composer or API for the grid so these kinds of patches could have a UI panel to make them easier to use.
No, different DAW have strengths and weaknesses. logic is better for tracking. Renoise has strengths for things that best Ableton and Logic. Don’t fall in love with things in a way that makes you blind
@@quantum_ocean is 100% right. Bitwig is awesome. The modulation is so strong. But it has drawbacks too. I switched to Cubase last year, and won't be going back to Bitwig as a primary daw anytime soon.
Thanks for the "only plays when transport plays." I'm so fantastically and eternally out of my depth with respect to everything you do in Bitwig, but I sure do appreciate your skill and talent.
I think, the „corrupt“ knob is the knob, where the fun really begins, because it’s controlling the Turing machine AND the bit flips as well. But nevertheless it’s a crazy patch, well done , especially in this short amount of time. Ah… and the quantizer is missing, but that shouldn’t be a big deal…
yea it would make the patch way more complex and cpu consuming and all you get is "random" flips and pitches. so i made a trade off there. Maybe I implement it in an update :)
@@PolarityMusic Yes , I think, it’s okay, especially when you use the Andrew Huang approach to it and record everything. Then you can play around and choose later, what to use and what to throw away. For playing live it could be a deal breaker though…
Whaaat!? Geiler typ. Du hast das Ding schneller gebaut als ich mir das Loopop Video anschauen kann. Und den corrupt(den ich sehr sinnvoll finde-mutiert er dann bei dir auch alle paar Zyklen wie beim Moog?) schneller nachgereicht als ich MOOG buchstabieren kann…! Danke Auf den Novation LCXL mappen und 700€ gespart😉
Mr Polarity, can you answer a question about the grid? The docs say that each wire carries a stereo signal. But does each wire also carry independent signals for every note in polyphonic mode? For example, the gate signal must tell an ADSR when each note is pressed/released independently. But when I connect gate to oscilloscope, it only has a single graph and it behaves weirdly when you release only one of the pressed notes. Can you explain this?
no the signal are always stereo. In poly mode, the "whole grid" patch is duplicated (virtually) for each individual note and runs as long the voice is active. maybe this gives you some more info: czcams.com/video/2Sa9-y3g6zI/video.html
@@PolarityMusic ah, so poly mode is implemented the same way as voice stacks. Of course, that makes sense, no need have two different implementations for those things. Thanks!
Very off-topic guys, and I’m sorry, but I can’t download Bitwig Beta 11. I keep getting an error message ‘package failed updates, dependency, or conflict validation’ error. Can anyone help, please.
Gibt es ne möglichkeit ihn nicht nur ablaufen zu lassen sondern das er auf key eingaben reagiert? Also wie ein synth mit keyboard? Er reagiert zwar auf eingaben aber das betrifft nur die tonhöhe.
Dude! That's amazing, you're a bitwig jedi! I follow all your vids as you probably know but the grid still confuses the fuck out of me. I'm just not logically minded in that way I guess. So yeah. JEDI.
Update 0.5:
- SEQ1 and SEQ2 spit out notes for external synths & devices. Or use it to record some sequences to a note clip.
- Additional Note Grid Preset (download below) with only one sequencer, when you don't need the whole synth and just want to generate sequences.
Update 0.4:
- EG1 and EG2 behave more like real voltage-controlled EGs. The "trig mix" knob now scales the triggers from each sequencer.
Update 0.3:
- Added new sequencers with the corrupt system. 0-50% changes the pitches, 50-100% changes the triggers.
Update 0.2:
- Can be triggered with a key now (so you can play it like a synth).
- Added a quantizer for each sequencer (to keep stuff in tune, use SEQ1 AMT 100% because it's post-quantizer and use SEQ1 Range for the pitch range).
- only plays when transport plays
This is most likely a stupid question, but why does this preset have 2 BitWig Presets?
you mean the additional note grid preset? because some people only wanted to use the sequencer (without the synth)
Most predictable post on the internet today. Nice work 😂❤️🚀💫
I was wondering if Polarity would release a video of this synth in the grid too 😂😂😂
Polarity is like a feature in Bitwig Studio.
He's clippy, except actually useful, and not trying to get in the way
Polygrid Modules classifications:
Bipolar: Signal goes negative and positive.
Unipolar: Signal goes only positive.
Polarity: "I'm not AI, trust me, bro! Let's make some DSP sorcery!"
😅😂
thank you for saving me $599 mr polarity, my family can eat for another month!
😂
This is amazing. Thank you for your incredible work ♥️
...ha...30 minutes ago, i watched loopops review and thought, must ask if U might wanna recreate the moog labyrinth in a grid patch....and there U are...!....great job...!...and big THANX....
You truly are the Bitwig G.O.A.T 🔥🔥🎶🎵
Polarity is the god of bitwig
This is slick. I always learn a lot from these recreations. I'd love love if Bitwig created some kind of UI composer or API for the grid so these kinds of patches could have a UI panel to make them easier to use.
This is insane. Anyone arguing which DAW is better isn't considering the full picture. Bitwig is a Modular DAW and nothing comes close to it.
No, different DAW have strengths and weaknesses. logic is better for tracking. Renoise has strengths for things that best Ableton and Logic. Don’t fall in love with things in a way that makes you blind
@@quantum_ocean is 100% right. Bitwig is awesome. The modulation is so strong. But it has drawbacks too. I switched to Cubase last year, and won't be going back to Bitwig as a primary daw anytime soon.
Thanks for the "only plays when transport plays." I'm so fantastically and eternally out of my depth with respect to everything you do in Bitwig, but I sure do appreciate your skill and talent.
what an effort man!! Thanks!
Thanks, well done! 😊
Fast work!
And reminded me it's been a while since I played around in the Grid, thanks!
What!? You rock!!!
Effing legendary!
you are the man
King
Wow miracle
👏 👏👏
I think, the „corrupt“ knob is the knob, where the fun really begins, because it’s controlling the Turing machine AND the bit flips as well. But nevertheless it’s a crazy patch, well done , especially in this short amount of time. Ah… and the quantizer is missing, but that shouldn’t be a big deal…
yea it would make the patch way more complex and cpu consuming and all you get is "random" flips and pitches. so i made a trade off there. Maybe I implement it in an update :)
@@PolarityMusic Yes , I think, it’s okay, especially when you use the Andrew Huang approach to it and record everything. Then you can play around and choose later, what to use and what to throw away. For playing live it could be a deal breaker though…
added the corrupt system in an update, just download again.
@@PolarityMusic ❤... CRAZY!
I think it would be cool to give the modulating oscillator it's own sequencer. I haven't upgraded to 5.2 yet but I'll try it when I do.
We got Labyrinth in Bitwig before gta 6
So awesome. I am on 5.1 so can't download but will copy a lot of the approach.
Might have to add some macro knobs to imitate a more standard plugin UI. I guess Bitwig doesn't allow for real UI design yet.
I was wondering how to implement the order switching - I think I'd just use two wave folders to avoid the need for a delay.
Whaaat!?
Geiler typ.
Du hast das Ding schneller gebaut als ich mir das Loopop Video anschauen kann.
Und den corrupt(den ich sehr sinnvoll finde-mutiert er dann bei dir auch alle paar Zyklen wie beim Moog?) schneller nachgereicht als ich MOOG buchstabieren kann…!
Danke
Auf den Novation LCXL mappen und 700€ gespart😉
yeah but it has the word Moog on the hardware and that makes them part of a special elite club of Starbucks baristas that own Moog products
Mr Polarity, can you answer a question about the grid?
The docs say that each wire carries a stereo signal. But does each wire also carry independent signals for every note in polyphonic mode? For example, the gate signal must tell an ADSR when each note is pressed/released independently. But when I connect gate to oscilloscope, it only has a single graph and it behaves weirdly when you release only one of the pressed notes. Can you explain this?
no the signal are always stereo. In poly mode, the "whole grid" patch is duplicated (virtually) for each individual note and runs as long the voice is active. maybe this gives you some more info: czcams.com/video/2Sa9-y3g6zI/video.html
@@PolarityMusic ah, so poly mode is implemented the same way as voice stacks. Of course, that makes sense, no need have two different implementations for those things. Thanks!
How do you change the attack for more atmospheric stuff
turn up the attack time on EG1 + EG2 bottom right
very expected video 🤔
i want a polarity ai in my daw, to ask things :D
V nice but the synth is SO quiet in this.
Very off-topic guys, and I’m sorry, but I can’t download Bitwig Beta 11. I keep getting an error message ‘package failed updates, dependency, or conflict validation’ error. Can anyone help, please.
Gibt es ne möglichkeit ihn nicht nur ablaufen zu lassen sondern das er auf key eingaben reagiert? Also wie ein synth mit keyboard? Er reagiert zwar auf eingaben aber das betrifft nur die tonhöhe.
ah gute idee. ja kann ich noch machen
@@PolarityMusic Das wäre sehr nice. 😁
habs eingebaut, einfach noch mal auf den link klicken.
@@PolarityMusic Vielen lieben dank. 💯♥️
@@PolarityMusic Mit welchen Vorzeichen kann ich ein Instrument durch den synth routen? Ihn als effekt nutzen.
Can you make a subharmonicon
sure 💪
Dude! That's amazing, you're a bitwig jedi!
I follow all your vids as you probably know but the grid still confuses the fuck out of me. I'm just not logically minded in that way I guess.
So yeah. JEDI.
how do i open this in 5.1.9? You're unreal btw :)
sorry only in 5.2b10 :(
But …analog