American Fictions: Why Oscar Contender Cord Jefferson (Still) Gives A F*ck | PTFO

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  • čas přidán 1. 11. 2023
  • This fall, Emmy-winning screenwriter Cord Jefferson (Watchmen, Succession, The Good Place, Master of None) has become a major Oscar contender for his directorial debut movie, the forthcoming (and deeply funny) American Fiction. So we wanted to ask Cord the truth about awards, competitiveness, race, external validation, and happiness. Also, the Men In Black soundtrack.
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Komentáře • 24

  • @thehoboman
    @thehoboman Před 7 měsíci +18

    As one of a few black males in a huge, mostly white organization I identify with this so much.

    • @TheThizzelle
      @TheThizzelle Před 7 měsíci +1

      Me too man, me too. It's absurd on a level that is hard to convey.

  • @jordytippins6167
    @jordytippins6167 Před 7 měsíci +8

    My favorite thing about Pablo is that he is so good at helping the interviewee at explaining what they are trying to explain to us with metaphors/analogies. Always brings topics full circle as well. Bravo PTFO!
    Also anyone know if this show is going to have like Seasons? or is it going to to go non-stop until Pablo finds out the meaning to life?

  • @RodDammit
    @RodDammit Před 7 měsíci +6

    This is a investigative report show that covers actual interesting topics that i actually care to listen to

  • @asceticblur
    @asceticblur Před 7 měsíci +7

    As an actor it offends me to this day that Geoffrey Wright didn't win best actor for "Basquiat". It's absolutely one of the finest displays of acting I've ever seen.

  • @sheri_LA_native
    @sheri_LA_native Před 7 měsíci +3

    Another great episode! Looking forward to seeing American Fiction

  • @isaaccervantes5955
    @isaaccervantes5955 Před 7 měsíci +3

    Things I found out . I got a movie to take my wife to. And we all want to secretly win whatever category life throws at us . Great stuff as always !!

  • @petern326
    @petern326 Před 7 měsíci +3

    cord's been a legend for years

  • @JawnLouis
    @JawnLouis Před 7 měsíci +4

    This movie is modern version of Hollywood Schuffle… can’t wait too see it

  • @Randiddle
    @Randiddle Před 7 měsíci +3

    Congrats Pablo.

  • @fexcab
    @fexcab Před 7 měsíci +2

    Another great guest and interview…graxias🙏🏼

  • @steezy49
    @steezy49 Před 7 měsíci +2

    Great show. Excited for this movie!

  • @SomiariTobin
    @SomiariTobin Před 7 měsíci +2

    Pablo has a goated friends list.

  • @adcast98
    @adcast98 Před 7 měsíci +2

    Shout out to his jawbreaker shirt

  • @BipoCosmo
    @BipoCosmo Před 3 měsíci

    Loved this movie so much. Cheers to all involved! I haven’t read the book but it’s interesting how Monk is named after two artists and the story invokes a Ralph Ellison "The Invisible Man" crossover with Langston Hughes "Simple" novels.

  • @cw2962
    @cw2962 Před 7 měsíci +1

    Pablo Torre in... WhitAvatar

  • @zoinforms
    @zoinforms Před 7 měsíci

    what an interesting dude, great episode!

  • @thomasford1429
    @thomasford1429 Před 7 měsíci +2

    That movie looks hilarious

  • @otd248
    @otd248 Před 5 měsíci

    this movie is going to be fire.

  • @EzeICE
    @EzeICE Před 6 měsíci

    Cord kinda gives me Jeffery Wright vibes. Its hilarious 😁😁😁😁

  • @likearollingstone007
    @likearollingstone007 Před 6 měsíci

    Pablo admitting he’s a wannabe…cute

  • @danb8046
    @danb8046 Před 7 měsíci

    no continuity in that starbucks cup..

  • @jajujones
    @jajujones Před 7 měsíci +1

    First?

  • @jnkazee2526
    @jnkazee2526 Před 4 měsíci

    Im sorry but this film is a strawman of Ghettoism to deflect from critiquing the black proffesional class, which is actually*, what the industry is behind.
    The hood film is not what's being pushed for a decade now. Every film referenced in AF are over at minimum over decade old. Today it's the black bourgeoisie that Hollywood wants. THATS what should've been critiqued. But that would compromise Cords tribe.
    Casting Issa Rae is a tell because she's a prime example of this age of black art the industry pushes. That scene at the end was a deflection to pretend the hood story is whatwhite people wanna hear from black artists today*. The biggest rappers aren't gangster rappers. It's a scapegoating of lower class black folks.
    The Erasure was a response to Push , which was in a different time. There are no Boyz N The Hood as it was in that context. It's films like Dear White People, or American Fiction itself that are pushed