Apparently the great German baritone, Herman Prey, singing the role of Eisenstein in the performance of Die Fledermaus, remarked "who are these old women" when he first saw them rehearse, but when he discovered that they were men, is jaw dropped and he became a great admirer of their artistry.
This is possible, but it was actually Tito Gobbi on the occasion of Dame Eva Turners 90th birthday gala at Covent Garden, who while watching them in the wings, said to his valet, ‘these ladies are too old to still be singing’ and when informed of their identity said ‘brava’ !
@@jenylogan1, am I correct in thinking that this performance was not the occasion of Dame Eva Turners 90th Birthday ?, and that Dame Eva had specifically asked for Dr.Evadne and Dame Hilda to perform at her special occasion ?. Your wonderful Brother George was the most talented pianist and his acting talents made for the most memorable and everlasting theatrical partnerships.❤
@@georgecherrie9050You are correct, this is a new years eve gala performance of Die Fledermaus with Te Kanawa at ROH, conducted by Domingo, it was customary to have a special guest in the Orlovsky ball, and quite an honour. Dame Eva was a friend, and her 90th birthday was a an Opera Star studded evening.. Your kind comment is greatly appreciated, I miss my brother terribly.
@@jenylogan1 , I can only imagine how terribly you must miss your darling brother. I have just finished the wonderful 3rd book of your darling brother's , "All About Audrey" series. These books were a most fascinating insight to the journey that Dear George had made. Perhaps, as I slightly later, experienced much the same situation growing up as a young "gay" man in the late 60's early 70's in Glasgow (although the word "gay" was even then not in our vocabulary or understanding !). The other slight connections I felt was also the fact that I actually knew some of the names of those Glaswegian characters that guided "Audrey" in those formative years. I find it hard to realise that we will sadly now never be able to read of the later adventures in George's life with the 4th volume. I also studied at the RSAMD from 1974-77. Your Darling Brother is missed by so, so many !!.
Why are these people not held up as pioneers? It’s almost as if, these days, there is shame, in bringing up their names. People like John Inman, Larry Grayson, Quentin Crisp, Danny La Rue and my faves Julian & Sandy. The polari used brought a subculture to the public’s attention. All at a time when it was genuinely dangerous to be yourself.
W❤onderful
Thank you George and Patrick. Xxx
Apparently the great German baritone, Herman Prey, singing the role of Eisenstein in the performance of Die Fledermaus, remarked "who are these old women" when he first saw them rehearse, but when he discovered that they were men, is jaw dropped and he became a great admirer of their artistry.
This is possible, but it was actually Tito Gobbi on the occasion of Dame Eva Turners 90th birthday gala at Covent Garden, who while watching them in the wings, said to his valet, ‘these ladies are too old to still be singing’ and when informed of their identity said ‘brava’ !
@@jenylogan1, am I correct in thinking that this performance was not the occasion of Dame Eva Turners 90th Birthday ?, and that Dame Eva had specifically asked for Dr.Evadne and Dame Hilda to perform at her special occasion ?. Your wonderful Brother George was the most talented pianist and his acting talents made for the most memorable and everlasting theatrical partnerships.❤
@@georgecherrie9050You are correct, this is a new years eve gala performance of Die Fledermaus with Te Kanawa at ROH, conducted by Domingo, it was customary to have a special guest in the Orlovsky ball, and quite an honour. Dame Eva was a friend, and her 90th birthday was a
an Opera Star studded evening.. Your kind comment is greatly appreciated, I miss my brother terribly.
@@jenylogan1 , I can only imagine how terribly you must miss your darling brother. I have just finished the wonderful 3rd book of your darling brother's , "All About Audrey" series. These books were a most fascinating insight to the journey that Dear George had made. Perhaps, as I slightly later, experienced much the same situation growing up as a young "gay" man in the late 60's early 70's in Glasgow (although the word "gay" was even then not in our vocabulary or understanding !). The other slight connections I felt was also the fact that I actually knew some of the names of those Glaswegian characters that guided "Audrey" in those formative years. I find it hard to realise that we will sadly now never be able to read of the later adventures in George's life with the 4th volume. I also studied at the RSAMD from 1974-77. Your Darling Brother is missed by so, so many !!.
The world is grayer after these ladies
But less gay.
Both so talented. How George Logan played so apparently without effort whilst including the business with the fan. Pure professionals.
Never get tired to watch these wonderful “ladies” …
“5 minutes ago I sit in home with the pumpkin “ isn’t it marvellous ? 😂
RIP George Logan
I believe that that's baritone Benjamin Luxon (Dr. Falke) who introduces them.
Magnificent splendour
They are brilliant
It’s Hinge and Bracket
What is the second song called?
From Messeger's "Veronique": Donkey's Song (or Donkey's Duo)
Why are these people not held up as pioneers?
It’s almost as if, these days, there is shame, in bringing up their names.
People like John Inman, Larry Grayson, Quentin Crisp, Danny La Rue and my faves Julian & Sandy.
The polari used brought a subculture to the public’s attention.
All at a time when it was genuinely dangerous to be yourself.
...and it’s “Evadne” not “Evandne”.
Its Hinge and bracket NOT Bracket and hinge 🙄🇬🇧
can't imagine how hard that is on your throat, it's a very forced way of speaking in falsetto, very tiring