Five Nights at Freddy's Musical Bytes - Full Original Songs Package - By MOTI
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- čas přidán 3. 11. 2023
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All of the original songs MOI made so far about Five Nights At Freddy's!
Five Nights at Freddy's by Scott Cawthon
Footage by Gamer's Little Playground ( • FIVE NIGHTS AT FREDDY'... ) ( • FIVE NIGHTS AT FREDDY'... ) , DarkTaurus ( • Evolution of Foxy in F... ) ( • Evolution of Baby in F... ), IULTMx ( • Five Nights at Freddy'... ) ( • Five Nights at Freddy'... ), EagleDoubleTT ( • Every FNaF 1 Jumpscare )
Jenny Fitzgerald: Emily Go (bit.ly/EmilyGoVO) ( / emilygovo ) ( / emilygo_vo )
Foxy: Juno (bit.ly/JunoSongs)
Baby: MaidenOfMine ( / @maidenofmine )
Freddy Fazbear: Dylan William van de Wal ( / dylanwilliamvandewal )
William Afton: Alex Beckham
Chorus:
Alex Beckham
Ann Nicole ( / kolormixstudio ) ( / dreamsveon ) (kolor-mix-studios.deviantart....) (www.tumblr.com/blog/kolormixt...)
Darby Cupit ((waveformvoiceacting.com/) (bit.ly/DarbyCupit)
Ian Martyn (linktr.ee/IanMartyn)
Juno Songs
Kyle Wright (bit.ly/KyleWright)
Lyrics/Base Melody by Alex Beckham
Mix/Composition/Music by Stelyos (bit.ly/stelyos)
Art by Kristen Trawczynski (bit.ly/MissGoggles), Napstachill (napstachill.carrd.co) ( / napstachill , Flamia ( / flamiart , Ariza Luca (bit.ly/ArizaLuca) and MaidenOfMine - Hudba
![[FNaF/SFM] Mega Mashup by YingYang48](http://i.ytimg.com/vi/R6-5s2ogMNY/mqdefault.jpg)
![TERRIBLE THINGS • [FNAF Original Song] • AXIE](/img/n.gif)
Unbroken and Tilt-A-Whirl are definitely the best songs here. They both fit the characters super well and are absolute bops.
Agreed
Hand and eye being the perfect foxy pirate song
"Hey what about me..."
@@wyattsaum272 fr. It was legit my favorite one. (Except unbroken of course)
If we exclude Unbroken and focus on the new songs, I think Baby had the strongest song. It is perfect for her character if you know the lore. The one thing that makes Baby stand out as a villain is that unlike the other animatronics, who became violent because of accidents, Afton's victims or faulty design, Baby and the funtime cast were designed to be monsters from the start. Thats why they always show their insides when they jump you. They don't need to pretend anymore. Then Baby was taken over by Afton's own daughter, and soon it shows the apple didnt fall far from the tree. She's just as cruel and manipulative as he is, almost gleefully mocking you for falling in her trap. Like father, like daughter.
???? Baby isnt evil. Baby isnt cruel. That is Ennard tricking you, baby is like 6 come on dude
@@OverlordAlastor But, in Sister Location Night 4, Baby explains that she knows how to pretend and then in Night 5 that is Ennard tricking you. Baby is the main spirit in Ennard when he talks to you, so could that mean that Baby is still evil?
@@goldenbunny7743 baby saying she knows how to pretend is Ennard. He can change his voice. That is him pretending.
@@OverlordAlastor Oh yeah. . . . Forgot about that 😬
If we don't exclude unbroken unbroken wins
1. Unbroken
2. Tilt-A-Whirl
3. Hand and Eye
4. Ready for Freddy
5. Intrepid
Timestamps because I'm bored
0:00 Intrepid
3:26 Hand and Eye
6:34 Tilt-A-Whirl
10:16 Ready for Freddy
15:22 Unbroken
I really wish that your comment get's pinned.
Thank you
15:22 My personal favorite because it encompasses the dominos of the decades that followed the infamous bite of ‘83 in the FNAF universe.
Me: i will listen to all of the songs
Also me: (immediately skips to unbroken)
Best choice. :3
@@purplepedantry I mean there hasn't been a song about willam afton
@@sonicthelegend8741 follow me exists. but there hasn't been a song about william that focuses on _him,_ as opposed to his murders. that i know of.
@sonicthelegend8741
Not to 'Um, Actually' you, but I'd say there's some. Not enough in my opinion, but still some.
• I Am The Purple Guy - DAGames
• Obey Me - HalaCG
• Send Me Down (To Hell) - NightCove_theFox
• Stay The Course - NateWantsToBattle
• Save Me - DHeusta
• Digital Disgrace - KMODO
• Escape - HalaCG
• Heard It All Before - NightCove_theFox
• Encryption - KyleAllenMusic
• Turmoil - DHeusta
@@purplepedantry 🤓
It’s hard to pick a favorite, but it sounds like everyone had fun with making this! I can definitely hear it in Hand and Eye, not to mention the vocals and sound mixes in Tilt-A-Whirl. Intrepid does a great job explaining the basic gist of FNAF (in terms of what to do as you the player). Ready 4 Freddy is also a good ballad for the mascot! Unbroken definitely remains as my personal favorite for the true villain.
When Unbroken came out, even though it was very good, it kind of came out of of nowhere but here, after seeing all the deaths and tragedies that happened over time, seeing Afton really feels like discovering the source of so much harm and fighting the final boss.
That's why "MOTI" is an excellent member to the fandom.
Unbroken is one of those songs that is simultaneously really fun to listen to, and that has lyrics that make you go "hol' up" at the same times.
I just want to point a thing about William’s lyrics being purple with a hint of blue: the blue could be because he’s kept alive with remnant. This is further supported by his lines about immortality.
Could you please explain to me how Remnant works (as detailed as possible) ? I need to know in order to understand how to use it for a crossover I'm working for.
The one thing with that is that William's remnant has consistently been represented as purple, unlike all other remnant being blue, so maybe it's more of to show his remnant experimentation?
@@captainkawaii666 nah I just thought it was because remnant is often seen as blue not purple
@JabamiLain it is so unexplained in the main games all you can really do is say : "this is soul stuff, inject it to robots and they become alive with the soul of whoever was killed, inject into a human, get IMMORTALITY!"
@@JSpin-js4vr so I can say it's some sort of liquid mutated cells created by the NEO-Mitochondria once their host dies prematurely, allowing them to try and migrate to someone else. Is that it ?
Alright, guys. Let’s spring this trap.
(But actually, all of these songs were brilliant. Thanks, MOTI!)
Tilt-A-Whirl & Unbroken deserve their own full animations and animatics by talented creators.
GO. GO. GO. We have to make this Renaissance!
Hands and eyes and Ready for Freddy too !
@@Chaki21all of them!
sorry for some inaccuracy, I'm not an English speaker
This is an analysis on Hand and Eye and I am simply delighted. Seriously, I literally listened to the song in one breath, and this happened with Moti only twice before (the first time was Dragon's Den/Vs. Red, the second was the theme of God of War: Ragnarok) and now this is my third. And if Intrepid was an easy start with little to say about it, this track is simply incredible.
Fasten your seat belts, get ready for long texts and a lot of interesting fan facts, because it’s me - everyone’s favorite writer, reviewer, gamer and one who loves to analyze video game music - Lavka Lavkovich! And as I like to say, “let’s analyze!”
(Warning: This text is not trying to offend anyone. The analysis is filled with the subjective opinion of the author. The author does not force you to adhere to his opinion and does not prohibit you from having your own. The text may also contain profanity and inappropriate contexts)
Let's start with the music..... STYLUOS RELEASE AN INSTRUMENTAL!!! I BEG YOU!!!!! After all, the music is incredibly good. At first I thought that the music would just be pirated and it was unlikely that Styluos could fit his mechanical style into it, but as you can see, he did it and it turned out quite harmoniously. All the instruments that you imagine when talking about pirate motifs, such as a violin, whistle, harmonica, bells, are present here, and mechanical sounds (which will probably be a feature of the whole byte) complement them perfectly, as for example in the moment where a whistle is played (this is a kind of flute) you can hear the sounds of “program glitches” or what this sound is called, and to what extent they play a role in the narrative, because although Foxy is a pirate, he is also a robot (animatronic), so it is logical that there are mechanical sounds in his theme. Speaking of Foxy.
Juno as Foxy is simply wonderful, and in principle I love when Juno sings solo for Moti-production, because I really like his singing talents (which is not surprising, because “if you are subscribed to Mochi, then with a 60% chance you are subscribed and on Juno Song too") but let's return to his role. When I thought about the role of Foxy in the byte, I thought about the resurrection of Alex (but not that Beckham, but the one that Rybitzki (aka Xander, aka Flow)), because he did a pretty good job as a pirate in the cover of You're the Pirate, but when I heard Juno, all my complaints disappeared. Not only does Juno handle the accent well, but the expression of the cheerful captain and the anger of the tough pirate are wonderful here, they are top notch here, no comment. With his expression, I'm surprised he didn't cover Friends Like Me, I'm sure he would have done a good job.
Now about the text, and specifically about Foxy. In principle, the text is incredibly good, but in a trivial way refer to the title. I didn’t even suspect that Alex would touch books in any way, because books are such an ass, but no. Hand and Eye is a fat reference to the story from Fazbear Horror "Step Closer" where Foxy tried to take away the GG's eye and hand because "what kind of pirate could be without a torn off hand and a gouged out eye", and it's just cool that Alex is not only comes up with new ideas and images, but also follows the existing ones, but let's talk about Foxy. Foxy goes through several stages of revelation here, and even though I usually don’t retell the text, but this time it’s necessary. At first, he appears as a cheerful pirate from children's matinees (which makes sense, because he is an animatronic created just for the entertainment of children) and the text is also about “freedom, pirate life, adventures,” but then Foxy’s behavior changes along with the visuals. The verse is a pure representation of the fact that he may be cheerful, but at the same time he is cruel and calmly ready to kill, and here something needs to be said. In Fnan's fandom, when it's not about humor, the original four are shown as either soulless killing machines or poor kids, but I really like the local interpretation. Here Foxy behaves like a cheerful pirate as he was intended by the company, but now that he has the soul of a child that is filled with fire and anger, he is truly cruel and frightening, and this is cool, it seems to me that this is how the original four should behave, keep their original characters, but at the same time make them more cruel. Further after the verse, in theory, Foxy from the children's matinees should appear again and it seems that his singing style is the same, but again the text. In it, Foxy, as I understand it, sings about... a pirate cult?... A cult where you will become a real pirate and your name will be etched in history, how to do this? Give your hand and eye. Then the chorus comes again. But then Foxy turns directly to the guard without any unnecessary pathos or pirate stuff, just a pure desire to kill. And then the final verse and the final repetition of the line "Hand and Eye." Well, you probably have a question: “how is this text related to the situation where he came to the guard? (except for the verse before the final chorus)” because, indeed, he talks about looting cities, his team and what he says “King of the Pirates,” but none of this is real, so why is Foxy singing about all this? I have a theory about this (fuck, even here there are theories), perhaps it means that the souls of children do not quite catch up with what is happening and where they are, they probably do not remember their past, and therefore they simply follow the images of their animatronics, which is how are in the realm of children's fantasies only because, again, of their thirst for revenge, more cruelty has been added to this fantasy, and the only thing that connects with reality is revenge, revenge on the man in the purple suit. Uhhhh, this is how the text turned out, it seems that I said everything about the plot of the track, but don’t forget about the “STAGE”.
There are some interesting things about delivery here. Firstly, unlike Intrepid, I don’t feel any musical here at all, forgive me, I can’t imagine all this on stage, but it all sounds like “music from a video game with text added to it,” which is surprising. I can’t understand why it seems like this to me, either the instrumental reminded me of something, or because, again, the song is not musical, but that’s not the point, the point is in the competent production. The same art, this time, is not just needed to dilute the visuals, but plays a big role in the tone of different moments of the track. The moment of the first chorus, when the tone of the vocals, lyrics and art so competently change from light to dark, just so competently that you don’t even want to say anything. And the moment of the verse before the final chorus, when the lyrics stop being pirated, Juno becomes serious, the music fades out, and the art becomes colder and soulless like a machine, it just makes me shiver and I feel “Yes! This is Fnaf!” Speaking of art.
He's just as good here. The first version of the art is so bright, pleasant, and the stroke lines give off a cartoonish feel. And when the art changes to dark, in fact quite a few elements change, but they are enough to change the tone. The change in lighting gives the scene a darker look, Foxy's red eye shows his cruel and robotic nature and.....DAMN!!!! PARROT, I ONLY KNEW YOU FOR THIRTY-SIX SECONDS, BUT YOU WERE ALREADY KILLED!!!! WHY!? That is, I wanted to say that the death of the parrot adds bloodiness and gives weight to Foxy's cruelty. And the final art, where Foxy grabs the guard’s hand, beckons with its cold and soulless presentation of the real Foxy, a ruthless machine.
Well, you can’t find fault with the mixing.
And if we talk about the reaction of the audience, the track created a sensation. Sixty thousand in a week is a very successful indicator. People in the comments also liked the track, especially everyone liked Juno as Foxy, but I couldn’t find anyone’s essays.
Now let's draw conclusions. The track is incredibly cool, I will definitely add it to my playlist. So far, I really like Fnaf Byte and it has every chance of becoming my favorite byte.
Thanks to Juno for the vocals, Darby, Anne, Ian and Kyle for the choir, Alex for the lyrics, melody and choir, Styluos for the mix and composition, and Napstachill for the art.
That's all my dear friends, wait for new texts and feel free to share your opinion, and with that I'll leave
Quite the rant.
Was this a glitch?
I've had CZcams duplicate my comments sometimes, but 7(from what I've counted)?!
@@purplepedantry I didn't understand, you're like saying that YOUR comments are duplicated, if that's the case, then what do I have to do with it? or do you mean that MY comments are duplicated, if that's what you mean, then my comments were not duplicated. of course I have several, but they have different content.
@@crimsonking9882 Oh no my friend, if I start talking about music, then even the end of the world won't stop me.
@@huskot6014I'll take that as a compliment.
I just realised that withered Freddy at the end of unbroken was a teaser for intrepid
I still can't believe I'm actually working on a way to crossover this saga, "Lost Song" and "Omori" with "Parasite Eve", "Resident Evil", "Metal Gear Solid" and "Dead Rising.
But the story without "Omori", "Lost Song" and "FNAF" in the mix for this cinematic like structured universe I'm working just feels so predictable otherwise. And my goal is to make it something like the "MCU" of fanfics.
How crazy can one fan get when they want to be unique in their creativity ?
Unbroken still slaps, best one out of the bunch :) keep up the great work
Sorry for some inaccuracy, I'm not an English speaker.
And so here is the analysis of Byte's pre-final song and I will surprise you, this track also resonated with me, and unlike my analysis of Title-a-Whirl, I have something to say about the song about Freddie himself.
Fasten your seat belts, get ready for long texts and a lot of interesting fan facts, because it’s me - everyone’s favorite writer, reviewer, gamer and one who loves to analyze video game music - Lavka Lavkovich! (I prefer He/Him, but you can call it whatever you want). And as I like to say, “let’s analyze!”
(Warning: This text is not trying to offend anyone. The analysis is filled with the subjective opinion of the author. The author does not force you to adhere to his opinion and does not prohibit you from having your own. The text may also contain profanity and inappropriate contexts)
First the best part of the song is the music. And unlike Title-a-Whirl, there is something to talk about here, because this track has the best instrumental. Screw Inspired, screw Unbroken, I even forgot about Hand and Eye, this is the real deal. The music, with its raging rock guitars and light drums, just screams eighties (which makes sense, because according to some assumptions, the original four were made at this time). And the pipes are so powerful that I have an ear orgasm, if that happens (by the way, the pipes gave me Gankplank Galleon flashbacks). And when the calmer part plays (where Freddie sang about children), I was a little freaked out, because if you listen, the guitar is still raging, the drums are also raging, so why does everything sound calmer? Muted..... yes, no additional instruments or fancy effects, just muted, simple but effective, my applause for Stylus.
But what also conveys the atmosphere of the eighties is the vocals. Firstly, William as Freddie is just what the doctor ordered. His voice is deep (which is nice), calm (which shows Freddy as a calm person), and evokes a sense of danger (which reflects the danger of a killer robot). And secondly, what a rock and roll voice William has, it smells like all sorts of concerts from the eighties (which, again, makes sense). Of course, I liked William before that, but after this role he really opened up.
What I also want to talk about is the text. It’s really good here and I want to retell it again, as it was with Hand and Eye. The first verse shows Freddy as, again, a killer robot. He started hunting for us and it’s unlikely that anything will stop him. Then the first chorus and here he even shows that despite the fact that although he is a machine, he is still an artist and singer, like Foxy that, although he is also a machine, he is also a pirate. But then the second part of the chorus attracts me the most when watching it. Here Freddie is told as a person that it’s enough to love children and they are practically his only trigger for not completely merging with the image of a ruthless machine (but this makes sense, because he was precisely created for the entertainment of children). Then he shouts “Are you Ready?!” in fact, to no one, because there are no spectators and therefore no one answers him. Then a verse that, although it returns us to a feeling of fear of Freddy, it also shows that apparently either Freddy knows what the fuck was going on with them (which contradicts my theory that I expressed in the analysis of Hand and Eye), or (if you follow my theory) he doesn’t remember what kind of fucked up it was, but he remembers that it was some kind of fucked up thing, and, in principle, more clues are given to their more tragic natures.
And do you know what I noticed when I wrote this analysis? I'm not sure if anyone noticed this, but it seems to me that this track is Hand and Eye only in reverse. I know it sounds strange, but let me explain. Hand and Eye begins by showing Foxy as a nice character and only in the chorus he is shown as a killer, but here it is the other way around in the beginning he is shown as a murderer and only in the chorus he reveals his more pleasant nature. Then in the second verse of Hand and Eye, everything sounds so that everything has become rosy again, but if you listen to the lyrics you can understand a lot of darkness, and in Ready for Freddy it’s the other way around, it seems that Freddy is again singing about murders, but besides that he tells his sad backstory. In Foxy's song, you can catch the fact that he lives by dreams and murder is the only thing that connects him with reality, but with Freddy the situation is the opposite, he lives by murder and is completely absorbed in this reality, but dreams are the only thing that does not allow him to become completely mad. Fuck, Alex, you outdid yourself, because this is really deep.
The art is also worth mentioning. And I’m pleased to see the strong growth of Ariza’s skill, from the rather crooked Rush Hour and Other Friends to this very beautiful art. Yes, of course, you need to understand that Maiden helped her, but still she HELPED her. And again, the change in atmosphere of the two versions is only due to the lighting and small details, which again makes a connection with Hand and Eye. Very nice style and very high-quality drawing, I praise it. (or Maiden drew all this, and Ariza helped her, and it turns out I’m praising a person out of nowhere😶😶😶).
Ha, you thought we forgot about the production, but no, here it’s also on a professional level. The harmony between the vocals and the music is simply a masterpiece, creating the feeling of a rock concert. And when Freddie talks about children, the vocals, instrumentals, and lyrics are simply beautiful. And the way William says “well you were fully Warned” and even with those fucking pipes, MMM delicious.
Well, don’t forget about the mix from Styluos. (Damn, when will Mark’s vacation end?).
Overall, the track is cool and will also be a bright addition to my playlist. Byte is now simply gorgeous. Yes, and I really liked my analysis.
Thanks to William for the vocals, Alec for the lyrics and melody, Styluos for the mix and composition, and Ariza and Maiden for the art.
That's all my dear friends, wait for new texts and feel free to share your opinion, and with that I'll leave
classic non-natives english speaker producing whole essays.
I’m an English nerd! If you would like, I can give you tips! I’d love to help you out since I love teaching and stuff :P
This is pretty interesting! I think it’s interesting, anyways. I agree overall, but I’d say all the songs are equal tbh
You did great. That’s all that counts to help create what makes FNAF.. well FNAF!!! Thanks so much ❤❤❤
@@Sapphire864why do you think so? in my opinion, all the songs have a rather different tone
Of these five songs my favorite is Hand And Eye, it has a bounce to it that I love in songs, followed closely by Tilt-A-Whirl and Unbroken with their very strong vocal preformances; finally the other two, Intrepid and Ready For Freddy, even if they're not my cup of tea I can see their solid production values.
1:18 the uhh animatronics do get a bit quirky at night
I was wondering if we'd get a Michael Afton-based song, but then again, that'd probably just be him complaining about how "ohhhhh my job sucks" and "god these animatronics have the wrong guy" and finally "someone ripped my internal organs out," like _wah, wah, wah,_ who wants to hear someone whine about that for four minutes straight anyway?
*raises hand*
@@Purple_87 Put your hand down, Mike.
I’ll put it down when I lose it…along with my eye. @@ConnorTheUndying
I do, even if his role in fnaf 6 was ruined by the ending
I WOULD LITERALLY PAY FOR ALL OF THESE SONGS TO BE ON SPOTIFY
I enjoyed the full package of FNAF especially unbroken with lyrics.
This entire musical bytes was a pleasant surprise, given FNaF doesn't have much music at all, let alone music that works with lyrics, but you took it as an opportunity to create your own originals! My favorite has to be Tilt-A-Whirl, it's just so playfully sadistic, and has this classic Disney villain song feeling, and fits perfectly alongside Unbroken!
Ok you’re making more right
Right…
Right??????
Please make more!!!!
I started kick the baby and kick the afton in live chat
Everything must be kicked
The Kicks of 23
@@eirkire9520 yes
Legend
@@thatonedude977 thank you
Here’s to rewatching this compilation after the premiere!
This feels correct for each charecter
and so, at the beginning of the event, I wrote reviews for each song, but not under the video, but in other places, but it doesn't matter, now I have the opportunity to post the reviews here.
10/10 every song blew my freddy fazballs off
So that's what the Bite of '87 really was
Best foxy song I have ever heard !!!!! I need this on Spotify!
If somebody doesn’t make some sorta animatic/animation in GMOD with circus baby in tilt a whirl
I’m gonna scream
Yooo best birthday gift ever! :D
I'm sorry I only talked about myself yesterday. All these songs are perfect and in line with the saga and its characters, like others have said.
Umm… together we are FNAF.
So the premiere was fun.
Lets see, we were spamming:
WAY HAY HO
KICK THE BABY
HAR HAR HAR
ARE YOU READY (FOR FREDDY)
HE/I ALWAYS COMES BACK
KICK THE AFTON
Sooo, yeah. It was pretty cool.
I love all these songs so much, they're really good
I literally love tilt a whirl amazing for just a byte
YOOOO JUST STARTED LISTENING THIS IS AWESOME
*P E R F E C T I O N.*
🐻🐰🐔🦊🧁🍕😈
my favorite fnaf character *pizza*
I always like how in the last verse of unbroken William say "Will remain unbroken"
I always interpreted that Will as the abbreviation of William and not as a verb in the future form.
Like he thinks so highly of himself that he talk in third person like most egomaniac.
i loved almost all of these songs (not really a fan of ready for freddy) i just wished there would be more than just the previous ones like you did with hollow knight. anyway amazing songs as always and i get making new songs is a lot of work
I had to listen to ready 4 Freddy multiple times to like it
You mean with the lyrics written over game music? Cuz that's kinda... hard for a horror series based around ambience.
@@ConnorTheUndyingI'm pretty sure all the music is original since, as you mentioned, the only music in the games in ambient music.
@@ConnorTheUndying no I mean how when they released the full hollow knight package it had extra songs that hadn't been released before
@@gabrielbarron7667 Exactly one, actually. All the other "bonuses" (Dung defender, Dirtmouth, Grey Prince Zote and Grimm) were just standalone musics released prior to the musical bytes.
I got so scared when the video started. I thought it said 19 hours then it was going to play, apparently it was 19 minutes. 😂
I love this package! I need to know when it will be available to stream on iTunes and Spotify
Together, we are MOTI
So...on Spotify when?!!!!
I hope that the hour extension of Tilta Wheel is released sometime after this video.
so excited!!!!!
Nice job as usual lol!
Way Hay Ho everyone I hope you are all ready for freddy
I love Intrepid sm...!!! I love all of the songs although I do feel Ready 4 Freddy is the weakest. It's still good, by all means, though!
I'm currently getting ready to watch this while watching Kung Fu Panda on my TV.
Ten out of ten package, would kick Afton again
It would be great if you made English versions of the songs from the game "Little Goody Shoes".
This is just the beginning
FNAF music bytes 1
Oh hey we are on the remix scene
FNAF is a movement
Merry day before Christmas
Day 5 commenting until this is on Spotify
Purple guy is just the final boss of Fnaf at this point
Too bad he died before the climax
@@TheitTheit-pf4smhe is alive tho..
Kinda
@agustinmora7860 He Always comes back.
Will any of these song be put on Spotify?
you’ve got until December before I start harassing you.
Genuinely though, great job. They’re all really well made! I’d say this October was an absolute success.
in this video... THE VOICE OF DIMENTIO ITS BACK!
I love how the first one is kinda just telling you how to play FNAF 2
I wish we got FNaF 3 4 and 6 songs but this still amazing
Closest thing we got for fnaf 3 was unbroken even if he isn’t spring-locked in the song
And 4 Would be a child crying
Oh great heavens! How could I forget!
Day 1 commenting until this is on Spotify
welp that was cool.
1:16 No story timeline comment here just funny meme. I might go back to the prior one to add to my timeline sometime soon(perhaps very). Kidding my timeline update will be here instead. Ready for Freddy will either take place after Mike says he will give them closure that Will took from them and Freddy goes after afton or be the last main 4 animatronic intro song(like and and eye). Maybe even both with the second being a reprise or a reprise of all 4.
20:31 Alex can you please please please make a Lyric video of Mario kart 8 Deluce on Rainbow Road wii its so majestic and heartwarming to other people so please if you have it in your heart to do so pleases do it!!!!
Mission complete. Reverting back to .zip file
*WAS THAT THE BYTE OF '87?!*
Unbroken op
Ready for Freddy had no need to be that hard
Can you do more shovel knight songs, please
I mean there’s five nights, five songs.
22:07
Scares the fuck out of me every time
Suggestion, if you mind.
Maybe you can try doing a Hazbin Hotel or Helluva Boss cover
You better include the Shaggy version at the end like you did Guzzlord. Otherwise literally nothing will happen
The idea Will did all he did to be immortal like some sort of ritual is cool
I mean, it's canon
And it worked
@@agustinmora7860 Yeah, rethinking about my statement, i sound stupid considering it's canon
@@alexSus-mk7dg can't blame you, the lore is confusing
Y'all are really sleeping on Ready 4 Freddy
Intrepid too
@@ActuallyAthena I never said that
@@dr.loboto1171 i like intrepid 😭
fredrick fazbear sounds like markiplier
Day 2 commenting until this is on Spotify
Vanessa's va really struggled finding the beat huh
If you take recommendations: do Binks sake, both English and Japanese lyrics. Or just one.
Day 8 commenting until this is on Spotify
Day 9 commenting until this is on Spotify
sorry for some inaccuracy, I'm not an English speakeranalysis of the first track of the great FNAF BYTE!!!!! And it turned out pretty cool.
Fasten your seat belts, get ready for long texts and a lot of interesting fan facts, because it’s me - everyone’s favorite writer, reviewer, gamer and one who loves to analyze video game music - Lavka Lavkovich! And as I like to say, “let’s analyze!”
(Warning: This text is not trying to offend anyone. The analysis is filled with the subjective opinion of the author. The author does not force you to adhere to his opinion and does not prohibit you from having your own. The text may also contain profanity and inappropriate contexts)
First, let's look at the music itself. Since this is another original track on the channel, it's worth the screen time, especially when the composer is SAAAAAAANNNNNSS... that is, Styluos. The track itself is quite dynamic and really invites you to stomp your feet to the beat of the notes, which is what I like to call “Cheerful Horror” (this is when the track is funny, but the lyrics are not so much), which we will discuss later. I would also like to focus on the instrumental. If you've heard Stylus's previous originals and remixes you might realize that he has a specific style of music. General electro-style, a lot of non-instrumental sounds (I especially like this little whistle in the music, it’s so calming 😌😌😌), not strong dynamics, but a lot of chaos, as in other tracks, it’s also present here, which, as usual, is done with quality and soul. This song has certain parallels with Unbroken, at least mechanical sounds in the background, but we will find out other details when Styluos releases the instrumental. I should also mention that the song is wildly jazzy with these pianos and trumpets, but there is no saxophone, which perhaps also adds to the chaos. Styluos is a master of his craft. Thanks to Styluos for the music.
Secondly, the vocals here are certainly not Alex Beckham as William Afton, but it’s worth paying attention to. Here we have in the lead role a unique person or neural network - Emily Go as Jenny Fitzgerald. Considering the description and acting, one can understand that Emily plays a kind of “energetic eccentric”, I myself am not very fond of this kind of characters, but as usual, I can’t find fault with Emily, she performed the role at the best. Every word she says oozes that “I FUCKING LOVE MY JOB!” energy. Of course, this doesn’t really fit into the general fandom idea of Jeremy Fitzgerald (Jenny is kind of his rule63 version), he’s mostly portrayed as a rather timid guy, but here he’s such a wonderful guide and partner that of course he won’t betray you, but he’ll probably accidentally ban you in the closet and remember about it only a day later and it’s like SHE. Of course, I understand that everything is genderbender, Alex rarely does this and it doesn’t interfere with the story, but..... why? First there was SnakeMan, then the Phantom Knight, and now Jeremy, it’s strange how it all is. In general, Emily played her role wonderfully and many thanks to her.
Thirdly, the text here is not a masterpiece, but this is not necessary. The text perfectly shows Jenny as something I described above. It’s also where Jenny apparently meets Mike for the first time and gives him a “survival guide,” so to speak, which goes well with the song. Also about the name - you might have noticed that Intrepid is similar to Entrapped, again a reference to Unbroken. The text is good, but there is little to discuss, thanks to Alex.
Fourth, my favorite is the local production (oh, how nice it is to talk about the production again). As we can learn from the description, Alex made this byte with the thought “what would a FNAF MUSICAL look like,” no matter how strange it may sound. Repeating my words from above, here we see Mile’s first night as a security guard and of course, according to all the laws of musicals, “sing that crap that you could explain in words” happens, and that’s what happens here. It shows us the characters, gives us information about the security guard's robot, hints at some details that we will learn in the future and there are no choruses, everything is like in the Musical. I probably mentioned that I like to imagine some of Mochi’s songs as animations, but here it’s easier to imagine all this as a theatrical show, when you listen to it again, be sure to imagine it all on stage with live actors.
Fifth, the art here is pretty good, I liked Christine's style, but there's one thing that bothers me. Why the hell does Jenny look like Vanessa from Fnaf. Of course, I understand that we don’t have a clear design for Jeremy to make his rule63 version, but damn it doesn’t mean that you can just take the design of an existing character, not even be inspired, but just steal it. I saw someone wrote under the video that the overall design emphasizes different characters, but in my opinion, someone here was just too lazy to come up with a new design for her. I have my complaints, but thanks anyway Christine.
Sixth, thanks to Styluos for mix
Seventh, people really liked the song, for its fun vibes, for the fact that it is an original, and for the parallels with Unbroken. People also make theories there (well, it’s obvious, fnaf after all) and there’s even a good essay from AlexPastGrey (check it out at your leisure, it’s a pretty cool analysis). But there is a BUT, the views are not very good. 20 thousand in a week is not a disaster, but it also cannot be called good views. Why is that? Either not everyone understood that this was Moti, due to Kristin’s unusual drawing style, or not everyone understood that this was an original, because now the preview has been changed and signed as “original song”. Which is a shame, because the track is great.
Liked?
Yes, the song is quite nice and is a cool start to the byte.
In the end I will only say “INTREPID!!!” Well, that's all.
ha, it's funny that my most unpopular analysis under this video is the analysis of the most unpopular Byte song.
MERRY CHRYSLER
Day 6 commenting until this is on Spotify
Day 10 commenting until this is on Spotify
Could you do an “If Sly Cooper had lyrics”
Day 13 commenting until this is on Spotify
For those who know "Parasite Eve" (it can even be "3rd Birthday) how do I explain that the Mithochondria are what's powering the Animatronics ? I mean, children corpses are inside those machines, right ? So, can I build something from there ? The children's soul part is easy to explain, by saying it's some form of Overdive.
But I probably need a Neo-Mithochondria Eve to awake that anomaly in the children, no ?
Day 17 commenting until this is on Spotify
Day 18 commenting until this is on Spotify
Day 28 commenting until this is on Spotify
Day 27 commenting until this is on Spotify
KICK THE BABY ( I started that ( well somebody else did but I kinda said it again and people saw that sooooo by technicality I started it … ) )
Day 16 commenting until this is on Spotify
Sorry for some inaccuracy, I'm not an English speaker.
Everyone is healthy and here I come with another Fnaf analysis, this time we have an extremely suitable villain song, about which I have very strange complaints, but everything is in order.
Fasten your seat belts, get ready for long texts and a lot of interesting fan facts, because it’s me - everyone’s favorite writer, reviewer, gamer and one who loves to analyze video game music - Lavka Lavkovich! (I prefer He/Him, but you can call it whatever you want). And as I like to say, “let’s analyze!”
(Warning: This text is not trying to offend anyone. The analysis is filled with the subjective opinion of the author. The author does not force you to adhere to his opinion and does not prohibit you from having your own. The text may also contain profanity and inappropriate contexts)
Let's start with music.....and this is where the problems begin, what are they? I really have nothing to say. The music is good, Styluos has a cool and memorable style, the music is in perfect harmony with the vocals, I’ve already said all this in previous reviews, and I don’t even have anything to say, everything is so good here, but too standard. Let me just say that the music has a new tone, Intrepid has jazz, Hand and Eye has pirate motifs, and Title-a-Whirl has a circus atmosphere, with its flutes and harmonicas. But overall, the music is very memorable along with the vocals
Speaking of which, I'm absolutely thrilled that Maiden was cast as Baby. Just listen to Baby's lines from SL and you'll be blown away by how similar Maiden's voice is to the voice of the original actress. And not only is her voice similar to the original, not only does she sing beautifully, but her image of Baby is incredibly cool. Her roleplaying creates the impression of a “killer child”, I don’t remember anyone creating such an image, but Maiden just does a great job of childish cheerfulness and manic madness. And in principle, everything is incredibly chic, respect to her.
But if we talk about chic, then I can’t say the same about the text. The problem is that, unlike Hand and Eye, where I almost immediately caught the entire text and was imbued with it, despite the many pirate words, but here, sorry, but you can’t do without a translator, hmm, hmm, hmm. As you can tell from the text, Alex mostly took inspiration from her appearance in SL. She is quite... cruel, insidious and says that this is all for “good”, but there is always something behind her. I didn’t notice any depth here, to be honest, I’ll say the same about the production.
And here we smoothly move on to the production. And there’s not really anything to talk about here, the level of elaboration like in Hand and Eye is not here (yes, we will remember Hand and Eye very often, I liked it so much). Of course, we can talk about how she reads the verses quickly and quite quietly, which is quite atmospheric. Also the fact that the final verse is read just as quickly, but it’s not quiet at all, which is...,........cool, I don’t know. And I also like the power with which Maiden pronounces the word “CRASH”, mmmm, class.
If we talk about art, thenoooooo..... again there is nothing to talk about. He's handsome and that's all.
As usual, I have no complaints about the mix.
If we talk about the reaction of the audience, then..... everyone liked it
Let's take stock
It may seem that the track did not suit me, but I will say that I really liked it, the simple fact is that it is good, just good, there is not much to say about it. But I LOVED it, the track is of very high quality and the music is well remembered. So far the byte is good.
Thanks to Maiden for the vocals and art, Alex for the lyrics and melodies, Styluos for the composition and mix, and Flamia for the art.
That's all my dear friends, wait for new texts and feel free to share your opinion, and with that I'll leave
132th
It's a pity that the FNAF did not make a Disney musical.
Hello man on the Internet can you please make a song of the dead ahead zombie warfare please? 😇😇🥺🥺
If they have done Undertale, FNAF now they have to do Bendy and the ink machine, 3 classics!