Zoltán Kocsis - J.S. Bach: Piano Concerto in D Minor - LIVE
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- čas přidán 6. 04. 2017
- J.S. Bach: CONCERTO for Piano / Harpsichord, Strings & Continuo No. 1 in D minor BWV 1052:
I. Allegro
II. Adagio
III. Allegro
Zoltán Kocsis, piano
LIVE Recording - Unknown date and location
Ce dulce este,,!❤️
Это гений, конечно.
Kocsis Zoltán a legjobb! 💕💕 Szeretem!
Brillante. Ci sono delle scelte artistiche nel fraseggio discutibili, ma senz’altro una esecuzione eccezionale, energica e risoluta. Forse la migliore che io abbia mai ascoltato.
Он музыкант от Бога.
Его невозможно не
полюбить.
Спасибо,Вам!
2.04.2021.
EXCEPTIONAL - now THIS is my favorite interpretation! It is refreshing to hear this tempo - I am enthralled ♥
The Hungaroton recording of the teenage Kocsis playing this concerto remains my favourite recorded performance by a wide margin, totally obliterating performances by Glenn Gould, Richter, etc. I have 10 or more performances on vinyl, CD and music file (piano or harpsichord) and yet I keep coming back to that one again and again.
Give a listen to the performance by Edwin Fischer and his chamber orchestra. It is driven and poetic at the same time. Fast but it works because he doesn't over indulge in point making staccato. The sound is aged but completely satisfactory. The performance is among the finest ever done in my view.
Kocsis' second Allegro is perfectly judged, tempo as well as phrasing. Albert' Simon's accompaniment is right there for him with attention to details every bar of the way. What a fine collaboration!
@@horacefleming4481 I know that I have a copy of an Edwin Fischer recording from I think 1938 but I have not heard it for perhaps 30 years. I shall try to find it.
I've loved this since my dad bought the record ZK released in 1976. Anyone else's versions sound wrong - including Schiff - and I can only listen to ZK's version. It's perfect.
Örülök ennek a felvételnek, mert ezt a Bach-darabot Kocsissal szeretem a legjobban, mióta az Un musicien passe-ban (2000) hallottam vele, talán Verbier-ben játszotta fiatal muzsikusokkal. Ott akkor kilépett ebből a dimenzióból, egészen elképesztő volt. Köszönöm!
And something especially for my soul...
Csodálatos felvétel.
maravilhoso!
Excelente!!!
Es dificil comentar porque puede interpretarse como comparacion
David Fray , helene Grimau y Kocsis tienen su estilo personal ;me fascinan los tres🎉
Uhh. Llevo escuchando 45 segundos. Esto es muy bueno!!
I wonder why older recordings and performances of this Bach Harpsichord Concerto no. 1 in D Minor tend toward a slower tempo compared to present day interpretations.
It is because old performances tends to show more musicality,idea and good taste in comparison to modern superficial piano-gym without any possible meaning other than:look how quick I can play that...
I can't say that I agree with your characterisation of performance speeds vs age. Most performances, older and newer, pace the last movement too fast for my liking, which fails to let the cross-rhythms present themselves. On the other hand, very few of the good newer versions pace the first movement excessively fast, while some performances from the 50s and 60s were too fast.
I think there is a tendency for younger players to play final movements generally too fast. A prime example is the Brahms First Piano Concerto, specifically marked Allegro Non Troppo (NOT too fast), which to me says - play this slow enough that the intensity of the two contra-themes of the piano's entrance can separately work their magic. Most performances are WAY too fast for this to happen.
Any idea what orchestra?
If I'm not mistaken, this is the orchestra of the Hungarian Academy of Music conducted by Albert Simon.
@@muntvinc Note that this is NOT the performance on the Hungaraton "studio" recording with Albert Simon conducting the Ferenc Liszt Chamber Orchestra. I have no particular reason to believe it is the same conductor and orchestra. It is clearly a different piano and does not sound like the same hall, although it is always hard to tell with the microphones set up to record a live performance.
To me this is well played but it feels more mechanical than Gould's version.