Zoltan Kocsis - Piano Recital (Full Concert)
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- čas přidán 30. 04. 2017
- Zoltan Kocsis (Piano).
Track list:
1) Fantasia No. 3 in C minor K. 475 (Wolfgang Amadeus Mozart)
2) Sonata No. 32 in C minor op. 111 (Ludwig Van Beethoven)
3) Sonata in B flat major D. 960 op. posth (Franz Schubert)
Recorded at Teatro Sociale, Bellinzona, Switzerland, 1998.
P. S. I do not own this content/material. Please do not hesitate to contact me if you have any urgent enquiries regarding this content/material. - Hudba
i just wish i could have seen his playing in person ..... i really should have done it 😢😢😢 he is just beyond everything
Staggering playing, and just so easy for him. What a musician! There is no one alive who comes even remotely close to him. The very last of the very great pianists. Gone forever.
Come on! More colorful beautiful piano sound than Kocsis=Wilhelm Kempff Emil Gilels Radu Lupu Artur Rubinstein Vladimir Ashkenazy Grigory Sokolov! More genius than Kocsis=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Stanislav Bunin! More powerful louder than Kocsis=Mikhail Pletnev(Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest was Lazar Berman! The 3rd Loudest was Erwin Nyiregyhazi! Horowitz his technique better than Kocsis's! Dezo Ranki was
Dezo Ranki was better than Kocsis!!
I'm not a musician, and first time I've heard about Kocsis only after his death. And ZK becomes one of my favourite piano performer. He was not only unique pianist, but he was a star of musical culture in general. I mean his work with Budapest Festival Orchestra and Hungarian Philharmonicer.
Such an outstanding and unique pianist!
RIP, wonderful Maestro. You departed too soon, i think.
Very nice interpretations of famous pianoworks. A great impressive document to remember Zoltan Kocsis forever.
Благодарю,Вас, за этот
прекрасный концерт!
13.03.2021.
Mozart: Fantasia in C minor K.475 - 00:26
Beethoven: Piano Sonata No.32 in C minor Op.111
Maestoso, allegro con brio e appassionato - 12:25
Arietta - 20:11
Schubert: Piano Sonata No.21 in B flat major D.960
Molto moderato - 39:07
Andante sostenuto - 1:02:33
Scherzo - 1:10:57
Allegro ma non troppo - 1:14:28
Beautiful pieces, intense interpretation in a charming theater. Deceiving recording.
What's deceiving about it?
@@Kris9kris The quality. It's more like a stereo audio.
❤❤❤❤❤❤❤......❤
bellissimo
More than fantastic❤️❤️❤️
❤❤❤köszönöm
I'm puzzled. In one place I'm told this is a recital by Zoltan Kocsis. However, in the listing above, I'm informed about a performance of Sonata No. 32 from a recording of Beethoven's complete piano sonatas by Gerhard Oppitz. What's the point? Does Mr Oppitz need such marketing?
Previous remarks aside, thank you for the Kocsis recording. How interesting and thrilling to him in a repertory other than Rachmaninoff or Bartok.
Love everything that Kocsis did. Check out his Debussy too.
però l'audio in saturazione, non si può ascoltare peccato
The sound quality is disastrous.
I don't like Mozart. But, this is the best ever Fantasia No. 3 in C minor K. 475 ...
also it's ok to have red wine with fish you know
RIP. strange becuase one is not supposed to play anything after the op.111, not even an encore. he played Schubert after it. Op 111 is normally performed as the last piece of a program in recitals and pianists tend to avoide doing encores in respect of this piece.
I thought the same but do think that if one is going to follow 111 then the d.960 is not a bad choice.
In Beethoven's time, it was an outrage to play a piano sonata (mainly intended for a domestic environment and little salons) in a concert hall. One of his late sonatas was premiered sometime in the 1820s, and a local critic panned the performance stating that such a piece is completely inadequate for concerts. No one is "supposed to" do anything.
Maybe D.960 is the only thing that could possibly follow Op.111 without diminishing it. Its composition didn't follow Beethoven's death by many months; it was never played in the short time Schubert had left, nor was it even published until long after his death. Both sonatas are last things from supreme geniuses. Maybe nothing can follow either. Nothing in sonata form ever has.
Your comment is well taken - however, I have a different take on the subject. Simply put - both works are monumental musical achievements that contain elements of tragedy and joy; Schubert's emotions, in this piece, are this worldly emotions - Beethoven's emotions, in this monumental work, are metaphysical emotions. For me, when a concert ends with Op. 111, it takes me quite a lot of time to readjust to "this world" - and it is never a comfortable experience for me. To end with the Schubert, gives a kind of balm to the soul, sadness notwithstanding, before venturing out into the cold streets. It helps one adjust to the world of people, places and things.