Edvard Grieg - Lyric Pieces (Volume X), op. 71 [With score]

-Composer: Edvard Hagerup Grieg (15 June 1843 - 4 September 1907)
-Performer: Håkon Austbø
7 Lyric Pieces Book X, op. 71, written in 1901
00:00 - I. Der var engang {Once upon a time}
03:56 - II. Sommeraften {Summer evening}
06:17 - III. Småtrold {Goblin; Puck}
08:03 - IV. Skovstilhed {Silence of the woods}
13:19 - V. Halling {Norwegian dance}
16:24 - VI. Forbi {Gone}
18:23 - VII. Efterklang {Remembrances}
The final installment in Grieg's sets of Lyric Pieces comes very late in the composer's output in 1901, a time where illness kept him largely confined to his home, Troldhaugen, outside Bergen. In a September 1902 letter to American critic (and later, Grieg biographer) Henry T. Finck, Grieg writes:
"...if I told you that I was not composing anymore, this must not be taken literally. Last Christmas there appeared the tenth volume of Lyric Pieces. Soon all the ten parts will be published in a sumptuous volume by Peters."
With the printing of all ten sets together, Grieg seems to have been satisfied that he'd completed his work in this realm, and was probably glad to make a final break with the genre.
The tenth set of Lyric Pieces was published as Op. 71 and is dedicated to Mrs. Mien Röntgen, wife of the composer Julius Röntgen, dedicatee of the fifth set of Lyric Pieces, Op. 54. The opening "Der var engang" (Once Upon a Time) is in the form of a mini-tone poem. The outer sections are in the nature of a Swedish folk song, harmonized as a quiet chorale. The middle section is a lively Norwegian spring dance set in Grieg's best folk dance idiom, with bare fifths and subtle adjacent tones spelling out both accompaniment and rhythm. "Sommeraften" (Summer Evening) is a nocturnal reminiscence that bears resemblance to then-emerging trends in French music. "Småtrold" (Little Troll) returns to the musical terrain that Grieg famously explored in "March of the Trolls" from Op. 54. "Skovstilhed" (Still Woods) is likewise reflective; a quiet forest scene in a manner that recalls the music of Robert Schumann. The "Halling" that follows is one of the best known examples of this 2/4 Norwegian dance that Grieg composed. Here, as in "Summer evening," the French sound is alluded to, particularly in a remarkable passage where the C major dance rhythm is interrupted by an insistent D flat pedal tone. "Forbi" (Gone) is subtitled "In Memoriam," specifically to whom is apparently not a matter of record. However several of Grieg's closet confederates died in 1900 - 1901, including his publisher Max Abraham, composer and close friend J.P.E. Hartmann, Grieg's brother John, and his father-in-law Herman Hagerup. Clearly expressive of deep sorrow, "In Memoriam" is scored in E minor, and it is one of the most chromatic and harmonically unpredictable of all Grieg's works. In this piece the listener experiences a mood hinted at in several of Grieg's letters of this time: "It is as if this beautiful old word 'saga' acquires a new and deeper meaning for me as my own life belongs more and more to the past. Soon everything will be saga, saga!" "Efterklang" (Remembrances) is a wistful and simple waltz that paraphrases the melody of the Op. 12, No. 1 "Arietta," the first of the Lyric Pieces. With this Grieg brings his Lyric piano cycle full circle, and to its close.
[allmusic.com]

[@gaboelexo]

5:02 So Grieg Invented Jazz, Cool

[@monteverdi1567]

Thank you somuch for this. Grieg was a favorite growing up, I learned many of the lyric pieces when a piano student and loved them all. How perfect he ended his cycle with a nostalgic waltz hearkening back to the very first one.

[@josephalvarez5315]

5:05 F7#9, what a beautiful chord. Grieg's harmonic genius is underrated

[@donnytello1544]

Jazzy, Grieg was really something

[@Ivan_1791]

I'm just finding these hidden gems and since I listened to the Op.66 I can't stop.

[@gmfrunzik]

Ermm actually it a gb

[@rieladarielakuma]

Skovstilhed is such a blessing to the ears. I actually came here from my little terrarium. Learning this piece right now :)

[@antoniocaden8715]

instablaster.

[@Rickriquinho]

Puc reminds me Carmen and silent movie soundtracks.

[@arsmelancholiae]

The melody of the last piece is similar to the melody of Arietta (the first lyric piece)

[@kaleidoscopio5]

It is the same. His first and last lyric pieces are the same after forty years....it is like returning home after a very long journey....

[@Examantel]

Summer evening sounds like jazz

[@TheInfiniteGigabyte]

True, it is interesting how jazzy Grieg can get sometimes

[@Rickriquinho]

Jazz is largely European music with instruments, techniques, harmonies and writing coming from Europe.

[@pianoboss6000]

Forbi reminds me of Scriabin op 74!

[@ExpldgN]

Remembrances has a weird "end of an era" feel

[@kew65]

It is a mirror of his very first lyric piece "Arietta" which makes it evoke even more of a nostalgic feeling. It gives a sense of "how far we've come."

[@ExpldgN]

halling is so cool

[@user-zv5pf1mb6f]

やっとこの曲みつけた🥹

[@joshscores3360]

The third piece is reminiscent of Prokofiev.

[@cadenzalien4554]

nah

[@zaichiiiks]

4,7

[@Protosini]

I should have Forbi dden you from uploading any more Grieg....

[@Pianist46]

4.5/10

[@jackminto7062]

@@Pianist46 that's generous...