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My cello and orchestra arrangement of this piece as “Cello Concerto in D major” Cello solo Woodwinds: 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons Brass: 2 Natural Horns in D (1st, 2nd and 4th movements), G (3rd movement) 2 Natural Trumpets in D (except 3rd movement) Percussion: 2 Timpani in D and A (1st and 4th movements), B and F♯ (2nd movement) (except 3rd movement) Harp (opt.) (except 3rd movement) Strings: Violins 1, 2 Violas Cellos Basses

1:00 is when it starts if ur doing BSYO CO

The beginning is so Schostakovitsch-like

que es lo que paso aca

(The Yniold Parts for myself) 1:17:58 1:46:05

I sang Yniold in the Opera house 2 years ago, when I was 12. This helped me a lot. Thank you🙏❤

Attention...chef-d'oeuvre. Merci.

Un sacré génie cet Igor.Merci encor...!

Ça ressemble à Poulenc...

Happy christmas.

Belle invitée poétique...très bien jouée . Merci Tatiana.

J'aime ça.

J'adore et j'adhère. Merci.

Superbe, l'une des plus belles portes d'entrée à l'univers de Poulenc. Merci.

D'une beauté fascinante et immanente. Merci.

Magnifique, féerie de l'instant...Merci encore.

J'adore et j'adhère. Merci.

Comment ne pas tomber amoureux d'une telle musique...Merci encore.

Magnifique témoignage d'un homme de qualité...Merci encore Wolfgang.

A phantastic work, combining Griegs own style, Norwegian traditional folk music, and influences from French impressionism which Grieg had met during a visit to Paris. The "Killingdansen" e.g. is a traditional Norwegian folk dance of type Halling. The poetry is taken from a - in Norway - famous novel written totally as a sequence of poems. The title of the novel is the same - Haugtussa. The title means "the girl from the hill", and the author was Arne Garborg. The novel is about a simple girl from the countryside from the landscape of Jaeren in the south-west of Norway, south of the city Stavanger. She is clairvoyant - she can see into the world of ghosts and demons without being conscious of it. During a summers work as a herding girl in a mountain cottage in the landscape Rogaland she meets views into this 'other' world, but she also has her work to think about, and falls in an unlucky love with the son of the farmer who employed her. She has to undergo a life crisis in her young years, caused by her views into the secret world of the demons and by her unhappy love affair with the young guy. The novel - whole in poetry - is written in the 1890-ies in an old-fashioned language (nynorsk) which sounds very archaic and is very difficult to read for foreigners like me. Anyhow - I can recommend it warmly to all people with more than a superficial knowledge of the Norwegian language. Grieg took only a few of these poems, thus the actions of the novel can not be reconstructed from his song version. Grieg loved the "New Norwegian" (nynorsk) language which was created artificially around 1850 but was based on old Norwegian dialects, as a contrast to the official language 'bokmål' which was a modified and adapted version of Danish. The most common Norwegian in use today is still 'bokmål'.

Génial...Musique addictive , comme un sortilège. Merci encore.

Notes for myself: 5:20

Suena similar en el estilo a Debussy 🌊

Thanks for posting it

1.d 1.t 0:00 1.d 2.t 0:32 2.d 1.f.t. 3:24 2.d 2.f.t. 5:25 3.d 1.t 10:07 3.d 2t 12:15 Coda 19:00

13:00

5.55

“There will be Blood”

First one is played nearly half the speed it ought to; listen to Grieg’s piano roll

4:47 syncopation

Thanks for uploading!

Technically the hardest Grieg piano pieces (granted, these were based on / transcribed from Hardanger-fiddle music...) But so beautiful. I listened to these when I'm exhausted, and I felt cleansed.

53:46

(06/05/2024; 15:41 hs.) -- Soy de Ciudad de Córdoba (Argentina). Hermosa sonata; primera vez que la escucho. Agradezco a quien la subió a CZcams.

Hello! I the score, you have the lyrics in Norwegian,? What is the other language? It´s look very similar to norwegian but some words are completely different.

It's strange... I used to love this piece, and many others like it. But as I have grown older, I find myself going "backward" towards more lyrical, neo-romantic music. As the world becomes more insane (at least outwardly) I seem to be discovering more harmony and consonance in it. And I do not believe it is merely a longing for such beauty, but an actual awareness of it all around me.

To my classical comrades, and to my mother 3 homies: let us not quarrel, but unite under the passion of music that has brought us here together

Never have I ever seen someone get this angry at short-changing or short-weighing someone, but it sure does make sense in context

why doesnt the trumpet part have a key signature??

oh my lord i LOVE THIS PIECE

A goofball at work in this symphony

This reminds me so much of Mont Campbell's compositions in his bands Egg and National Health. Many bands in the prog and avant prog movements claimed a Stravinsky influence. This is the most direct lineage I think, deeper than Magma's and Univers Zero's acknowledged Stravinsky debt.

thank you!!

LYO Oboe Excerpt #6 22:34

It is so beautiful! And somehow has Asian especially Turkish vibes

Gracias Leonardo

The cellist has a very special sound, I love it !! A real personality.

10:45

Interesting sound world…..so many to explore & enjoy

Четвертый