The Beach Boys - SMiLE (Odds and Ends)
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- čas přidán 8. 07. 2024
- Hello everyone! Long time no upload...
I've been working on a lot of stuff behind the scenes but never really got any songs finished. I recently started using Adobe Audition and I'm pretty much restarting at this point, so I figured I'd post some of my tests for others to enjoy. (I DEFINITELY wasn't inspired by BowMan 2's most recent upload, totally not...)
All files are available in a Google Drive link below.
0:00 H&V 2024 Stereo Verse Mix
- I used Moises to separate the verse into stems, then remixed them into a new stereo verse.
0:48 The Open Country Part 1
- This is partially the same mix as the "I'm In Great Shape" mix already on my channel. I also added Barnyard to work out the transition between the two.
2:12 Barnyard (Blues)
- Failed experiment combining Barnyard with the Dennis/Ricky Fataar song "Barnyard Blues".
2:43 Barnshine Fade
- Combination of multiple takes for a longer fade
4:09 Do You Like Worms? 2023 Stereo Verse Mix
- Combination of takes 15 and 24. Stems separated using Moises.
4:45 Do You Like to Say Dada
- Combination of Do You Like Worms/Love to Say Dada, inspired by episode 78 of the Sail On Podcast, wherein possible links between the two songs were discussed. (A very interesting listen, I highly recommend the entire podcast)
6:30 Good Vibrations 2024 Stereo Verse Mix
- Combination of takes 20 and 28.
6:55 Vegetables/With Me Tonight - Smiley Smile remix
- Piano track sourced from Unsurpassed Masters 18. Vocals separated from the Long Version of Vegetables from Sunshine Tomorrow using Moises.
11:14 Vega-Tables Fade
- Combination of multiple takes of the Vega-Tables fade.
12:32 Fall Breaks and Back To Winter - Organ Remix
- Organ separated from the Alternate Mix on Sunshine Tomorrow 2 using Moises.
14:59 Wonderful 2024 Stereo Backing Track
- Probably my most intensive track. I used the session track from TSS and separated the stems using Moises. I took the ukulele from a bootleg backing vocals track (the one with Bruce saying "count, 1, 2-"). Really happy with how this one turned out.
16:55 CIFOTM Bridge and Piano Demo
- Combination of the CIFOTM Bridge and April piano rendition.
17:38 CIFOTM Chorus 1 Acapella
- Separation of the first chorus vocals from TSS.
18:00 CIFOTM Bridge and Piano Demo (bass edit)
- Same as previous edit but with the bass cut out for the first 8 measures)
18:42 CIFOTM Chorus 2 Acapella
- Separation of the second chorus vocals from TSS.
19:06 Surf’s Up with 1967 Solo Vocals
- Combination of the Surf's Up backing track with Brian's vocals from the 1967 piano performance.
I hope you all enjoy!
drive.google.com/drive/folder... - Zábava
Really cool stuff man!
@@thresher_and_hover Thanks! Glad you enjoyed it
Woke up this morning, tumbled out of bed, freshening air around my head. This is not junk, rather new horizons of everlasting sunshine.
Thank you very much! Glad you enjoyed!
@@gwaunch1967 Let me please answer in detail when all odds and ends are digested. So many new and indeed freshening perspectives. Is Gwaunch an alias for Anon? Sorry. My suspicious mind. Read it as a compliment. 👍🏿
@@deepbreatherif you’re asking whether I’m also Anonymuse, sadly not. He is a good friend of mine tho, he helped provide another perspective on a few of these tracks while I was working on them. I will gladly take that as a compliment!
The Open Country Part 1, I restrict myself. Couldn't think of a better way to assemble IIGS and Barnyard. Starting in the Durry groove, overlayed with piano and saxophone from the official sessions. Brian's Harvey voice configured as never before making my wish for new vocals redundant. Everything is meticulously synchronised in that 6/8 beat (is it indeed 6/8??), and all the rhythmic discomfort of previous mixes is finally gone. A few seconds of "silence" (no voice, no instruments) suggest the real open country before Barnyard sets in. Miraculous.
1.56 I love that bonus, be it genuine or not. A connaisseur's gift.
Discuss. I have been a longtime defender of IIGS as a second insert in H&V but I give it up now. What do you think of Open Country immediately after H&V? The Durry groove continues and reverberates in that same energy where H&V left off, reminiscing In The Canteen's 6/8 beat. Almost Woody W. cartoon, leaving the town after breakfast and on our long journey to the city, in the great wide open, suddenly surrounded by goats, cows, chickens... Plymouth Rock after H&V is too much at once, it sucks, similar bicycles notwithstanding while Open Country after Plymouth is too late in the day. Call it an interlude that brings us after 1.27 minutes to that Rock. And roll. That H&V theme worn out by worms is more valid after the short break. The iron horse already visible on the horizon 🚃
There are many more odds and ends, great inventions They sound like a new era in SmiLe (de-)mixing has arrived. Look at me jump!I will come back here, I hope. Fewer words, I promise.
BTW Open Country Part 2? Making fun of Heroes and Villains Part 1 and Part 2. Right on, brother, right on. Mahala etc.
Then I'll do something with Cabin Essence's secret vocals from dennis
❤
Thank you, it means a lot coming from you!
Nice, well done!!
Not sure about the dada connection though, two very different songs.
Always loved dada and also the vegetables fade, the latter quite hard to find complete.
@@bgbstrm2352 Thank you for your comment! It’s been a while since I’ve heard that particular episode of Sail On, but IIRC the DYLW verse vocals were recorded onto a separate tape at the same session as the “Taped Strings” and “Fender Rhodes” Dada tracks. Brian can also be heard on tape saying “let’s put them together”, implying he wanted to use those vocals not as part of DYLW, but as an intro for Dada. At this point, Brian had already taken the Bicycle Rider bridge for Heroes, so DYLW was essentially abandoned.
I definitely prefer DYLW and Dada as we currently know them, but it was also fun playing around with some new and different ideas.
Glad you enjoyed the mix!
very nice sequencing - blends together very well.
20:48 Brian would've 100% made an uh oh stinky joke as a Psycodelic sound if he was making SMiLE in the late 2010s
Psycodelic Sounds: Brian Shits His Pants
Hi G !
First!!!1!!1!! brine wilson is a genome
I'm sorry gwancg
@@BowManNumber2 thank you bowtie