Songs that use the Phrygian mode
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- Äas pĆidĂĄn 3. 06. 2024
- Phrygian has a sound much like the minor scale but with a darker edge. A common choice in metal, prog and hip-hop, Phrygian introduces an exotic, unnerving sound to a song's tonality. Today we're going to look at some examples of the phrygian mode in action and also look at some similar scales including the Double Harmonic scale and Phrygian Dominant.
đ CORRECTION 1: at 4:45 the sheet music for âMilkshakeâ should show three Ds before descending to C#, not just one! Sorry about that and thanks to Asle Fjeldstad for bringing it to my attention.
đ CORRECTION 2: at 11:05 I said that "Misirlou" started as an Arabic folk song, but in fact it seems it was Greek. Thanks to Theo Querel for bringing that to my attention.
SOURCES:
Phrygian mode in Kendrickâs âHUMBLEâ: âą The Phrygian Mode in K...
Early version of âMisirlouâ: âą The original Misirlou ...
12 tone analysing âWhite Rabbitâ: âą Understanding White Ra...
Listening In analysing âPyramid Songâ: âą Radiohead: Pyramid Son...
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0:00 What does Phrygian sound like?
1:00 Metal
3:00 Hip hop
5:00 Phrygian is a mode
6:28 Modal mixture
8:19 Phrygian's "middle eastern" sound
11:00 Phrygian dominant
13:00 Modal ambiguity
15:05 Piano outro
What's your favourite example of a song using the Phrygian mode?
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Another awesome video!! I would also like to know that what are your thoughts on "Like a Prayer" by Madonna, do you like the song?? Thanks
Without a doubt Phrygian, as it is not major feeling/sounding at all, to my ear.
I heard C phrygian. The a flat sounded off to me.
DO YOU THINK "REQUIEM PARA MATRAGA", FROM GERALDO VANDRĂ, IS IN A PHRYGIAN?
Crazy thing, back in 2000s I used to listen to hip hop, but once it got more into electro, I began listening to metal, because metal had the sound I wanted. Now I know the sound I wanted was the phrygian
This makes me wonder what sound Iâm trying to find, I listen to pretty much everything
@Lex Baker well its very rare to hear locrian cause the tonic chord is a minor dim5th and its sounds like flames pain and hell xd but also cool for some ears
There is plenty of Phrygian in Electronica, & trip hop, you just have to know what to listen to. Tool has definitely built a career of Phrygian ha. If that's what you like, then maybe start listening to more music from Central Asia and the Middle East.
You wanted that phrygian phlavor.
My love of Pagan folk, Middle Eastern and Romani music, and White Rabbit explains.... A lot lol
But interestingly I'm a huge classic rock lover which is hugely dominated by Mixolydian; he quoted Cars by Numan, too, which is a huge love of mine. So without knowing what I've done, I've been seeking out Phrygian/Mixolydian songs just by enjoying them
So from this I conclude that the Beatles never had a song that used Phrygian.
Exact, lol
Maybe they did, but David just didn't incl---oh right
đ€Ł
I tried so hard to think of an example, but I genuinely canât. You might be right.
Do they have anything in Lydian even?
About that peace of music you wrote :
In Persian Music we have exactly this mode, called (Dashti in Shour)
Interesting point :
If you change the G to G# and play the E chord Major instead Minor, The name of the Scale and its rules will be completely changed and it will become to another mode, called (Shoushtari in Homayoun)
16:01 I also hear this song as C Phrygian. For some reason, to me it always sounded like C in a âdarkâ mode, and C Phrygian definitely makes a lot of sense!
I concur with C Phrygian
To me it sounded kind of like phrygian, but very bright. It's apparent there is a flat second. A bit too resolved: I wouldn't guess either major or phrygian.
If I didn't knew the answer phrygian wouldn't be my guess, but some scale of the major family. (That being said I barely have good tonal hearing)
At the end the C drone is far more convincing to me than thr bA drone.
"A mode is when you take a scale... but treat a different note as the tonic". Aaaaaand the use and purpose of modes finally falls into place. Someone said it elsewhere in the comments, but undoubtedly the best music-related channel on CZcams. Really great stuff, David. Thanks so much.
Thanks Jamie! đ
This concept really unlocked music for me. It's all about things relate to each other. Rhythm, harmony, melody...
Yeah indeed! I never really got modes until that!
I came from 4chan, theres a music board there called /mu some ppl were talking about good music youtubers and he was mentioned a lot
Wait until you realize the way the modes were derived⊠by counting black keys.
This is by far the best music channel on CZcams. Great work.
Thank you! đđ
I think sammy g is on the same level but theyre at the top both
Rick Beato
@@Henry-uv9xu Rick has too much boomer energy
adam neely and charles cornell are fire too
What a great video! However, it kinda upsets me when musicians ignore Flamenco when it relies almost solely on Phrygian mode and yet no one ever talks about it. The two main styles (that I know so far) are "Por Medio" and "Por Arriba". Por Medio ("from the middle") relies on A phrygian which can be easily arranged on the top 5 strings of a guitar (A-D-G-B-E), while Por Arriba ("from above") uses all 6 strings of a guitar and relies on the E Phrygian scale. Certain sub-styles of Flamenco also characterized on "Por Medio" or "Por Arriba". Tangos and Bulerias use Por Medio, while Soleas and Fandangos use "Por Arriba".
I was just about to say the same thing...
flamenco is rad. always liked it
Phrygian and Lydian are my favorite modes. I like the mysteriousness and desert feel of Phrygian (a lot of rock and metal songs seem to use it) and the spacey psychedelic feel of Lydian. I would love to find new music in both of these scales.
i'm pretty sure you know KGALW but in case i suggest you to check that if you like exotic psychedelic music and microtonality
I like Locrian.
Check out Sam Smith unholy
Same.
â@@juliehirsh1436too obvious and gimmicky for me. Really taking the exotic sound to make it sound dark n sleazy. Very catchy thoughđ
You're so right about that hip-hop sound, I hadn't thought about how "phrygian" that sound was. But it was so ubiquitous during that era of rap.
I think of Gangstaâs Paradise by Coolio
@@victoresquivel8546 Stevie Wonder
@@StratsRUs Stevie isnt rap
For me Phrygian immediately screams metal ethnic/arab or flamenco music, not hiphop in particular. Therefor hiphop has way too much variety of sample use. (Note that his examples were mostly from âarabianâsamples) Hiphop can be anything with a beat
How much Phrygian do you want?
Metal and flamenco songs:
*yes*
Phrygian dominant is used a lot too in metal, Nile kinda loves it a bit too much and so do I
Phrygian dominant is also called 'Spanish Phrygian' for a reason.
@@jessevandendoren Spanish phrygian has a minor and major third.
@@jessevandendoren because the Spanish got it from the Moors who invaded Andalusia at the time. They imparted their Mesopotamian influences over there and now we associate one half of Spanish music with that tradition. Regular Phrygian is traditionally not Middle Eastern due to the minor third inherent in it. You'll even find that in ancient Mesoamerican cultures - today known as Mexico, Central America and South America. Whether or not Phrygian is of Spanish or Central/South American origin remains to be debated. For the version you're talking about In reality it's called the "Jewish" of "Freygish" (Hebrew for "Phrygian") scale, it's popularly most recognized in "Hava Nagila".
It's Iranian half is called "Harmonic Minor", which derives from the same scale. In Jazz we use Phrygian Dominant, to play over V chords. It's to go where the VII is Full Diminished and resolves to the I which is Minor. Using it that way creates a powerfully dark, but mystical finish to music.
Jazz songs yes three my song Rhombus is in Phrygian Mode
Phrygian is also used really nicely in the Nightmare Before Christmas. Itâs present in songs for the character Sally and her interactions with Jack Skellington. Specifically Sallyâs Song uses Phrygian. Although if I recall itâs primarily minor harmonies, but Sallyâs vocals are Phrygian and use the unusual note to end every other line. Itâs beautifully ethereal. Locative is also used at times, so itâs a lovely display of Danny Elfmanâs music skills.
Iâm a Flamenco guitarist and composer and really enjoyed your video on Phrygian which is the home of 90% of my compositions. Iâve always called your Phrygian Dominant/Major - âAltered Phrygianâ due to the #3 in our I Chord example E7(b9) I think of it being a borrowed #7 of the relative A harmonic minor so when you Go to build the E chord, it becomes Major instead of minor with the added b9. Anyways, I love this theory geek out stuff. Nice job!
New Person, Same Old Mistakes = C Phrygian for me. For sure.
I think it's in F minor.
C here to.
F minor
C. The melody rest so much on the tone
I can unterstand both, but I like A-Flatâs vibe more
13:00 It took you very long this time to get to the Radiohead example of the video hahahaha
Yup - I was "Where's the Radiohead example?"
That's because it's not just basic Phrygian mode for them - it's of course more complex than that
This video made me realize that Frozen by Madonna may use Phrygian during the chorus and outro. The key of the song is in Fm (ionian) but in the 7th bar of the chorus the song plays a Gb chord followed by an Absus4 before returning to the tonic where she sings G naturals again. Iâve always wondered what to call that pattern, the song also blends Indian/Moroccan influences with electronica.
"Waiting For The Sun" by The Doors is another song that blends "D" Phrygian Dominant & "D" Phrygian. Thanks for a great lesson.
I'm really happy that you use some examples from metal music because a lot of really good modes get put to use in metal music that doesn't get paid attention to.
True. Can't wait for the day he talks about Opeth or Cattle Decapitation. And maybe Tool in detail as well.
True. Sometimes for non metal listeners itâs hard to appreciate whatâs going on and many time itâs really interesting and clever stuff
@@goatkoala573 No it isnt metal is complete stupid music that should not get any attention. But its good not he added a hardrock band like Iron Maiden.
@@michaeldejong2700 Iron Maiden are generally considered to be a heavy metal band. And you really need to open up your mind a bit more.
@@brendanm6921 I dont give a shit what people generally think of Iron Maiden because most people are ignorant sheep when it comes to rockmusic. They are a hardrock band and your devilhorn saluting metal-ass is not welcome here.
Plenty of Tool songs are in phrygian / phrygian dominant: 46&2, Right in two, Culling voices, fragments from Vicarious etc
I love the double harmonic scale! I found it on a whim years ago and when looked the scale up I was so excited to find something on my own like that.
Your channel has helped me so much! The way you explain everything so clear and calmly and all the visuals too! Love from Brazil đ§đ·đ§đ·đ§đ·
"Stargazer" by Rainbow is a great example of a Phrygian Dominant song.
Where's your s t a r?
Ritchie Blackmore was a HUGE fan of Phrygian Domiant - the intro to Anya and the live outro for Perfect Strangers are some examples.
In jazz and Klezmer music, we call it Freygish scale. It's one of my favorites.
E phrygian dom? Or B phrygian dom?
I feel like "Gates of Babylon" is too, the main riff, E Phrygian, I suppose. It gives it that Arabian feel. A couple of classic songs from one of the best bands ever.
Being a non musician I find the information that you deliver is top notch.
Even for myself I find it intrigues me. I actually can follow and understand it.
It teach me the difference between what makes a good song great.
Little minor tweaks can convey a major shift in the flow and emotion of a song.
At any extent I thank you for your efforts and enlightenment.
I love how you're showing us how it would sound like in normal mode. It's so great for imagionation, it gives so mouch more understaning of the amosphere of each of the modes. And it also creates some funny positive caricatures of the metal songs
I feel that another really good examole of a Phrygian song is Fulenn by Alvan & Ahez, feom Eurovison 2022. Its in Bb Phrygian, which gives it a very distinct magical and dark feel, almost atonal in nature; matching the feel of the song(since its about being careless, breaking away from the usual, and just partying with nature) and also sticking to Bretons culture. Since Bretonic music is of Celtic origin(and Celtic music tends to use a lot of phrygian) its also what gives Fulenn its signature "Celt" feel.
I definitely hear the Tame Impala song in C Phrygian, and it does have a somewhat dark sound to it. But I wonder if those people who hear it in Ab hear it in a lighter context. How would we know?
Thatâs a shower thought if Iâve ever heard one âđŒ
They probably do since they're hearing it in a major key
from the short excerpt in this video I hear it in Ab major. It clearly does sound light and happy to me, like it resolves to the C as the third of the major scale, not the root of phrygian. But maybe if I listen to the whole song it might turn out differently.
i hear it in Ab and i'd say while it doesn't exactly sound cheery it does sound pretty light to me
I've played the bass line on the guitar and it starts with the diminished 2nd for C Phrygian, descending before finishing with the tonic note, so the way i see it structually fits that mode. Also it fails to hit the A tonic which makes the C Phrygian much more obvious too, seems interesting how some people see it the other way without a tonic note.
Pyramid song is so sick. The tempo of it threw me for such a loop trying to learn it on piano.
Radiohead to be messing with everyone's brains tempowise. It's almost more surprising when they don't. đ
He did a full video on why it sounds so off, despite being in 4/4: czcams.com/video/m7GyQovrrDM/video.html
I think that would be because the song is based on dotted quartets and there's an 8th note swing đ€
Those tiny little pauses really took that simple melody and raised it to the next level.
The whole modes/scales topic was a complete rocket science for me before I found your channel. Thanks a ton, you're doing a great job with this graphical presentations, examples from real songs and examples like "how it would without this note flattened" etc
5:03 - best explanation of a mode that I've heard yet. Simple and straightforward!
In Pink Floydâs âHey Youâ the intro starts with an Em and Dm vamp, therefore using that flatted second in the key of E minor. Though the song doesnât really stick to Phrygian the whole time, that intro is a short example of some more cool Phrygian.
Oh my god i finally understand.!!! When if first heard i couldnt explain the feeling but it felt dark and now i know why
Except the melody goes 3-2 ("Hey you") rather than 3-b2. That plus the very first note of the song is the 9/sus2/F# or whatever you want to call it, making it minor.
If the second note of the scale were completely omitted throughout I could see an argument for it suggesting phrygian by going from Em to Dm but considering all throughout the Em bars there are F#s littered throughout, I'd argue very strongly against it being phrygian.
@@Stellarainn The darkness of Hey You definitely comes probably primarily from the relationship between Em and Dm, however I'd also suggest it comes from the "Hey You" finishing on the 2nd, having a feeling of suspense (though technically the vocals fall to the tonic/E quietly), along with the melody itself being restrained to the range of around a minor third. That plus the eerie production, the tone of the guitar etc. The piece isn't in E phrygian though.
11:05 The name of the singer and the lyrics are Greek. The name of the song is also Greek. It means Egyptian. I know the origins of the melody are hazy, but this specific incarnation of it is firmly a part of the Greek rebetiko genre.
there are hundreds Greek songs in Phrygian. It is a Greek mode, just like all others!
â@@3500ton What are you trying to say? That all songs are Greek? It would be a moot point to point out then, wouldn't it?
also, not all modes are Greek. Maqam Bayati or Raag Miyan ki Todi don't sound like Greek names to me, neither do their notes.
@@rasmusn.e.m1064 i think he means the western modes only. They are called as greek modes too, cause they're suppose to come from them.
Jonic, doric, phrygian etc are all greek names.
@@rasmusn.e.m1064 I don't think he meant it like that or in any bad way. Phrygian as a language is super close to Greek and was spoken mainly in West Anatolia.
When I discovered this mode I realised how "Greek" it sounds in a way. Especially a lot of Athenian old school hiphop and traditional music in urban areas (even tho Phrygian was never spoken in that area). It even reminds me of some Turkish sounds with electric guitar even and honestly, that makes sense.
I found it fascinating because after I saw this video I realised that those songs specifically as well as the genres that mainly use Phrygian mode are classics and very popular among Greek people!
Absolutely right... đŹđ·
I can't stress enough how many new things i learnt from this channel. Thanks David
Your composition is gorgeous. The most helpful section of this tutorial. Great stuff
Another metal song that screams Phrygian is Nightwish's Slaying the Dreamer.
The intro to the track to Doom 1's E1M4 level also uses Phrygian. It starts with in F#m but in the 2nd bar there's a G5 chord.
I mean Doom is full of dark music.
Slaying the Dreamer is such a good song
New Person - just judging by that short clip, I hear it resolving on the C.
Agreed, it's C Phrygian
Sometimes I can hear it Laurel, but other times I hear Yanny
Agree. Me too I perceive C as the Tonic.
I agree. I hear C as the tonic.
Same
One of the best lessons on modes and how they affect melody, thanks David!!!
Thank you David! I am learning that the chords are just as important as the melody as you paint the emotions in your song.
For 'pop' music that features Phrygian, I think I'm right in saying that in Eurovision 2021, both "Mata Hari" from Azerbaijan, and maybe also "The Moon is Rising" from Latvia both were written in Phrygian.
Yeah, I was going to say I was pretty sure I'd heard it in a few Eurovision entries in the last few years!
Yes Mata Hari switches between Phrygian and Aeolian. The verses are Aeolian, then it switches to Phrygian starting at "just like Cleopatra" through most of the chorus, then back to Aeolian at the end of the chorus for that one last "Mata Ha-a-ri". Now I want to learn it on piano... Such a badass song!
That piece of music you wrote... It has such beautiful emotions, I still have goosebumps after hearing it. Love your work:)
its cool
That music at the end of the video is soo awesome. It is exactly the type of sound that makes me just stop, close my eyes and trip out for a while. Love it!
Great video. I have watched videos about modes before, but you actually made me understand the concept. So awesome! Definitely going to try jamming in E phrygian on the piano like you did.
No Beatles reference in a David Bennett video? Iâm shocked lol
I guess they dont like frige Eon
Your compositions are always so good. Your Phrygian work is wonderful.
Thanks Peter! đ
I love your videos, but you forgot the song âThis Is How We Do Itâ, which is in F Phrygian.
This is the best deep dive into Phrygian Iâve come across, and I love the exploration of tonal ambiguity. Hope you explore tonal ambiguity more in some later videos. Great work keep it up!
David, I just wanted to say I really appreciate your videos! This is so much more insightful to learning the modes, making it relatable to songs I know and very enjoyable. Your outro performances are also nice to listen to. I feel like your transition to the lower notes in this video reminds me of the interstellar theme a little. I donât know what mode that would be in, probably not phyrigian.
I know that David usually doesn't cover classical music, but one of my favorite examples of Phrygian being used is in Brahms' fourth symphony. The second movement (especially the beginning and the end) use E major Phrygian to give the movement a bold, exotic, and noble feel.
As far as I know, 'Misirlou' refers to an Arab theme and perhaps imitates aspects of Arabic music. In Wikipedia it says that it's a song about an Egyptian girl. However it seems to have been first published in Athens in 1920 (I definitely read that somewhere) and I'm quite certain that it was composed by a Greek who, like many of his generation, had recently been expelled from Turkey during the 'ethnic cleansing' taking place there in the early part of the 20th century. The whole 'rebetiko' scene came about as a result of that and I've always thought of this song as being born out of that culture. We might not know definitively who composed it but I very much doubt that it was an Arab. I just thought I'd share that thought but I'm not an expert in these field. I loved this videos as indeed all of your videos. Great work!
Thank you so much for these videos! I've been struggling with my mental health and even though I've studied music have been wanting with new ways to approach songwriting... these Mode explanation videos are a great refresher and great for songwriting inspiration!
Thatâs a great demonstration of modes with contemporary music.
It will helps a lot in my teaching of modes by providing examples.
Thx!
"It keeps the darkness of the minor scale, but it's somewhat darker"
Ah yes
The grimdark scale
nah locrian is grimdark
@@bigzube_8919 In the grim future of locrian there is only dissonance
The homestucks are inescapable
@@benbyrd4552 the term was coined in the late '80s after Warhammer 40000's slogan, "In the grim darkness of the 41st millennium, there is only war"
Homestuck merely popularized it outside the niche hobby of sci-fi wargaming
Ah yes
The vantablack scale
"You're As Cold As Ice" is in the Fridgeian Mode.
wheeeyyoooo
What about âPhrygian In The Rhygianâ by the Sex Pistols?
You've earned a new patron! đ Really great work, you've taught me so much, excited to keep learning with you.
Thank you for this one! I was hoping Phrygian would be the next mode you covered.
Really looking forward to the Lydian installment too!
Was listening to all these metal songs and never knew they were in Phrygian. Thanks David!
One of my favourite Phrygian moments is the Wherever I May Roam solo, where Kirk plays a Phrygian Dominant solo over the Phrygian main riff
Very good discussion of the phrygian mode. White rabbit always reminded me of the spanish flamenco song "Malagueña". Malagueña also combines phrygian with phrygian major. As you probably know the iconic guitar pattern starts with arpeggiated E major (E G# B E G# B) but melodically walks down as it resolves back using a G instead of G# ( A C B A G F E). I really love both of these songs. If you know Malagueña on piano I would love to hear it!
This video has been such an enjoying education to receive, thank you so so so much for making everything so clear!!
Awesome job making a very dark mode like Phrygian sound beautiful and melodic like your piece at the end!
Astounding! I'm totally nerding out on this right now!!!
That piece at the end was brilliant! Also, I felt the Tame Impala track was in C Phrygian - but that was from the small bit I heard in the video. Lovely video as always!
Love the vid. Of the song you chose to use as examples of the Phrygian mode, yours and Radio Head's were my favorite.
I love how you give many examples and compare different songs/scales/modes in the same video, so the concepts become much clear. and I think to be able to make these relations you've got to be an expert in the sense that you are comfortable to talk about all these possibilities (different scales, uses, contexts) without any hesitation. this is one of my favorite channels, the way you "mix" (music) theory and practice is wonderful.
great video! I love phrygian, such a distinctive sounding scale.
As always, great vid David. Loved the improv at the end. Another huge use is in Spanish/flamenco music.đ
You definitely have your way with using brilliant examples! Keep up the great work
Thanks for making this, I was hoping for a video about Phrygian since the one about Dorian.
Thanks so much for your videos. You make music theory simple and fun
I like the way you showed how it would sound in the usual scale. Good videođ
Just got home from Illinois... Locked the front door. OH BOY! A NEW VID FROM DAVID!
Welcome home!
Did you find it outside your back door?
@@mukhisunil lol actually, I did. Sitting on my porch, at that.
My personal favorite song in Phrygian is Montero! I love the Eb to E. It manages to be interesting while also being simple. Such a smart thing to have in a pop song
Edit: I NEVER REALIZED HUMBLE WAS IN PHRYGIAN đ
ye
I hope you are sarcastic lol
Lalala by bbno$ uses Phrygian as well I believe. It would be D Phyrgian
I love the composition you made at the end. Good documentary.
Your phrygian outro piece is very nice, thanks for this video.
You always choose the most interesting topic and the best way to present it, thanks for great video!!
And your composition at the last was a perfect song to begin my rainy Friday :)
Thanks đđ
A Pink Floyd example and then at 1:00 dark forebodings sounds, my head explodes!
I'll see you on the dark side of the moon!
thanks to you i've been able to play that misirlou part by just going up and down the byanthian scale, super fun scale
thank you david for this series! so helpful
I was thinking in the example that used D to set up the resolution to E that the natural set up would be to drop down from the flat 2 rather than rise from below. That's certainly how Gregorian chant tends to resolve Phyrgian.... so I was happy to see you doing precisely that in your piece at the end.
MAGNIFICENT!!! You are a young master ! Thanks!!!
Thanks đ
Such a deep and useful understanding came from this video. Thanks from Las Vegas, I have no musical background other then I know what sounds good and what needs more production. This made a beginner like me able to know what Phrygian mode is and how it's used.
thank you for these videos. I wish I had explanations like this years ago.
10:02 first time Iâve heard of where the Chemical Brothers got the sample.
David, I was hearing New Person, Same Old Mistakes in F minor. Just vibed with it.
That composition at the end, such a gorgeous chord prog
Really well done video! I was waiting for Missy Elliot's "Get Your Freak On" to come up in a video about Phrygian and you listed it. It's a really great use of the sound imo. as it makes it light hearted.
The KLF - What Time is Love?
UMF - Unbelievable (chorus)
Massive Attack - Angel
the first three songs that popped into my head
Mm also Inertia Creeps - Massive Attack.
Also Butterfly caught
For that Tame Impala song, I think the bass line makes it very clear that the tonic note is C.
Your composition on this one is really really beautiful!
This kind of video is amazing! Continue the awesome job!!!
great video, learned a lot from it, thank you!
sound of muzak by Porcupine Tree has a fantastic chorus, and an iconic drum beat that even the drummer can't explain...
Love your music at the end of the vid, very nicely played
Thank you!
Thanks for these informative videos. I'm new to music theory. I first viewed it with intimidation,but that has changed to curiosity as I explore it as one would a cave or forest. I can't uncover everything on my first visit,but I can keep exploring.
'Meeting of the Spirits', the opening track from the Mahavishnu Orchestra's first album 'The Inner Mounting Flame' is a good example of a Phrygian mode piece (instrumental rather than song in this case) in the fusion genre. The explosive intro chord sequence gives way to the arpeggiated F# Phrygian riff that acts as a foundation for most of the rest of the track and band members' solos.
My favorite mode! :)
your profile picture is excellent!
U have given us a great insight into the real world usage of phrygian scale. that's awesome. Cheers đđđ
Thanks!
Definitely with you in hearing C as the tonic in the Tame Impala song. Thanks for another wonderfully educational video!
2:52 "MEGADETH, MEGADETH, AGUANTE MEGADETH"
Great video, ty for using the argentinian concert for megadeth âĄ
lol I recognized the same chant
for someone who mentions megadeth four times in there comment you could spell it right maybe.
@@loganp82 not a big fan of them honestly, but that concert is iconic
@@loganp82 there u go
Imagine if there were non-Phrygian pop songs in Phrygian. "The Man Who Sold the World" by David Bowie; "Bang Bang (My Baby Shot Me Down)" by Nancy Sinatra. I think that would be really cool.
I just tried playing The Man Who Sold The World in Phrygian and it sounded *so* wrong lmao
I mean the main riff to The Man Who Sold The World uses the b9 on the A chord, but yeah, I think that might sound cursed
If you frame A as the tonal center of Man Who Sold the World, it's basically A Phrygian but always replacing the A minor w/ A major.
Or you can call it D minor since that's where it ultimately resolves, but the ambiguity is still present. It is Bowie after all.
Bang Bang was originally written by Cher; Nancy Sinatra just did a cover.
@@thomasrinschler6783 , actually it was written by Sonny Bono for Cher to record.
I came to ear some phyrgian licks, I learnt a lot about modes. Thanks
I think it's genius that "New Person, Same Old Mistakes" has this ambiguous 'major/minor' feel because the chorus has this contrast of optimism ('feel like a brand new person') and pessimism ('but you'll make the same old mistakes'). And these voices argue with each other